Main cast Henry Fonda; Susan Strasberg; Christopher Plummer; Joan Greenwood; Herbert Marshall
Genres Drama, Romance
Description A small-town actress (Susan Strasberg) meets a New York producer (Henry Fonda) and playwright, and replaces their show's moody star (Joan Greenwood). This film marked Christopher Plummer's film debut, and was a remake of the 1933 âMorning Gloryâ with Katherine Hepburn. Douglas Fairbanks, Jr., and Adolphe Menjou in the corresponding three lead roles.
Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star, simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics
The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and eventual divorce from her first husband, Nick Arnstein.
Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"? This was Katharine Hepburn's third film, and resulted in her first Academy Award for Best Actress. The film is based on a play and was remade in 1958 as "Stage Struck", with Susan Strasberg, Christopher Plummer and Henry Fonda in the three lead roles.
In 1911, Vernon Castle, minor stage comic meets stage-struck Irene Foote. A few misadventures later, they're married. They abandon comedy to attempt a dancing career, which lands them in Paris without a sou. Fortunately, agent Maggie Sutton hears them rehearse and starts them on their brilliant career as the world's foremost ballroom dancers. But at the height of their fame, World War I begins...
Charles Dobbs is a British secret agent investigating the apparent suicide of Foreign Office official Samuel Fennan. Dobbs suspects that Fennan's wife, Elsa, a survivor of a Nazi Germany extermination camp, might have some clues, but other officials want Dobbs to drop the case. So Dobbs hires a retiring inspector, Mendel, to quietly make inquiries. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan.
Filmed during the German occupation, this French milestone centers around the theatrical life of a beautiful courtesan and the four men who love her. Voted the "Best French Film in History" by the French Film Academy in 1990.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Me and Orson Welles is a period-drama film directed by Richard Linklater and starring Zac Efron, Christian McKay and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant.
Accomplished British screenwriter Christopher Hampton directs the political drama Imagining Argentina, based on the novel by Lawrence Thornton. Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda (Antonio Banderas) and his wife Cecilia (Emma Thompson). Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody. Soon Carlos develops the supernatural ability to see into the future and he imagines his wife meeting an awful fate during an escape attempt. To make matters worse, their teenage daughter Teresa (Leticia Dolera) is also kidnapped. Imagining Argentina was nominated for the Golden Lion at the 2003 Venice Film Festival. SCREENED/AWARDED AT: Venice Film Festival (ref. Amazon)
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
The story of a family troupe of English actors in India. They travel around the towns and villages giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.
A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities... What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.
Set in the early 90s, Dana (Shea Curry), a recently divorced young woman embarking on an acting career. Months earlier she met a young, charismatic, theater cast-mate, Jack (Michael Buie) in the Spring play at the local dinner theater. They seemingly look like good friends until flashbacks expose their history and brush with romance. Thus, "can a man and woman really be "just friends". Only For You is a story about life, love, friendships, choices and believing in ourselves at all costs. It addresses the question: "What happens when you find the right love at the wrong time?" and it is a story about life, love, friendships, choices and believing in ourselves at all costs.
A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater⦠there is no longer any difference.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's promised to Gennaro and which Gennaro would like to have to buy a ticket to the plush new movie theater. But grandpa's not ready to pass on the quarter or pass on to his final reward: he has some unfinished business with a woman from his past, and he enlists Gennaro to act as his emissary.
Abandoned by his prostitute mother in 1920, Douzi was raised by a theater troupe. There he meets Shitou and over the following years the two develop an act entitled, "Farewell My Concubine," that brings them fame and fortune. When Shitou marries Juxian, Doutzi becomes jealous, the beginnings of the acting duo's explosive breakup and tragic fall take root.
Jorge is a young man whose plans for the future are put on hold when his father has a stroke. For seven years, he diligently nurses his father and works as a janitor while studying part time to get a business degree.When Natalia, his childhood crush, returns from a stint studying abroad, Jorge begins to yearn for something better. He is desperate to find a new and better job, but finds that no one will hire him because he has experience only as a janitor. Antonio, Jorgeâs older brother, soon to be released from jail, is an opportunist who has never gotten along with their father. In prison, at a theater workshop, Antonio meets Paula, a beautiful young woman in jail on drug charges. Paula has a problem because she flirted with another inmate's boyfriend.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
For Ever Mozart is an episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France. Director Jean-Luc Godard presents stories about this troop to ask how one can make art while slaughters like the one in Bosnia are taking place, and he throws in a strong critique of the European Union. For Ever Mozart is one of Godard's most disjointed and difficult films. Its stories sometimes seem to form a whole and at other times the links among them are unclear. One gets the impression that in each episode Godard attempts to start a film only to come to the conclusion that it is impossible to continue. It features some of the most beautiful shots of tanks in the cinema.
Three theater students, influenced by a professor and French theorist Antonin Artaud's acting technique, begin to experiment with their own lives, searching for real emotions and situations to bring onto the stage. Their obsession with becoming better actors leads them to their darkest sides, surpassing boundaries that neither they nor their teachers could ever imagine.
Goodbye, Dragon Inn is set in the approximately ninety minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn. Only a few people are present in the cinema, and a variety of subplots are developed around them. Throughout the film, the ticket woman tries to find the projectionist, searching for him in order to present him with a steamed bun. A young Japanese tourist wanders around the cinema in search of a homosexual encounter. An older man tells him that the cinema is haunted. An old man, who was one of the actors who appeared in the original Dragon Inn, watches the film with tears in his eyes. Outside the theater, he encounters an older man who had been watching the film with his grandson; this man also starred in the original film. The film is shot with almost no camera movement, most shots lasting well over thirty seconds. There are only about a dozen of lines of dialogue.
Walter Vetrivel is a 1993 Indian Tamil film, directed by P. Vasu, starring Sathyaraj, Sukanya and Ranjitha in lead roles. The film had musical score by Ilaiyaraaja and was released on 14 January 1993. It completed a 150 day run on theaters and became one of the highest grossing films for Sathyaraj during 90's in terms of revenue. The movie released to extremely positive reviews and became a blockbuster. The film was later remade in Telugu as S. P. Parasuram with Chiranjeevi and in Hindi as Khuddar with Govinda.
What Is It? is the name of a 2005 experimental film written, starring, funded and directed by Crispin Glover. As of 2008, the film has only been shown at independent theaters, typically accompanied by a question and answer session, slideshow and meet-and-greet/autograph signing with Glover.
George's partner in vaudeville quits their act, claiming that Betty has broken his heart. George then teams up with Charlie, a stranded trouper, and Irving becomes their manager. Later, in New York, the "Two Black Crows" star in their own revue and save money to build their own theater on Broadway. Betty comes to the theater with her lover, who poses as a cousin and induces George to hire her. He showers her with jewels and money. She tries to persuade George to invest in oil stock her lover is selling, and though their act is a success, Charlie fires Betty. When Charlie and Betty's lover quarrel, Charlie is injured.
Battling insomnia and undiagnosed PTSD, a war veteran works nights as a projectionist at a decrepit theater. While struggling to adapt to civilian life, he soon finds himself tangled in an inescapable web of seduction, addiction, and violence.
A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.
A theater projectionist's daughter is involved in the Resistance in WWII, but she doesnât share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.
Three attendees at a puppet theater don various roles in order to sing a variety of songs by Jacques Brel, all while hippies and other eccentrics cavort about them.
A small town of Central America in the eighteenth century. Camilla, the star of a theater company, hesitates between three men. The Vice King gives her his magnificent golden coach. A young Spanish officer suggests the two of them settle down together among Indians. Ramon, a torero, offers her a share of his glory.
In a touring Shakespearean theater group, a backstage hand - the dresser, is devoted to the brilliant but tyrannical head of the company. He struggles to support the deteriorating star as the company struggles to carry on during the London blitz. The pathos of his backstage efforts rival the pathos in the story of Lear and the Fool that is being presented on-stage, as the situation comes to a crisis.
The lives of a close-knit group of brothers growing up in Iowa during the days of the Great Depression and of World War II and their eventual deaths in action in the Pacific theater are chronicled in this film based on a true story.
Inga, an unemployed actress, meet a sweetheart, Kim, from days long gone at a train station. Over coffee they reminisce about their romance and how Inga left Kim for a moderately successful acting career and the attractive theater director Leo Waller. Plot by Mattias Thuresson.
A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.
Hoping to catch a girl's attention, high school students Ken (Tsumabuki Satoshi) and Adama (Ando Masanobu) cook up an ambitious plan. They plan a festival that combines film, theater, and rock music, and develop their project into a school road block. This plan however catches the attention of television stations and newspapers, and soon even the cops became involved in this teenage adventure.
Low-profile theater troop actor Mutsugoro Suzuki begins an oneiric journey back to his hometown, marked by his quest to find the one responsible of infecting him with a STD.
The professional and emotional cross-currents between two romantically entwined theater actors played by the directorâs son Louis and Anna Mouglalis.
Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.
Covering the tulip festival in Little Delft, Michigan, reporter Henry Taggart takes a room at an inn ran by an eccentric old Dutchman, Mr. Van Maaster and his seven daughters. The eldest, Regina, is spoiled and stage-struck while Billie, Victor, Albert, Cornelius, Peter and George work there as boys. Henry, momentarily attracted to Regina, realizes he is in love with Billie when he hears her sing. Billie, resists his attentions, believing him the property of Regina since it is a Van Maaster family tradition that no girls in the family can marry until the eldest has. Billie admits her love for Henry but Regina will not relent. The old man trails Regine to New York where she says she has eloped, and asks that Billie marry Henry. Six couples in wedding clothes stand at the altar in the Little Delft church; Billie and Henry and the five other sisters with their intended.
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with Charlie's girl Sylvia while Charlie spends his time with young actress Julie. Written by Mattias Thuresson
Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know her identity and plan to kidnap her and hold her for a king's ransom.
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights?
In search of an emissary to represent the American theater at an arts expo in Paris, a State Department bureaucrat (Ray Bolger) invites Ethel Barrymore to appear -- too bad her invitation is sent to chorus girl Ethel "Dynamite" Jackson (Doris Day) instead! Not one to look a gift horse in the mouth, Miss Jackson hightails it to Paris -- with the bureaucrat in pursuit. A plethora of song-and-dance numbers ensues in this Sammy Cahn-scored musical.
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