The Angry Silence (1960)

Director
Guy Green

Main cast
Richard Attenborough; Pier Angeli; Michael Craig; Bernard Lee; Alfred Burke

Genres
Drama

Description
A young factory worker stands alone against a proposed strike.


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The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals. Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film.
In Warsaw in 1980, the Communist Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
Professor Sinigaglia (Marcello Mastroianni) is the title character in this darkly comedic Italian drama about mistreated factory workers in the city of Turin. Toiling away in appalling conditions in a textile mill, these employees have no one to stand up for them until Sinigaglia puts his academic career on the line by helping them to start a strike. Although the teacher comes under scrutiny by unsympathetic authorities, he maintains his dedication to the workers' cause.
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Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.
Wind From the East is a product of Jean-Luc Godard's involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.
During the winter of 1944, the partisans stationed in the Ligurian Apennines must go to a factory in Genoa, in order to pick up a delivery of weapons. Meanwhile, there's a strike in the city and the Nazis are trying to suppress it violently. The factory becomes the scene of fighting between the Germans and the partisans but the latter, aided by the workers, will be able to get the better.
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SKŘIVÁNKY NA NITI natočil v roce 1969 Jiří Menzel na motivy povídek z knihy Bohumila Hrabala Inzerát na dům, ve kterém už nechci bydlet (1965). Dvacet let zůstal film uzavřen v trezoru, protože odkrýval skutečnosti padesátých let, jež měly zůstat skryty. Jeho děj se odehrává v kladenských ocelárnách, kam byli posíláni na brigádu "političtí provinilci" (živnostníci, intelektuálové i lidi pevní v náboženské víře). Vedle nich pracují na šrotišti i ženy a dívky, uvězněné za pokus o útěk za hranice, tzv. "kopečkářky". Celý film je jediným pásmem paradoxních, někdy groteskních, jindy lyrických situací.
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