State of Siege (1972)
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A ruthless inquisitor spins the superstitions of local peasants into religious heresy, finding cause to accuse dozens of innocent men and women of witchcraft. The inquisitor targets nobles and merchants, whose property and goods are then confiscated. After suffering an array of medieval tortures, most of the accused confessâonly to be burned alive at the stake as helpless villagers watch. With its bold and striking cinematography, the film captures scenes of both daring nudity and brutal torture
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Film adaptation of the same-titled comic popular for its extraordinary premise. Up-and-coming Yoshida Kota, known for his humorous yet sensual style in films like Usotsuki Paradox, creates a unique coming-of-age drama about love between two girls, with elements of sports and perseverance sprinkled throughout. The "Torture Club" is an official afterschool activity at the private school Saint Honesty Gakuen. Yuzuki (Kijima Noriko) has no idea about the club when she enrolls, and gets abducted by the club members and hauled off the clubroom. There, she finds out that upperclass student Aoi (Yoshizumi Haruna), her secret idol, is in the club, and decides to join, butâ¦
This is only the second Audie Murphy movie set in WWII after his autobiographical "To Hell and Back." Here Murphy steps out of his usual kid-Western role to play a civilian working for the Navy helping supply guerilla insurgents in the Philippines. His sole motive is not politics nor bravery, but to find his bride from whom he was separated during the Japanese invasion two years before
In 1599 Italy, Beatrice Cenci is the teenage daughter of the crazed landowner and nobleman Francesco Cenci whom he keeps his daughter locked up in the dungeon of his castle and sexually abuses her as well. Beatrice then plots with her stepmother, her besotted servant Olimpio, as well as a local bandit, named Catalano, to plan Francescoâs murder.
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
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