Day Of The Nightmare (1965)
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A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability to communicate with sharks telepathically, setting out to destroy anybody who harms sharks. People enter into his strange world to exploit his weird passion, and he uses the animals to gain revenge on anybody who double crosses him.
In an isolated house, a group of friends battle supernatural forces as they try to protect a young woman from an evil cult in this low-budget shocker that pays homage to 70s horror and exploitation classics.
Tina possesses the gift of telekinesis, allowing her to move things and see the future, using the power of her mind. But when a devious doctor tries to exploit her ability, the gift becomes a hellish curse. Tina unwittingly unchains the merciless bloodthirsty Jason Voorhees from his watery grave, igniting a bloodbath that ends in the ultimate showdown in strength of mind versus pure evil matter.
After a night of drunken exploits, Allison, Harris, and Kira are chased and terrorized by the ghosts of a child pyromaniac, an ax murderer, and a rapist.
Ilsa is a warden at a Nazi death camp that conducts experiments on prisoners. Ilsa's goal is to prove that woman can withstand more pain and suffering than men and should be allowed to fight on the front lines
Two full length feature horror movies written by Quentin Tarantino & Robert Rodriguez put together as a two film feature. Including fake movie trailers in between both movies.
A brave scientist has been studying thousands of cases related to alien abductions. By placing abductees under hypnosis, he arrives at the unsettling discovery that for thousands of years, a variety of extra-terrestrial races have been installing their active memories in abducted people's brains. These alien races exploit a powerful source of energy that only humans have: the Soul.
Small-time police chief and struggling alcoholic Jesse Stone looks into the murder of a teen-age girl whose body is found floating in a local lake. The case brings the former LAPD cop up against the Boston mob and into the affluent world of a bestselling writer who exploits troubled teens.
Exploitation auteur Doris Wishman (Bad Girls Go to Hell) provides the most over-the-top entertainment of her career with this film about a nice guy who turns murderous after undergoing a penis transplant. As it turns out, the well-endowed donor was a serial rapist who preyed on women with gold earrings -- a habit that our unfortunate hero (João Fernandes) has inherited along with the man's penis.
Manushya Mrugam mystery film written, directed by and starring Baburaj. It is not an adaptation of the 1980 Malayalam film with the same title starring Jayan. The story is about sexual exploitation of young girls.
Linda Blair plays Carol, a young woman who must serve 18 months in prison after drink driving and killing a man. The prison turns out to be brimming with decadence, corruption and sleaze, where the other female inmates are sadistic crack-selling lesbian rapists and the guards and warden are no better.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs".
The film revolves around the exploits of a detective agency in Hong Kong called Mannix Private Detective Agency. It is headed by private detective Wong Yeuk Sze (Michael Hui) with his emotionally drained assistant Puffy (Ricky Hui). Meanwhile, Lee Kwok Kit (Samuel Hui), a kung fu expert, who works at a Vitasoy plant factory and spends most of the time doing kung fu tricks to impress a girl, ultimately loses his job. Seeking to find another line of work, Lee attempts to joins Wong's detective agency. Despite Lee's impression with his kung fu talent which involves his snatching trick, Wong was not impressed. Then, as it appears that Lee would not get the job, Wong discovers that his wallet was missing and was presumed stolen by one bystander who bumped into them. Lee intercepts him and recovers the wallet, thus impressed Wong to hire him for the job.
He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.
A group of men and women travel to a Carribean resort to discover themselves sexually but unfortunately one of them has also discovered that they like to murder people too.
Christine gets her big chance at modelling when she applies at Sybil Waite's agency. Together with Christine's sister Betty they go to a castle for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modelling: she is recruiting a virgin for induction into a witch's coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.
Ilsa, now a vicious warden, runs a mental-hospital for young women.
An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.
THINGS is a 1989 low budget independent feature length B-movie grade horror exploitation film written and produced by Andrew Jordan & Barry J. Gillis. Marking the 1989 mainstream film debut of porn star Amber Lynn, the film has a cult following of fans who call themselves "Things-ites".
Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
Follows the exploits of a beautiful woman who dances with snakes.
Due to political pressure from the American public, the Air Force has decided to allow two well-known reporters limited access to the most secretive base on the planet. But when one of the baseâs âlong-term visitorsâ exploits this unprecedented visit as a chance to liberate himself and his fellow alien captives, Area 51 turns from a secure government base to a horrifying destination of terror.
Imagine walking down the street and finding an unmarked VHS tape. Curiosity peaked, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair.
Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meatâs script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
Sex Madness (1938) is an exploitation film directed by Dwain Esper, along the lines of Reefer Madness, supposedly to warn teenagers and young adults of the dangers of venereal diseases, specifically syphilis. Wild parties, lesbianism, and premarital sex are some of the forms of madness portrayed. The educational aspect of the film allowed it to portray a taboo subject which was otherwise forbidden by the Production Code of 1930, and its stricter version imposed by Hollywood studios in July 1934.
Documentary on popular exploitation sub genre, sexploitation.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Oliver Fellows, a failed city banker, is pursuing fulfillment on an old farm in Southern Portugal. He and his neighbor, Manel, face unprincipled enemies in a highly amusing quest to save their valley from exploitation.
The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.
1948 hygiene/pregnancy roadshow exploiter.
After housewife Ellen is raped by the janitor she kills him and hits the road. She travels to the Big City where she is repeatedly used and abused. And when she finally finds a safe place to live her landlady's son turns out to be a detective, which threatens her newly found identity and peace of mind.
Tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing her husband's ring ; the funeral of a dead child ; the gambler Count Prospero B. defeated by a kid ; the unexpected and unusual wedding of Teresa, a prostitute ; the "professor" Ersilio Micci, a "wisdom seller".
A story of two teenagers trapped in the world of illegal underground boxing. One is fighting to save his fathers life and using the money pay off gambling debts accumulated by his father. The second is fighting for the money to get out of the ghettos. While being exploited by a boxing promoter the two teens become friends. An explosive ending puts the two friends in the ring against each other.
You've heard of Hollywood, a town of tinsel and glamour, the town of Paramount, Columbia and MGM. But there is another Hollywood, a place where maverick independent EXPLOITATION FILMMAKERS went toe to toe with the big guys and came out on top!
One of the earliest exploitation films from South Africa, directed and produced by independant film maker Pierre D. Botha. This is a classic example of a ârestless youthâ film. The action takes place in Johannesburg (The Godless city of the title) and focuses on the youth sub culture of the âDucktailsâ (âa white youth gang subculture which emerged within post Second World War South Africa. Rebellious, hedonistic, apolitical and showing little respect for the law, education or workâ).
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.
VIVA is about a bored housewife in 1972 who gets sucked into the sexual revolution. Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia. Saturated to the hilt with vibrant color and exquisite period detail, and full of the kind of innocent nude romps you see before censorship codes lifted, VIVA looks like a lost film from the late '60's, and is a tribute to the best of exploitation cinema, from Herschell Gordon Lewis' Suburban Roulette to Radley Metzger's Camille 2000.
The film offers a comprehensive examination of the exploitation of animals in modern society.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
After the mob hits a guy with a list, one of the hoods keeps the list for himself to blackmail the people on it. When the mobsters find out he's a double-crosser, they off him, which angers his busty girlfriend. She goes after them using the only two weapons she has.
Kirsten Baker and Leslie Cedarquist are the Girls Next Door in this buoyant sexploitationer. The ladies move in bag and baggage into a sleepy suburban community. Before long, every husband in the vicinity has fallen for their charms. A few trousers have fallen as well, which is why the film carries an R rating. The Girls Next Door is worth watching for an early performance by TV favorite Perry Lang.
Jennie is a twelve-year-old girl living with her parents in extremely rural mountain country. Her schoolteacher, Miss Carol, though a mountain girl herself, has gone off to be educated and returned in hopes of stopping the tradition of child marriage which permeates the culture. Jennie's father Ira is a good man who tries to protect Miss Carol from the men who threaten her if she doesn't call off her crusade. One of these men, Jake Bolby, has his eye on little Jennie and plots to make her his bride.
A no-budget tribute to 60s exploitation queen Doris Wishman and filmed in sordid black and white and searing colour, "Lesbo-A-Go-Go" follows the once-innocent Sugar on a wild psycho-sexual downhill spiral into degradation, drug addiction, delirium and ultimately damnation.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Grier and Haig are thieving mercenaries who engineer a prison break from the outside.
A tough gang of teenage girls are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core, these impossibly outrageous high school hoodlums go where they want ... and create mayhem wherever they go!
An alcoholic doctor on a Polynesian island, disgusted by white exploitation of the natives, finds himself marooned on a pristinely beautiful island.
The story, a Communist re-telling of Gulliver's Travels, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput suffering under capitalist inequality and exploitation.
Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.
A serious Swiss melodrama/documentary about abortion, marketed as a sexy exploitation movie in the US. The film contains real medical footage.
Savage Wolf Pack pulls no punches from the opening sequence and plays with the conventions of the revenge action genre. Yasuhara Hasebe, director of the Stray Cat Rock series, delivers another fine exploitation film. Tetsuya Watari (of Tokyo Drifter fame) delivers a magnificent performance as a professional big game hunter whose younger sister committed suicide after being brutally raped by a biker gang. (via http://www.tasteofcinema.com/2014/20-great-asian-movies-you-probably-havent-seen/3/)
A socio-realist drama-comedy ï¬lm, it follows a seemingly usual day in the life of LOIDA MALABANAN (Vilma Santos) as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.
Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina, an American spy posing as a gambler.
Inara, The Jungle Girl (2012) is about a young girl in the military whose world comes crashing down when her father passes away. Offered a mission to the remote island of N'iah in order to exploit the precious oil and metals found there. Inara discovers that the jungle and the women who inhabit it, have more in common with her than she knows.
Grim and gory, this trashy drama chronicles the exploits of a sexually frustrated psycho killer who terrorizes a backwoods Carolina community and butchers the girl friend of a country western singer after she refuses to service.
The revealing story of the shocking exploits of those who fulfill the most bizarre fantasies.
Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others. It was Meyer's first color film following a string of black & white "roughie nudies", including Faster, Pussycat! Kill! Kill! While a straightforward sexploitation film, the film owes some debt to the French new wave and cinéma vérité traditions, and is known to some under the titles: 'Mondo Girls' and 'Mondo Top.'Its tagline: "Two Much For One Man...Russ Meyer's Busty Buxotic Beauties ... Titilating ... Torrid ... Untopable ... Too Much For One Man!"The film was banned in Finland.http://en.wikipedia.org/wiki/Mondo_Topless
Pornography, prostitution, devil worship ⦠this sexploitation gem from the 1960s offers it all in the story of a sexually frustrated college student for whom reality and fantasy blur as he turns to voyeurism to satisfy his deviant urges. Looking beyond his prudish girlfriend and sleepy town to fulfill his needs, Jerry (Forman Shane) travels south of the border for an orgy of peep shows and pills -- but his lust pushes him to the brink of insanity.
After escaping a Communist dictatorship in Eastern Europe to make his American dream come true, together with his close friend Ed Wood, Stephen became the father of sexploitation cinema â before the liberalization of pornography. Chronicling his life and work including a hilarious look at his directorial debut / breakthrough, âOrgy of the Dead, which was adapted by Wood from his own novel, had about 20 pages of script, a cemetery set they could use and âno ideas,â this documentary proves Stephen is deserved of the title â worst director of all time!
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