The Projectionist (1971)
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A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
First the world was normal, everyone was happy. Then, the apocalypse happened and everything changed. Politics failed. Civilization fell into disarray. Out of the muck of this primordial devastation rose the hideous, deformed and evil Mutantzoids destroying everything in sight with their horrible mutant powers and appearances. None would stand in their swath of destruction, with the possible exception of... STEEL OF FIRE WARRIORS 2010 A.D. Written by Kevin Clarke
Danny is obsessed with a fictional movie character action hero Jack Slater. When a magical ticket transports him into Jack's latest adventure, Danny finds himself in a world where movie magic and reality collide. Now it's up to Danny to save the life of his hero and new friend.
Goodbye, Dragon Inn is set in the approximately ninety minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn. Only a few people are present in the cinema, and a variety of subplots are developed around them. Throughout the film, the ticket woman tries to find the projectionist, searching for him in order to present him with a steamed bun. A young Japanese tourist wanders around the cinema in search of a homosexual encounter. An older man tells him that the cinema is haunted. An old man, who was one of the actors who appeared in the original Dragon Inn, watches the film with tears in his eyes. Outside the theater, he encounters an older man who had been watching the film with his grandson; this man also starred in the original film. The film is shot with almost no camera movement, most shots lasting well over thirty seconds. There are only about a dozen of lines of dialogue.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.
For Rod Kimball, performing stunts is a way of life, even though he is rather accident-prone. Poor Rod cannot even get any respect from his stepfather, Frank, who beats him up in weekly sparring matches. When Frank falls ill, Rod devises his most outrageous stunt yet to raise money for Frank's operation -- and then Rod will kick Frank's butt.
A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.
The "Ape Woman" is Annie Girardot, completely covered with hair; the entrepreneur Tognazzi discovers her in a convent in Naples; he marries her (a condition imposed by the nuns) and begins exhibiting her to the public. He tries to sell her to a funny guy who insist on her virginity, but she is a little reluctant. After tasting success in Paris, she dies during childbirth. Tognazzi recovers her mummy from the museum of natural history and exhibits it in Naples. The subject looks a little camp, but the film is considered one of the most touching of Ferreri's.
When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!
Ole and Chick are making a movie, but the director is not satisfied. So he brings them to a young writer, who outlines them an absurd story. They have to support Jeff and Kitty in setting up a musical revue in their garden and want to bring it up on Broadway. If Jeff is successful he can marry Kitty. But there is his rich friend Woody, who also loves Kitty, Chick's sister Betty, who's in love with a false Russian count, and detective Quimby. They all make the thing very complicated for Ole and Chick. After some mistakes they think that Kitty isn't the right girl for Jeff and they start sabotaging the show, but the Broadway producer is impressed and signs the contract. That's the story the writer tells them. For this he's sued by the director.
Joe Dante directs this story of the glamour, the glitter, the magical allure of Hollywood... and not a speck of it rubs off on Miracle Pictures, where "If it's a good picture, it's a Miracle." This is a hilarious tribute to the unsung heroes who grind out the B movies massacred by critics, but nursed fondly in the hearts of film fans everywhere.
Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business - a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.
The story behind "the funny little wiggly man".
A free-wheeling chronicle of the Munich sex film industry in the 1970s.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartmentâs space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
John is in his thirties and is bored with his current life. It has been a while since the last time he saw his friends and he is dedicated to working alone - in a boring place - and the life of being just a boyfriend. Overwhelmed routine one day is dumped by his girlfriend and leaves the house they shared not knowing where to go. After spending a few nights in the house of his friend Goldstein, Juan will beginning to recover all that was forgotten in him. Rent an apartment, is reunited with his friends and when you begin to enjoy your life recently separated, his Chief assigned a job with Luciana, a colleague from the office. What at first seems silly becomes a tedium. John did not tolerate anything like Luciana. But for those rare things that sometimes happens, John starts to fall for her. Will Juan recovering its charms party? Or is about to commit the biggest mistake of his love life?
An unlikely couple fake a relationship to win a TV game show prize. Wannabe actress Estrella dreams of becoming a hostess on a romance reality-TV show presented by Amador Rosales. Meanwhile, movie usher and film buff Victor, who hates such reality shows, is being pressured by his mother to be a contestant.
In the wake of two back-to-back mass murders on Chico's frat row, loner Brent Chirino must infiltrate the ranks of a popular fraternity to investigate his twin brother's murder at the hands of the serial killer known as "Motherface."
Billy, a struggling young gay photographer (who likes Polaroids), tired of being the "other man", falls in love with Gabriel, a waiter and aspiring musician who is probably straight but possibly gay or at least curious. Billy tries to get Gabriel to model for his latest project, a series of remakes of famous Hollywood screen kisses, featuring male couples, while also trying to win his affections.
Paris,1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.
Executive transvestite Eddie Izzard takes his show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England and of Western empires, and the need for a European dream.
Joan Rivers is a spoiled, rich Beverly Hills woman who's angered so many people it's no wonder some might want to see her dead. But with her famously sharp tongue and quick wit, she manages to fend off con artists, gold diggers and several would-be murderers, including her husband (Alex Rocco). Meshach Taylor plays her devoted and long-suffering personal chef, who takes the role of protector. David Ogden Stiers and Morgan Fairchild co-star.
In a small village in Västergötland, everything is turned upside-down when the local loner dies and his cottage is inherited by his unknown relative Fanny. She rides into tow on a big black motorcycle with her androgenic boyfriend Zack, wearing black leather and spikes. When they decide to stay, Flogfält's plans to buy the cottage are upset.
Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of matchmaker and occasionally helps to put together some of his friends. He helps to separate his friend Hanka from Peter, an announcer for an independent radio station who tries to capture "real" life by recording the moments from "reality" and playing them over the air. Vesna, came to Prague from Macedonia because it is according to her the best place for UFOs to land, but her real reason for coming is somewhat different... Hanka is followed by the crazy Ondrej, until then a respected brain surgeon, and married with two kids. Through him she meets Jacob, who uses copious amounts of weed in order to be constructive in this gloomy world. On the other hand, this destroys his short-term memory - and he forgets that he already has a girlfriend...
Superstar Manoranjan learns that he has only a few days to live and approaches his mentor, director Margadarisi to direct his next project â a folklore-ish comedy about a man who keeps cheating death and his role in saving a kingdom. Meanwhile, he has to sort out his personal lives, which involves an estranged son and a daughter from the love of his life.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
Margo is an ex-stripper who meets her long, lost father in Mexico. She looks after him in the waning days of his life, with the help of a traveling projectionist. The father passes away, telling of the loot from a botched bank robbery that he buried years earlier. The two get jobs in town as their relationship grows and they search for the treasure on the weekends. But while the treasure seems to bring them together, it also seems to be tearing them apart.
PJ (Nani) is the grandson of a wealthy zamindar. PJ is an irresponsible youngster who is spoilt by the pampering and excessive money. His grandfather writes a will with several conditions before he dies. He writes the will that PJ will inherit his entire wealth only if he completes his graduation as a common man without any luxeries. The rest of the story is all about how PJ learns about values and life as he achieves his goal.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
National Lampoon's Gold Diggers is a black comedy about two losers in their twenties, Calvin Menhoffer (Will Friedle) and Leonard Smallwood (Chris Owen), who are out to get the good life without working for it. The two young men try to rob two 70-year-old sisters, Betty Mundt (Renee Taylor) and Doris Mundt (Louise Lasser). The two sisters beat the two young men up, and send them to jail. The ladies drop the charges, and invite the jailbirds to their Beverly Hills mansion. Cal gets an idea that they could marry the women for their money and live the good life. Hopefully, they will only live 6-months and at most one-year. It turns out that Betty and Doris are broke, and they have come up with a plan to marry the boys, kill them, and collect the life insurance money. After several unsuccessful murder attempts on each other, they join forces to rob Betty and Doris's rich uncle
Similar to "The Dirty Dozen" or one of that nature. Japan is trying to take over the world and the generals of the allied forces trying to stop the Japanese have been taken prisoner. A force of loners and fighters is put together to try and rescue the generals and save the war effort with the promise of gold and/or pardons of past crimes.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.
A fidgety, wisecracking video store clerk develops a fixation on a particularly reclusive customer, a frequent visitor to the pornography section of Cinefile, the video store where he works in Los Angeles. After multiple failures to impress her during their brief daily transactions, he finds her street address in the store's database, drives to her apartment building and initiates an unconventional campaign to win her affections.
After bonding over their mutual disinterest in relationships, self-proclaimed loners, Beck and Liam, decide to go away together on a âfriendâ trip where things get weird. Really, really weird.
Nozomi and Lana share an apartment in Tokyo. They have both auditioned for the same role in a movie, and know that the shortlist has been cut down to just the two of them. As they wait the night before finding out who will get the role, their personality clashes erupt into an all-out battle.
A story about a mostly normal young man who makes the most out of fitting in when he obviously doesn't.
Fedya is 20 years old. He works as a projectionist in a provincial cinema called "Rodina" (Motherland), and tries in vain to pull in spectators. When the local authorities decide to transform the "Rodina" into a shop, there is only one way out: to make a successful film and thus rescue the cinema! But what is required to get a good box office? Of course, a star! Desperate times demand desperate measures, so the children kidnap a celebrity from a passing train. And this is not just any star, but Dmitri Diuzhev! Well, maybe he does not exactly burn with the desire to be filmed here, but it doesn't matter as long as they have enough ropes, gags and sleeping tablets. Then here is a desperate producer who has just been demobbed, a philosophizing wedding photographer and the karate-practicing actress Zhenya, with whom Fedya is secretly in love.
Following the wedding of young Jenny Piper and Arthur Fitton (Hayley Mills and Hywel Bennett), a rowdy reception is held at a local pub where the newlyweds are subjected to much well-meaning but vulgar ribaldry.
The couple returns to the Fitton home to spend their first night together before leaving for a honeymoon in Majorca, but they are followed by some of the wedding guests who keep the party going until early morning. Worse yet, when the youngsters finally are permitted to retire, their bed collapses as the result of a practical joke.
Cherry Falls is a quiet little town - until the night that a serial killer begins preying on its youth. After a third teen is found slain, the killer's modus operandi emerges: the victims were all virgins. Sheriff Marken (Michael Biehn), is concerned for the safety of the teens in general and in particular his own daughter Jody (Brittany Murphy), who is still a virgin.Once the students realise that to save their skins they're going to have to lose their virginity now, a meet-and-mate party takes shape. Jody finds herself at the centre of the mystery and the mayhem. As the students' 'Pop Your Cherry' ball gets going off campus, Jody takes matters into her own hands, in more ways than one...
Jim is a shy, withdrawn loner, pervert, and virgin. Lana is a friendly and outgoing born again Christian who has renounced her promiscuous drug filled past. They have never met until they step into an elevator together one day. The elevator gets stuck between floors, and they start to get to know each other...
When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels.
Loner freshman Jake Taylor is forced to join the wildest fraternity on campus when the frat brothers refuse to accept his geeky cousin/roommate unless Jake agrees to pledge with him. As the semester progresses, Jake struggles to maintain his grades as well as his affair with Paige, a beautiful sophomore who hates all fraternities. Through naked scavenger hunts, sorority ass-signings and all night
For the first time in history a woman is appointed to the U.S. Supreme Court, where she becomes a friendly rival to a liberal associate.
Rex is a loner, and when he's told he doesn't have long to live, he embarks on an epic drive through the Australian outback from Broken Hill to Darwin to die on his own terms; but his journey reveals to him that before you can end your life, you have to live it, and to live it, you've got to share it.
After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York City. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.
Tripper is the head counselor at a budget summer camp called Camp Northstar. In truth, he's young at heart and only marginally more mature than the campers themselves. Tripper befriends Rudy, a loner camper who has trouble fitting in. As Tripper inspires his young charges to defeat rival Camp Mohawk in the annual Olympiad competition, Rudy plays matchmaker between Tripper and Roxanne, a female counselor at Northstar.
This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.
When Danny O'Shea's daughter is cut from the Peewee football team just for being a girl, he decides to form his own team, composed of other ragtag players who were also cut. Can his team really learn enough to beat the elite team, coached by his brother, a former pro player?
Two girls from the Valley wake up to find that a passing comet has eradicated their world and left behind a mysterious red-dust and a pack of cannibal mutants. With the help of a friendly truck driver, the girls save the earth from a villainous "think tank," karate chop their way through flesh-eating zombies, and, of course, find time to go to the mall.
Too insecure to approach the girl of his dreams, Danny takes a job at the local multiplex where she works
Beatle is a quirky loner who refuses to live by society's rules. Her business cards read "Towing/Assassination," and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena's crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he's got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's taken up with a friend of his, Jack. Elizabeth, stung by Max's refusal to marry, catches Jack's eye, but the friendship seems innocent. Lena, who works with Max, likes him and realizes she can manipulate his jealousy and maybe engineer his split from Elizabeth. When she's sure Elizabeth is with a man, she calls Max at work, sending him home to confront the lovers. Then, Lena feels guilty and takes off for Max's apartment. What's really going on? Who's with Elizabeth?
The story takes place in a Soviet placed in what is now Ukraine. A mechanic arrives in the Soviet, lead by a young independent woman driving tractors and, between many comedy sketches and propaganda mottoes, a love comes to light.
Columbus (Jesse Eisenberg) has made a habit of running from what scares him. Tallahassee (Woody Harrelson) doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.
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