Arabian Nights (1974)
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In total despair, Anja is about to throw herself from a bridge. At that very moment, Henry drives past in his car. Thinking she's a prostitute, he invites her home with him. Anja pretends to be what Henry initially thought. She refuses to explain the reasons for her apparent attempt at suicide. The two begin to play strange games, engage in unusual sex, leading Anja to try fleeing the apartment, but Henry catches her. Forced by Henry, Anja tells him about Lilly who was raped and then killed someone, leaving Henry with the impression that Lilly and Anja are one, the same person. They play more mind games, make love, and after Anja going back and forth trying to leave, Henry finally lets her go. She goes, but is back again soon after. And with a vengeance, she causes a series of strange events which will change the course of both of their lives
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Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.
A 'chance' meeting in the street, give you the opportunity to Agata and Marc to help each other to overcome the inertia of their lives. Tired of going from bed to bed and boy to boy, Agata is confronted with the challenge of staying, not flee to problems. But Agata does not know what's wrong, feels a barrier to enjoying sex. The parents of Agata added to the situation, an extra humor and problems. Eroticism, sensuality, tension and humor, make this film a new style of film making, where bodies do not hide and the sex scenes are displayed naturally, openly.
Its all in the family in this incest erotica as an elderly father goes after his daughter-in-law and the son goes after his young step-mother. Young bride Mikage (Osawa Yuka) is soon to be married to Youiti the son of the Chairman of a supermarket chain. Mikage moves in to stay with Youiti at his fathers big house to prepare for their upcoming wedding. Youitis father is called the Chairman who has taken on a young wife named Yukino after his first wife Maeda (Youitis mother) passed on. Despite his age and his heart problem the Chairman is quite a sex maniac. He quickly closes in on his sons bride Mikage and forces himself on her. Youiti on the other hand is drawn to his young step-mother Yukino.
As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers. In each story, a woman, trying to save her lover from his ultimate tragic fate, fails. The young lady realizes the meaning of the tales and takes the only step she can to reunite herself with her lover.
A woman who has psychic visions returns to her hometown to exorcise her demons. Once there she finds both danger and love.
Banned for over a decade because of its "explicit" sexual situations, when this film was released in Yugoslavia in 1983 the "explicit" scenes had become tame. Other than the notoriety it obtained through censorship, the film has an undistinguished story about the forbidden love affair between the older wife of a sports director and a young athlete.
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