American Boy: A Profile of: Steven Prince (1978)
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Funny, passionate, exciting, and smart: âMuse Of Fireâ will change the way you feel about Shakespeare forever. This unique feature documentary follows two actors, Giles Terera and Dan Poole, as they travel the world to find out everything they can about tackling the greatest writer of them all. Together they have directed and produced an inspiring film that aims to demystify and illuminate Shakespeareâs work for everyone: from actors, directors and students of all disciplines, right through to the? man on the street? Denmark with Jude Law, Baz Luhrmann in Hollywood, Prison in Berlin, and on the street with Mark Rylance. Think Shakespeare is boring? Think again!
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people.
A historian, Tom Holland, looks at the origins of Islam and questions it's history and authenticity.
A documentary that weaves together the stories of Theodore, Franklin and Eleanor Roosevelt, three members of one of the most prominent and influential families in American politics.
The love story between British writer, Christopher Isherwood (whose book 'The Berlin Stories' inspired the musical and film Cabaret) and Don Bachardy, American portrait artist.
Martin Scorsese celebrates American movies from the silent classics to the Hollywood of the Seventies. Films featured include: 'The Searchers', 'Citizen Kane', 'Intolerance' and 'The Crowd'.
Filmmaker Martin Scorsese interviews his mother and father about their life in New York and the family history back in Sicily.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.
"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family.
Martin Scorsese's rockumentary intertwines footage from "The Band's" incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Ringo Starr and other rock legends.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
In Search of Kundun, a âmaking-ofâ documentary that is so much more, follows Scorsese as he plans his epic film and shoots in Morocco, and continues on to an audience with the Dalai Lama himself in the foothills of the Himalayas. Edited from over a hundred hours of footage, the documentary captures Scorseseâs fervor as a filmmaker and a man, the modest yet charismatic Dalai Lama, and the plight of the exiled Tibetans. -Denver Film Society
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.
Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, Americaâs leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Reviewâs West Village offices. Confrontation and original argument are in the Review's DNA - the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC's award-winning Arena and shaped by Scorcese's vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.
In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.
Inter-cut with archive material, friends, family and associates of the musician tell the story of his life and how spirituality became such a major part of it.
Academy Award®-nominated director Scott Hicks ("Shine") documents an eventful year in the career and personal life of distinguished Western classical composer Philip Glass as he interacts with a number of friends and collaborators, who include Chuck Close, Ravi Shankar, and Martin Scorsese.
Rick Kirkham was a reporter for Inside Edition who appeared on a segment called "Inside Adventure". From the age of 14, he filmed more than 3,000 hours of a video diary; this included footage during his tenure on Inside Edition during which he was addicted to crack cocaine.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Documentary follows Bobby Liebling, lead singer of seminal hard rock/heavy metal band Pentagram, as he battles decades of hard drug addiction and personal demons to try and get his life back.
In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.
Documents 18 months in the lives of three crack addicts in Lowell, Massachusetts.
Join Louis Theroux as he investigates the affect crystal meth addiction is having on the local community of Fresno in California's Central Valley.
Steve McQueen: The Man & Le Mans interweaves stunning newly discovered footage and voice recordings with original interviews. It is the true story of how a cinema legend would risk almost everything in pursuit of his dream.
In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.
A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.
In the greatest bar story ever told, ten friends recount the true tale of surviving their wildest night. After hiring a sketchy limousine service, a rag-tag bunch of hard partiers embark on their New Year's tradition â running naked into the Gulf of Mexico â only to find themselves 24 hours later kidnapped, stripped, stranded, and left for dead. Combining narration of the actual participants with feature-length re-creation, filmmakers Gideon C. Kennedy and Marcus Rosentrater take you on a hilarious ride about getting lost, getting found and getting hammered.
Werner Herzogâs documentary film about the âGrizzly Manâ Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one manâs attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
This third installment focuses largely on serial killers, with lengthy re-enactments of police investigations of bodies being found in a dumpster, and a staged courtroom sequence with Schwartz again making a cameo appearance as the serial killer on trial for raping and murdering a girl, allegedly captured on video. Schwartz has identified the girl allegedly killed in the video as his then girlfriend, who he claims was a willing participant.
Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas.
Political commentator, author and filmmaker Dinesh D'Souza puts forth the notion that America's history is being replaced by another version in which plunder and exploitation are the defining characteristics. D'Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D'Souza explores the lives and sacrifices of some of America's greatest heroes, including George Washington and Frederick Douglass.
Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.
This early docudrama uses dramatic re-enactment, working models of early flying machines, and archival footage to trace man's attempts to fly from ancient times through the 1930's.
Cars! Film! Cars on film! Film involving cars! You get the idea. Itâs basically a DVD involving those two things. Gasp as we find the perfect drift car for a gritty, Bourne Identity-style chase! Cheer as we stage a race for all those unsung heroes of the movie industry! Whoop as we find the car that makes the perfect dramatic exhaust note to dub onto an action sequence! Make some other sort of noise we havenât thought of yet as we re-attempt the classic Man With The Golden Gun barrel roll, having frankly made a total hash of it when we first tried it on telly! All this plus a vast fleet of sexy supercars and a man with a jet pack racing a Skoda. Top Gear At The Movies. Itâs better than an actual movie. Probably. Actually, it depends on which movie weâre talking about. Truth is, youâd be better judging this on a case-by-case basis. Why not write to us with the name of a film and weâll tell you whether this DVD is better or not. Actually, on second thoughts, donât.
ON JUNE 4th 1989, CHINA WAS CHANGED FOREVER. Beijing, May, 1989. the world watched as a hundred students became a thousand, as thousands became a million - and a nation starved of freedom, cried out for a taste of democracy. In this compelling film, director Michael Apted (Nell, Gorillas in the Mist), captures the power and passion of the Tiananmen Square uprising through a unique combination of newsreel footage, dramatic re-enactments and extensive input from the actual student leaders. Exploring their personal histories, reflections and thoughts on the future. MOVING THE MOUNTAIN paints a portrait of courage, conviction, and commitment that the NEW YORK POST calls, "A soaring - and sobering - tribute to the human spirit."
In 2009, Mountain Bike Hall of Fame inductee Mike âThe Bikeâ Rust went missing from his off-the-grid property in Colorado's San Luis Valley. His disappearanceâwhich received almost no pressâremains unsolved. An innovator in his sport, Rust custom-built bikes for Coloradoâs mountain passes, starting a fat-tire revolution and designing gear that transformed the industry. Salida native Nathan Ward, himself an intrepid mountain biker, set out to tell Rustâs story, tracking the pioneerâs subject through the infancy of the sport to his role in the thriving community that surrounds it today. Ward brings the riveting documentary to life with a unique local perspective and access. By combining interviews, re-enactments, home movies, and archival footageâand even consulting a psychic to communicate with Rustâs spritâthe director/cinematographer attempts to find answers to this mystery full of loose ends and cold trails. -Denver Film Society
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic driveâ¦
Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
THE DOCTOR, THE TORNADO & THE KENTUCKY KID is the electrifying follow-up to Mark Nealeâs 2004 MotoGP smash hit FASTER. Narrated by Ewan McGregor, the movie tells the story of the biggest motorcycle race in American history, the 2005 Red Bull U.S. Grand Prix at Laguna Seca, California. Itâs a tale of extraordinary characters chasing a dream in the face of real danger, under unimaginable pressure, with no margin for error. For lovers of maximum adrenaline action, this is the pure, unadulterated, 100% genuine article.
Backstage: nerves; on stage: adrenaline; offstage: the daily routines of a band. OH YEAH, SHE PERFORMS! is a feature-length documentary about four extraordinary women pursuing the same dream: composing, producing and living from their own music without compromising their ideals. A film about female musicians.
The definitive, adrenaline-soaked story of the birth and boom of the most extreme sport on the planet: Freestyle Motocross.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite's cliffs. "Valley Uprising" is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity -- and the laws of the land.
As the carrier of a nation's hopes, there is a lot riding on Overdose. The successes of Hungary's premier racehorse have provided welcome relief from a decades-long legacy of fiscal austerity. But with Big Business cashing in on this symbol of optimism, the horse soon becomes a pawn in a game of egos and politics.
In 1991, music manager Shep Gordon held Mike Myers over a barrel a few weeks before shooting Wayneâs World regarding an Alice Cooper song Myers wanted to use in the film. They have been close friends ever since. Twenty-two years later, the story of Gordonâs legendary life in the über-fast lane is now told in Myersâ directorial debut. And this time itâs Myers who has Gordon over a barrel. Shep Gordon: capitalist, protector, hedonist, pioneer, showman, shaman⦠Supermensch!
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: Cd's, iPod's, instruments?
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next?
Ten women, most of them in Vancouver or Toronto, talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love": Laura leaves her hick town and heads for the city, where she meets Mitch in a bar. Sparks fly, and so do laughter and joy. Ann Bannon, one of the writers of those paperback novels about forbidden love, talks about the genre.
This documentary by Theo Kamecke from 1970 gives an indepth and profound look at the Apollo 11 mission to the moon. NASA footage is interspersed with reactions to the mission around the world as the film captures the intensity as well of the philosophical significance of the event. Won special award at Cannes. Written by Adam Bernstein .
In 1995, Kelli Peterson started a gay and straight club at her Salt Lake City high school. The story of her ensuing battle with school authorities in interspersed with looks back at the diary of Michael Wigglesworth, a 17th-century Puritan cleric, at the 30-year love affair of Sarah Orne Jewett and Annie Adams Fields, at Henry Gerber's attempt after World War I to establish a gay-rights organization, at Bayard Rustin's role in the civil rights movement, and at Barbara Gittings' taking on of the American Psychiatric Association's position that homosexuality is illness. One person comments, "To create a place for ourselves in the present, we have to find ourselves in the past."
Stylish film of the British progressive rock band Pink Floyd in 1971 performing a concert with no audience, in the ancient Roman Amphitheatre in the ruins of Pompeii, Italy. Songs are interspersed with interviews, and footage of Pink Floyd in the studio working on their next album, the legendary Dark Side of the Moon. [Tracklist:] 01 Echoes Part I 02 Careful With That Axe Eugene 03 A Saucerful Of Secrets 04 Us And Them 05 One Of These Days 06 Mademoiselle Nobs 07 Brain Damage 08 Set The Controls For The Heart Of The Sun 09 Echoes Part II
A documentary about the circumstances during a party at a University of Florida fraternity that led up to what may or may not have been a rape. Interspersed with actual footage shot by the fraternity brothers on the night of the incident, including the sexual acts. This video led to the police not pressing charges and the involvement of NOW, and eventually led to the fraternity getting kicked off campus.
"The Principle" brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions - the Copernican Revolution and Relativity - and, as Lawrence Krauss has said, we could be on the verge of a third, with "Copernicus coming back to haunt us". Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.
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