Main cast Marion Bailey; Phil Daniels; Tim Roth; Jeffrey Robert; Alfred Molina
Genres Comedy, Drama
Description The film details the travails of a working-class family in London's East End, struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis (Pam Ferris) is working; father Frank (Jeff Robert) and the couple's two sons Colin (Tim Roth), a timid, chronically shy individual and Mark (Phil Daniels), an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara (Marion Bailey), and her husband John (Alfred Molina), whose financial and social loftiness, in suburban Chigwell, appears to be a comfortable facade over the unspoken soreness of a lacklustre marriage.
Eccentric 70-year-old widow purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add female nudity similar to the Moulin Rouge in Paris
Kunju Lakshmi is the youngest daughter of the aristocratic Kavumpattu family in Peruvannapuram. She is pampered by her brothers and is a little arrogant. The family owns the local college. Sivasankaran comes to the college as a peon to replace the Padmanabhan who fails to give the promised donation to the Kavumpattu family in return for the job. In the meantime a love note that was written for Kunju by a classmate ends up in her book and she accuses Sivasankar of writing her the letter. Kunju gets into a fight with Sivasankaran. Her brothers join the fight and Sivasankaran declares that he will marry Kunju in 15 days.
Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who's aging quickly and becoming forgetful, mum's ghastly upper-middle-class neighbors, and Cyril's pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril's mum locks herself out and must ask her snooty neighbors for help. Then Cyril's sister Valerie stages a surprise party for mum's 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.
Things are different for the Pontipee men now that big brother Adam's fetched a bride and brought her to their cabin. Indeed, the unwed brothers are so inspired they raid the town and carry off brides of their own!
Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.
A detailed and compelling portrait of one of the most formidable characters in British politics as she faces her final days in power. The year is 1990 and Margaret Thatcher's support within the government is wavering - her hold on the premiership hangs in the balance. Then, long-serving politician Sir Geoffrey Howe resigns over Thatcher's attitude to Europe. His resignation speech sparks a chain of events that leads to the overthrow of Britain's first woman prime minister. This modern dramatic tragedy illustrates the strengths and fatal flaws of this iconic woman more clearly than ever before and reveals how the very aspects of her character that helped her secure power are the ones that ensured her downfall. Drama starring Lindsay Duncan.
It is approaching an election in the UK when the leader of the Labour party, John Smith, suffers another in a line of heart attacks and dies. With the leadership campaign about to start the clear choice appears to be Gordon Brown, a stanch Scotsman. However Tony Blair is also beginning to appear more likely as he will appeal to Southern voters who would be turned off by Brown. Blair rings Brown to arrange a meeting to discuss which will go for the job. The film flashbacks to the start of their relationship, sharing an office in Westminster on their first seats.
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
A pair of teenage boys growing up in a working-class neighborhood become aware of their homosexuality. While both were vaguely aware they might be gay, neither had ever acted on their impulses. Once they decide that they're attracted to each other, neither is sure just what to do.
A college freshman Ramsy, played by Corey Haim experiences love for the first time in the 1960s when he asks out Joy, played by Ami Dolenz. An education of the heart.
Set in "Barrytown", a fictitious working-class quarter of Dublin. "Bimbo" Reeves gets laid off from his job. With his redundancy, he buys a van and sells fish and chips with his buddy Larry. Due to Ireland's surprising success at the 1990 FIFA World Cup, their business starts off well, but the relationship between the two friends soon becomes strained as Bimbo behaves more like a typical boss.
Itâs the summer of 1984 â Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. But there is a problem. The Union seems embarrassed to receive their support. But the activists are not deterred. They decide to ignore the Union and go direct to the miners. They identify a mining village in deepest Wales and set off in a mini bus to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.
Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values â love, sex, marriage, religion and family â in the 1990s. Directed, written, produced by and starring Edward Burns.
Motocrossed! is a 2001 Disney Channel Original Movie (based on the Shakespeare play Twelfth Night), about a girl named Andrea Carson who loves motocross, despite the fact that her father finds her unsuited for the sport, being that she is "just a girl". When her twin brother Andrew breaks his leg just before a big race, their father is forced to go to Europe to find a replacement rider. In the meantime, Andrea secretly races in Andrew's place with her mother's help.
In 1970s England, three friends spend their days joking, drinking, fighting and chasing girls. Freddie wants to leave their working-class world but cool, charismatic Bruce and lovable loser Snork are happy with life the way it is. When Freddie gets a new job as a door-to-door salesman and bumps into his old school sweetheart Julie, the gang are forced to make choices that will change their lives forever.
Jack, Steve and Goat are East-End Spivs. They spend their time wheeling and dealing wherever and whenever they can. It's not until Jack and the others get involved with a guy called Villa, and they are landed with a big payday they have been waiting for, when they realise what a mess they are into. At the back of the lorry they have smuggled goods in, they find illigal immegrants. Most of them escape but they are left with 2 kids; a boy and a girl, and have to decide what to do with them...Are they going to look after them and feed them, clothe them, love them, etc. or are they going to leave them on the streets of East-End London.
The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.
Tina and Lea are best friends who are also avid fans of Vilma Santos. They were inseparable until Lea decides to leave the country and go to Korea. They promise that someday they will really become one big happy family when their children get married. Years after, by virtue of an old vow, Lucky Girl and Lucky Boy are forced to be together by their mothers. Problem is, they hate each other's guts. But, just when they're falling for each other, love plays a trick on the meddling moms which threatens to bring the young lovers apart.
The film is about an aging gay couple who own a barber shop in the East End of London. One of them is a part-time actor about to go on trial for propositioning a police officer. The action takes place over the course of one night as they discuss their loving but often volatile past together and possible future without each other.
A working-class young woman (Andula) in a hick Czech town sleeps with one of the band members of a group from Prague. "You are a Mondrian, not a Picasso," he tells her. When she doesn't hear from him again, she packs up and arrives on his doorstep in the big city, throwing his household (he lives with his parents) into chaos.
Axl wants to find his long-lost father and rediscover his past. Vera just wants to forget hers as she tries to move on from heartbreak. Their stories come together in the melting-pot of 21st century London.
A saucy American showgirl in London is wooed by a roving-eyed Duke, but his estranged son, the young King, interrupts their late supper with politics and angry accusations.
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Darcy opens a boxing club, aiming to bring the rival gangs together.
After a night of drinking Guiness at the local watering hole, an ordinary, working-class, family man in Dublin's life is turned upside-down when he wakes up as a rat.
Three teenagers appear to have a lot of fun on the children's oncology department on the fourth floor of a large hospital. Nick (14) and Iwan (15) both lost a leg as a result of bone cancer. For their friend Olivier (16) an amputation may be the next phase. The fourth of the bunch, Pepijn (15), is so ill and weak that he often stays in his room. Friendship and a deep desire to live keeps the guys mentally balanced. And of course their interest in sexy girls makes them act like any ordinary teenager. They make jokes about their illness. They call each other "sickos". The sickos cannot walk, but with their wheelchairs they do risky stunts and organise joyrides in the corridors of the hospital. Their friendship changes when Gina (16) arrives. The boys try to seduce her, but Gina is not interested at first, until she realises that her stay in the hospital will be a lot less depressive when she has friends. Sickos is a humorous drama that deals with adolescence and chemotherapy
Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends -- Teeny, Chrissy, Samantha and Roberta -- recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
An elderly Israeli Jew of Greek origins was sent to Greece to represent his town in a town twinning ceremony, however he went instead to search for his friend from the childhood, who saved him from the Holocaust. In meantime he formed a special relationship with young Greek woman, and dealt with the broken relationship with his devout Hasidic son.
Two 'resting' actors living in a squalid Camden Flat - and living off a diet of booze and pills - take a trip to a country house (belonging to Withnailâs uncle) to 'rejuvenate'. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested...
Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's Uncle Monty only redoubles their privations.
Arthur is the most quotable drunk millionaire that is likely to ever steal your heart. Dudley Moore portrays Arthur, a thirty year old child who will inherit 750 million dollars if he complies with his family's demands and marries the woman of their choosing.
The grunge girl band "No Exits" is just about to get a record deal. At this time Jimmy is appearing again, the former boy-friend of the band guitarist Shelly. She had left him because his friend had raped her. But he doesn't know that - up to now. Shelly has fallen in love with the band singer Suzy in the meantime. But she still loves Jimmy, too. So she moves to him again, what Suzy doesn't like that all. Especially because she is becoming a feminist.
The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class
Adolescence is always a difficult time; it is doubly so for Gábina. For one thing, she is growing up in the normalization years of the 1970s, and then she also has to face the reality that her father is a well-known actor disavowed by the regime. Although he abandoned the family years before, his existence casts an ominous shadow over the lives of not only Gábina, but also her older sister and mother, who are trying to find a civilized way through the social mire of the times.
While on Christmas break, college student Michael journeys to Quebec City to spend time with his attractive girlfriend, Gabriella. Not long after he arrives, Gabriella breaks up with him, but her two equally gorgeous sisters waste no time showing romantic interest. In the meantime, Michael is left to deal with Gabriella's eccentric grandmother and offbeat father, an academic who spends most of his time naked.
In the 1970s, a foundling lad, Patrick "Kitten" Braden, comes of age by leaving his Irish town for London, in part to look for his mother and in part because his trans-gender nature is beyond the town's understanding.
A beautiful young woman asks Holmes to help her father, a former army captain and hopeless opium addict break free of the curse surrounding a stolen treasure.
The Devil's Disciple is a 1959 film adaptation of the George Bernard Shaw play of the same title. The Anglo-American film was directed by Guy Hamilton who replaced Alexander Mackendrick and starred Burt Lancaster, Kirk Douglas, and Laurence Olivier. Mary Grant designed the film's costumes.
Four lost souls â a disgraced TV presenter, a foul-mouthed teen, an isolated single mother and a solipsistic muso - decide to end their lives on the same night, New Year's Eve. When this disillusioned quartet of strangers meet unintentionally at the same suicide hotspot, a London high-rise with the well-earned nickname Topper's Tower, they mutually agree to call off their plans for six weeks, forming an unconventional, dysfunctional family, becoming media sensations as the Topper House Four and searching together for the reasons to keep on living.
Yau (Sammi Cheng) is a successful chef and owner of a restaurant which is located in a flat called Magical Kitchen which is more like a home rather than like a restaurant. In a tale told by Yau's mother, that she would be haunted by a family curse overshadowing three generations, which destines her (Yau) to fail in every relationship. On a tour of the Iron Chef TV show in Japan, Yau is at the crossroads between her love life and career.
Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a toddler, and they all watch with more than a little interest at the trail of mayhem Charlie leaves as he goes about sorting things out.
When Altan swipes prescription drugs from his brother Nuri's pharmacy, they soon find themselves on a dangerous but funny road trip to get rid of the stuff and escape the mafiosi Altan tried to double-cross. Along the way, the brother who are compete opposites finally bond.
London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.
A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, wannabees vie with each other in a world in which success and downfall rest on a thin edge.
Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello) lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link.
Everybody has one. The sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz (Emily Mortimer), Miranda (Elizabeth Banks) and Natalie (Zooey Deschanel), that person is their perennially upbeat brother Ned (Paul Rudd), an erstwhile organic farmer whose willingness to rely on the honesty of mankind is a less-than-optimum strategy for a tidy, trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and so, after his girlfriend dumps him and boots him off the farm, his sisters once again come to his rescue. As Liz, Miranda and Natalie each take a turn at housing Ned, their brother's unfailing commitment to honesty creates more than a few messes in their comfortable routines. But as each of their lives begins to unravel, Ned's family comes to realize that maybe, in believing and trusting the people around him, Ned isn't such an idiot after all.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.
This film takes place during the Seven Years' War. The Prussian Major von Tellheim has become engaged to the Saxon noblewoman Minna von Barnhelm. After the war, the King - in an unwarranted move - deprives the major of his honor. Von Tellheim becomes impoverished and, filled with shame, breaks off his relationship to Minna. An innkeeper in Berlin, who is a police informer, makes the Major move to a shabby little attic because he cannot pay his debt. In the meantime, Minna has also arrived at the inn. She and her lady's maid Franziska are questioned and spied on by the nosy innkeeper. Minna has followed her beloved Tellheim and she now cunningly manages to elicit a new declaration of love from him...
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
âMoscouâ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoonâs emotionswhen the phone rings. Itâs Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.
Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things don't get any better when the dead girl's father launches his own investigation.
Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
Hal, a 15-year-old high-school student with a minor yet socially alienating (and painful) disability: he stutters uncontrollably. Determined to work through the problem, Hal opts for an extreme route he joins the school debating team, which sends him on a headfirst plunge into breakneck speech competitions and offers a much-needed boost toward correcting the problem.
Nostalgia is Takashi Miikeâs favorite film of his considerable body of work. Including biographical elements, Nostalgia centers around the home and school of a young boy, whose family mix the violent and dysfunctional with the comic and the loveable. Though containing elements of the sudden and shocking brutality that many associate with this director, Young Thugs â Nostalgia is more concerned with a childâs moment of leaving the internalized world of fantasy, and passing on eagerly to the next stage of life. A wonderful, touching, startling vision that is uniquely Miikeâs.
Dale is an attractive, hard-as-nails gay male escort in Greenwich, London. He specialises in fulfilling sexual fantasies - dressing up as a schoolboy, BDSM, you name it, he's done it, yet his own dreams of a happy ending are complicated when straight best friend and childhood crush Raj announces his forthcoming marriage. Meanwhile, a spate of gay hate crimes are being reported on the local heath...
In London for his daughter's wedding, a struggling jingle-writer, Harvey Shine, misses his plane to New York, and thus loses his job. While drowning his sorrows in the airport pub, Harvey meets Kate, a British government worker stuck in an endless cycle of work, phone calls from her mother, and blind dates. A connection forms between the unhappy pair, who soon find themselves falling in love.
The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.
A year in the life of a small Italian coastal town in the nineteen-thirties, as is recalled by a director with a superstar's access to the resources of the Italian film industry and a piper's command over our imaginations.
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