A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.
An insane general starts a process to nuclear holocaust that a war room of politicians and generals frantically try to stop. A classic black and white war satire from director Stanley Kubrick starring Peter Sellers.
Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a circle of English and American women, before and during World War II.
Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
In una fredda sera di novembre, a casa di Marco arriva una ragazza spagnola, Teresa con un misterioso messaggio: il suo fidanzato Rudy, amico di vecchia data di Marco è in carcere in Marocco e per tirarlo fuori servono trenta milioni di lire. Allora Marco, nonostante siano passati tanti anni ricontatta gli altri amici del gruppo, Maurizio, Paolino e Cedro ed insieme a Teresa partono alla volta del Marocco per rivedere ed aiutare Rudy. Ma a Marrakech non c'è traccia di Rudy e Teresa sparisce con i trenta milioni...
The story of three people who strive to realize their dreams. Brothers Carter and Ellis set out on a road trip to their childhood home in a desperate search for their estranged father, who may hold the key to their future.
Aoshima, a police detective working in the Bayside Precinct, is continually frustrated by the hierarchy and red tape that plague the system. His friend Muroi is climbing the ladder of the police bureaucracy. Muroi has made a pact with Aoshima that while Aoshima looks after the streets, Muroi would make life easier for the cops on the beat. One day in Bayside, a series of events turns the small station upside down. A corpse is found in the river, then the Police Commissioner is kidnapped, leading to the Metropolitian Police Department to take over the investigation which is led by Murai. Will he be true to his pact with Aoshima and co-operate with the local police? In the meantime, the murder investigation leads to a morbid web page and a deadly chat room in cyberspace...
he Anecdote (Azerbaijani: LÉtifÉ, Russian: ÐнекдоÑ) is a full-length Azerbaijani film shot in Baku in 1989. Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.
Brazil is a Terry Gilliam dystopic black comedy film that reflects the melancholy, dreamlike quality of a famous Brazilian song thatâs been translated into English. The film parodies the mostly dysfunctional bureaucratic world we live in and takes us to a post-apocalyptic world in the future yet with our present day attitudes in mind.
Honest and straightforward small-town Shirlee Kenyon chucks her boyfriend and heads for Chicago. Accidentally having to host a radio problem phone-in show, it is clear she is a natural and is hired on the spot. But the station insists she call herself Doctor, and as her popularity grows a local reporter starts digging for the truth. Problem is, the more he is around her the more he fancies her.
A slapstick comedy lampooning bureaucracy and the madness of everyday life in Israel centers on an escaped lunatic who digs up the streets of Tel-Aviv with a drill
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
A drama based on Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets had some unforeseen and long-reaching effects.
Ãva, the pretty housekeeper is preparing to take an entrance exam at the Faculty of Law. In addition to this, she also has energy to arrange the day-to-day matters of the committee of tenants. Soon, she discovers that her beauty and cocksure behaviour finds its way not only at the exam, but in the mazes of bureaucracy, too. She helps get trade licences, flat allocations, and shop premises for those in need.
Outer space in 2034 is run by greedy corporations in a rundown bureaucracy. Two astronauts, who are not very smart, make their way with shady dealings, smuggling and spaceship wrecking.
This absurd story, bordering on the drawing-room comedy, portrays the practices of abusing power and the insolence of bureaucracy through the revolting of a young designer-engineer of the Railway Tilting Examination Board. The ambitious Pócsik works persevearingly on how to compensate for the tilting of railway carriages in bends. His jealous bosses, however, use their best efforts to block the development of an innovation.
This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.
A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
An example of ironic Soviet propagandistic film from the silent era, this film chronicles the adventures of an American, "Mr. West," and his faithful bodyguard and servant Jeddie, as they visit the land of the horrible, evil Bolsheviks. Through various mishaps, Mr. West discovers that the Soviets are actually quite remarkable people, and, by the end of the film, his opinion of them has changed to one of glowing admiration! Written by Mark Toscano
It's Bad For Ya, Carlin's Emmy nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture.
TV producer Pierre Delacroix (Damon Wayans) becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a minstrel show. The network not only airs it, but it incredibly becomes a smash hit. Michael Rapaport co-stars in this searing satire.
The US President and the UK Prime Minister are looking to launch a war in the Middle East. The plot follows government officials and advisers in their behind-the-scenes efforts either to promote the war or prevent it. Spinal Tap meets Strangelove. A satirical demolition of Whitehall and Washington: politically astute, hilarious and terrifyingly real.
Based on Terry Southern's satirical novel, a send-up of Voltaire's Candide. Young Candy is a high school girl who seeks truth and meaning in life, encountering a variety of kookie characters and humorous sexual situations in the process.
Known as the best satire about communism, banned for over a decade in Hungary. 'The Witness' has become a cult classic, well received by critics and general audiences when it was finally released outside of Hungary. 'The Witness' takes place during the height of the Rákosi Era, which was closely modeled after the ruthless and brutal Stalin regime. The film follows the life of an ordinary dike keeper, József Pelikán, who has been caught for illegally slaughtering his pig, Dezsõ. Instead of doing hard time for his "heinous" crime, Pelikán is elevated into an important position, generally reserved for the communist elite. His new benefactor, the mysterious Comrade Virág, is reluctant to reveal the real reason behind Pelikán's preferential treatment. Thus, begins Pelikán's hilarious adventure deep within the "sophisticated" communist society... Until one day, when he gets called for to return the "favour" by falsely testifying against his long-time friend in a mock-up show trial.
Sandhesam (English: The Message) is a 1991 Malayalam black comedy-political satire film written by Sreenivasan and directed by Sathyan Anthikkad, starring Sreenivasan, Jayaram, Thilakan, Siddique, Kaviyoor Ponnamma and Maathu in pivotal roles. A massive commercial success upon release, Sandesham is also considered as a classic in Malayalam cinema history.
The story takes place on the desert planet "Pluke" in the "Kin-dza-dza" galaxy, where two Soviet humans previously unknown to each other ("Uncle Vova", a gruff construction foreman from Moscow, and "The Fiddler", a student from Georgia) are stranded due to an accidental encounter with an alien teleportation device. The movie describes their long quest to find a way back home.
The irreverent host of a political satire talk show decides to run for president. But his stunt to expose Washington corruption goes further than he expects when he actually wins the election. Meanwhile, a software engineer suspects that a computer glitch is responsible for his surprising victory ⦠but will she speak up?
A TV program selects people at random to kill one another for fame and their freedom. Ever seen the show "Survivor" and wished they would just start killing each other?? Series 7 literally gives its contestants the guns. The film is not merely a satire on reality TV. It is an example of just how far people will shamelessly go for fame. 6 contenders are pitted against each other in a no holds barred, kill or be killed contest. The reigning champ is Dawn, a hard-nosed, mother-to-be. We go back and forth between Dawn and the other 5 contenders to see if someone can dethrone Dawn and become the new Champion. What is the prize? How are the contestants picked? These questions are not as important as asking yourself how shameless has our society become?
In 1973, martial arts great Bruce Lee died, his final film, Game of Death, left unfinished. With the public hungry for more Lee, movie execs decide to find a replacement. This outrageous satire looks at the entire process, from the oddball candidates to the greed and racial motivations that drive the final decision. There's big business in the movies, and Finishing the Game skewers it with an eye for '70s detail.
Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Felix Farmer (Richard Mulligan) latest movie flops - and lots of Hollywood types spring into action. Agents are called. Lawyers are retained. Statements are issued. It's what a master comedy director Blake Edwards calls "Standard Operating Bull," the subject of his gleefully satiric S.O.B.
It is the dawn of Senegal's independence from France, but as the citizens celebrate in the streets we soon become aware that only the faces have changed. White money still controls the government. One official, Aboucader Beye, known by the title "El Hadji," takes advantage of some of that money to marry his third wife, to the sorrow and chagrin of his first two wives and the resentment of his nationalist daughter. But he discovers on his wedding night that he has been struck with a "xala," a curse of impotence. El Hadji goes to comic lengths to find the cause and remove the xala, resulting in a scathing satirical ending.
ALL THE RAGE takes a satirical and poignant look at one gay man's obsessive pursuit of physical, sexual, and romantic perfection. Christopher Bedford is everyone's fantasy. He's gorgeous, young, clever, rich, and above all, totally buffed and every boy in Boston seems to want him. At thirty-one, he's gliding through life, celebrating himself as the 90's gay playboy ideal, without ever realizing what a mess he's become.
Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur film-making.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
Chambal: the land of rebels, politicians, bullets and blood. In this hostile territory, you either live by the gunâ¦or die by the gun. Revolver Rani is a satirical and unusual love story set against the back drop of politics.
One of the best satires ever made in Malayalam, the film is a comic critique on the the corruption prevalent in Kerala, depicted using the activities in a village panchayat. A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.
A satire on inflation-hit middle-class Indian family from a small city in North India. The story revolves around our protagonist who is struggling to survive in this spiraling inflation and how he comes up with a solution to battle it, only to find himself in an even bigger mess due to their innocence and naivety.
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekasâ âHallelujah the hillsâ (1962), itâs an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics â parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
Chaplin plays two totally opposite roles in his first "talkie," giving a superb display of his boundless talent for both inspired comedy and powerful drama. One of his masterfully drawn characters is a Jewish barber facing the constant threat of storm troopers and religious persecution. The other is the great dictator, Hynkel, a brilliant lampoon of Adolph Hitler that is awesome proof of Chaplin's pantomime genius. The movie's famous highlight comes in its final scene, when Chaplin steps out of character and addresses the camera with an eloquent plea for the triumph of reason and humanity over mindless militarism.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, "L.A. Slasher" explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent - purely through notoriety achieved through shameful behavior.
Following on the heels of popular teen-scream horror movies, with uproarious comedy and biting satire. Marlon and Shawn Wayans, Shannon Elizabeth and Carmen Electra pitch in to skewer some of Hollywood's biggest blockbusters, including Scream, I Know What You Did Last Summer, The Matrix, American Pie and The Blair Witch Project.
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