L'amour, Madame (1952)
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Don Bolton is a movie star who can't stand loud noises. To evade the draft, he decides to get married...but falls for a colonel's daughter. By mistake, he and his two cronies enlist. In basic training, Don hopes to make a good impression on the fair Antoinette and her father, but his military career is largely slapstick. Will he ever get his corporal's stripes?
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor (Louis Jourdan) in Paris offers them all to Gigi (Leslie Caron). But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
Shruti (Anushka Sharma) and Bittoo (Ranveer Singh) are two 20-something years olds who have just graduated from Delhi University. Apart from this the two are very different from each other. Shruti, who is from a middle-class household, is very driven, ambitious and focused, while Bittoo is a slacker who is mostly interested in having fun with his friends. A chance meeting leads them to reluctantly start a business venture as Wedding Planners together, with one strict rule: not to mix business with pleasure. Through their business they experience the ups and downs of the lavish world of the glamour and glitz of Delhi weddings, something that will test their friendship over time and eventually make them discover one another. What will be the ending of this sweet story!
Mediterranean ferryboat captain Henry St James has things well organized - a loving and very English wife Maud in Gibraltar, and the loving if rather more hot-blooded Mistress, Nita in Tangiers. A perfect life. As long as neither woman decides to follow him to the other port.
Famous from an incredibly young age, DMH (Wang Lee Hom) has only ever known a celebrity pop star existence. Yet, despite all the glamour, there is still something lacking in his charmed life - true love. With the help of fellow musician and friend WZB, DMH disguised himself as a regular Joe in the hope of finding true love. While incognito, DMH and WZB stumble across the performance of a classical Chinese orchestra and DMH is immediately captivated by the melodies of the guzheng soloist, LMQ (Crystal Liu Yi-Fei), a student at the Shanghai Conservatory, whose affections lie with the accomplished but arrogant virtuoso, ZXZ. In his attempt to spend more time with LQM, DMH promises to help LQM get together with ZXZ. As DMH and LQM grow closer, it becomes increasingly difficult to conceal his identity.
Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where they vie with each other for the favours of Princess Lala. The hazardous dive produces a chest of priceless jewels which arouses the less romantic interest of some shady locals.
Duke & Chester on a ship to Skagway, Alaska, find a map to a secret gold mine, which had been stolen by thugs, McGurk & Sperry. Meanwhile, Sal Van Hoyden is in Alaska to try and recover her fathers map. She falls in with Ace Larson, who wants to steal the gold mine for himself. Duke & Chester, McGurk & Sperry, Ace, his henchmen & Sal, chase each other all over the countryside, all after the map.
Bob Hope and Bing Crosby return as con men Chester Babcock and Harry Turner, in the last of their road movies. When Chester accidentally memorizes and destroys the only copy of a secret Russian formula for a new and improved rocket fuel, they are thrust into international intrigue, trying to stay alive while keeping the formula out of enemy hands.
Plain, timid and obsessed with jellyfish, Tsukimi is a far cry from her idea of a princess. Her tepid life as a jobless illustrator comes complete with roommates who harbor diehard hobbies that solidify their status as hopeless social rejects. These wallflowers run a tight, nun-like ship, but their no-men-allowed-not-no-one-not-no-how bubble is unwittingly burst after Tsukimi brings home a rescued sea jelly and a beauty queen... who's actually a guy. When the threat of losing their cozy convent inspires this glamour boy to turn the neurotic entourage into a portrait of success, will Tsukimi take her chance to bloom, or will she end up a hot mess?
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
On peut être un couple de bons Français, toujours amoureux, parents modèles, travailleurs et économes jusqu'à la manie et écouler au noir dans le sous-sol de sa villa de Béziers hyper sécurisée, des godasses de son ancien magasin et des produits "satisfaits ou remboursés" qu'on détourne dans tous les supermarchés de la région. A chacun sa morale !
The writer Pierre Carot became rich and famous with his book "Life as a Couple", which was based on the loving relationships of four couples. Now he's setting up his will and wants to leave his wealth to the couples among the four, which are still as deeply in love - if any: else, his companions get the money. He sends them out to visit the couples and test their love.
Vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate and family have fallen into ruin.
in the 1930âs a social set known to the press â who follow their every move â as the âBright Young Things.â are Adam and his friends who are eccentric, wild and entirely shocking to the older generation. Amidst the madness, Adam, who is well connected but totally broke, is desperately trying to get enough money to marry the beautiful Nina. While his attempts to raise cash are constantly thwarted, their friends seem to self-destruct, one-by-one, in an endless search for newer and faster sensations. Finally, when world events out of their control come crashing around them, they are forced to reassess their lives and what they value most.
Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.
Broadway gambler 'Gloves' Donahue wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton leaving the bakery. When her boss Marty's partner Joe is murdered, Leda and her accompanist Pepi disappear. It turns out that beneath all the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.
Jour de fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.
The film is the immediate continuation of Un éléphant ça trompe énormément, released the previous year. Having fortuitously discovered a photograph in which Marthe embraces someone unknown, clothed with a chequed jacket, Ãtienne Dorsay becomes jealous, and imagines various stratagems to identify the lover. In the meantime, Ãtienne and his friends acquire a weekend house for a very low price. As in the previous work, the film is largely narrated by the character Ãtienne, whose tone shifts with the reality of the images. The film contains a certain number of allusions to the films of Blake Edwards (the Pink Panther series).
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster...
A provincial doctor's wife's romantic illusions about life and social status lead her to betray her naive husband, take on lovers and run up ruinous debts.
Fashion begins in, where aspiring model Meghna Mathur (Priyanka Chopra) expresses her wish to go to Mumbai and pursue her dream of becoming a supermodel. Through her eyes we see that behind the glitz and glamour of the world of fashion not everything is as it seems.
A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves. 25th years of Phantom of the Opera marked with a grand performance at the Royal Albert Hall
Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might gain access to her fourteen-year-old daughterâLolitaâwith whom he has fallen hopelessly in love, but whose affections shall be appropriated by a devious trickster named Clare Quilty.
The Hurricane is a 1937 film set in the South Seas, directed by John Ford and produced by Samuel Goldwyn, about a Polynesian who is unjustly imprisoned. The climax features a special effects hurricane. It stars Dorothy Lamour and Jon Hall, with Mary Astor, C. Aubrey Smith, Thomas Mitchell, Raymond Massey, and John Carradine. James Norman Hall, Jon Hall's uncle, co-wrote the novel of the same name on which The Hurricane is based. As a passenger ship sails by a bleak, deserted island, Dr. Kersaint (Thomas Mitchell) blows his former home a kiss. When a fellow passenger asks him about the place, he tells its tragic story, segueing into a flashback.
In the desert paradise of pleasure and pain, a glamourous fashion model and a free-spirited beauty surrender themselves to complete sexual ecstasy. But will an unhinged holy man now lead these new lovers - as well as their friends and even family members - into the most shockingly immoral acts imaginable?
In the middle of this amusing thriller is a relationship between two different types of females, one is a well know British author and the other is a sex-crazed French teen. The two get into some relationship trouble while living together in this film of psychological imagery and an erotic exploration of the female body.
As the face of law enforcement in America for almost 50 years, J. Edgar Hoover was feared and admired, reviled and revered. But behind closed doors, he held secrets that would have destroyed his image, his career and his life.
Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina (Burt Lancaster) allows his war hero nephew, Tancredi (Alain Delon), to marry Angelica (Claudia Cardinale), the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesnât know a soul. Luck or the lack of it brings Mwas face to face with the cityâs criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.
Das Lied ist Aus (The Song Is Ended) is a typical early-talkie German musical in every respect, save one. The story, concerning the lives and loves of show folk, ends unhappily -- and surprisingly so. The doleful denouement didn't seem to have much effect on the film's box-office appeal, since Das Lied ist Aus proved a major moneymaker.
Director PuriÅ¡a ÄorÄeviÄ combines the past, present, and future in this symbolic character study of people affected by the aftershocks of war. The anti-war sentiment of the film is underscored as people march for peace to a tune by Pete Seeger.
A married man (Michel Bouquet) who killed the wife of his best friend during a tryst feels compelled to turn himself in.
The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.
Paul Manderley, eccentric historian, and his wife, descendant of the Borgias, live in an isolated castle-like mansion in the Mojave Desert. When a guest suddenly collapses, Charlie Chan is invited to stay. As the standard mystery-mansion props come into play, and all means of outside communication are sabotaged, it becomes evident that one of the inhabitants has access to poisons and is prepared to use them...
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day. While widower Patrick Wheeler braces for his fate, he meets Sandra, the wife of a businessman who is intent on committing suicide. Meanwhile, Patrick's friend Craig decides to have as much sex as he can while there is still time.
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
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