Main cast Robert Z'Dar; Scott Shaw; David Heavener; William Smith; Julie Strain
Genres
Description This film follows its lead character, Detective Jake Blade (played by Shaw) who is pursuing the Russian crime lord Rinaldi (played by Smith). This film is traditional of Scott Shaw's directorial work in that it follows a non-linear storyline that it riddled with strange dialogue and unexpected edits, where the central characters leave behind the storyline and interact solely by the presentation of visual images in association with Techno music. This film also possesses the obvious references to Blacksploitation Cinema apparent in virtually all Scott Shaw films.
Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
In the year 2035, where robots are common and abide by the three laws of robotics, a techno-phobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Goodbye, Dragon Inn is set in the approximately ninety minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn. Only a few people are present in the cinema, and a variety of subplots are developed around them. Throughout the film, the ticket woman tries to find the projectionist, searching for him in order to present him with a steamed bun. A young Japanese tourist wanders around the cinema in search of a homosexual encounter. An older man tells him that the cinema is haunted. An old man, who was one of the actors who appeared in the original Dragon Inn, watches the film with tears in his eyes. Outside the theater, he encounters an older man who had been watching the film with his grandson; this man also starred in the original film. The film is shot with almost no camera movement, most shots lasting well over thirty seconds. There are only about a dozen of lines of dialogue.
Ford "Mr. Rock n' Roll Detective" Fairlane is experiencing problems, and it's not with the opposite sex. One of them is that all the rock stars pay him with drum sticks, koala bears, food processors and bicycle shorts. Another one of them is that all his employers that want him to find a girl named Zuzu Petals get killed. Why didn't he become a fisherman's detective instead?
Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress.
An American private-eye, arrives in Alphaville, a futuristic city on another planet which is ruled by an evil scientist named Von Braun, who has outlawed love and self-expression.
Wes is awakened in the middle of the night by an unexpected phone call. Itâs Alison, the girl who could have been, who is flying home to Tokyo in the morning and wants to come by for a night of reminiscing before she goes.
Nora Cotterelle, a woman in her 30s is caring for her ill father, Louis Jenssens. While Nora tries to present a facade that all is well with her life, she is twice divorced and has a son, Elias, whose father is dead. Nora's present relationship is not going well, and she is soon to marry a businessman, while Elias is becoming increasingly withdrawn. A parallel storyline follows her former lover and second husband, Ismaël Vuillard, a musician, with whom she had lived for seven years. He is given to strange behaviour, and as a result he has been committed to a mental hospital, from which he is planning to escape. Nora learns that her father's digestive problems are actually cancer, and facing her father's death, Nora desperately seeks out Ismaël to ask that he reconnect with Elias, but he has mixed feelings about adopting her son. Moreover, he has met Arielle, another patient.
Award-winning musician Björk and legendary broadcaster and naturalist Sir David Attenborough have admired each other's work for years but this is the first time they have discussed their mutual love of music and the natural world on screen. In this remarkable documentary, Björk explores our unique relationship with music and discovers how technology might transform the way we engage with it in the future.
THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Žižek, the Slovenian philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Žižek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves.
A wealthy entrepreneur secretly creates a theme park featuring living dinosaurs drawn from prehistoric DNA. Before opening day, he invites a team of experts and his two eager grandchildren to experience the park and help calm anxious investors. However, the park is anything but amusing as the security systems go off-line and the dinosaurs escape.
A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.
John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers, and only one man can stop him.
Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect with each other and break the barriers of technology.
Desperate to find her perfect man Justine goes to a technology fair with her nerdy classmate Chas. It's not really her thing but is eventually persuaded to try a virtual reality makeover machine and discovers that she can create her perfect man even if it is only an electronic facsimile. The power surge from a freakish accident causes a part of her psyche to be copied into her virtual perfect man.
Tony Stark. Genius, billionaire, playboy, philanthropist. Son of legendary inventor and weapons contractor Howard Stark. When Tony Stark is assigned to give a weapons presentation to an Iraqi unit led by Lt. Col. James Rhodes, he's given a ride on enemy lines. That ride ends badly when Stark's Humvee that he's riding in is attacked by enemy combatants. He survives - barely - with a chest full of shrapnel and a car battery attached to his heart. In order to survive he comes up with a way to miniaturize the battery and figures out that the battery can power something else. Thus Iron Man is born. He uses the primitive device to escape from the cave in Iraq. Once back home, he then begins work on perfecting the Iron Man suit. But the man who was put in charge of Stark Industries has plans of his own to take over Tony's technology for other matters.
Rock-and-roller Arnie Haynes returns to his hometown as a hero to the teenagers. However, the mayor and other concerned adults have banned him from performing in his hometown because they consider him and his music a negative influence on the youth. But with the help of disc jockey/publicist Alan Freed and fellow artists (including Bill Haley and the Comets and Little Richard), they hope to convince everyone that rock and roll is not as dangerous as the adults think.
Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two rebellious teenagers from Southern California, become the frontwomen for the Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengalilike influence of impresario Kim Fowley, the band becomes a huge success, with Joan as the band's hard-rocking heart, and Cherie as the sex kitten. However, the teens' stormy relationship threatens the band's future.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road.
Lloyd and Harry are two men whose stupidity is really indescribable. When Mary, a beautiful woman, loses an important suitcase with money before she leaves for Aspen, the two friends (who have found the suitcase) decide to return it to her. After some "adventures" they finally get to Aspen where, using the lost money they live it up and fight for Mary's heart.
Tough-talking Detroit cop Axel Foley heads to the rarified world of Beverly Hills in his beat-up Chevy Nova to investigate a friend's murder. But soon, he realizes he's stumbled onto something much more complicated. Bungling rookie detective Billy Rosewood joins the fish-out-of-water Axel and shows him the West Los Angeles ropes.
The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller coasters. The young man played by Timothy Bottoms gives a hard time to the cops after they give him UV marked money. He then wants revenge and places a bomb in a roller coaster at the most important amusement park event of the year.
In 1978, a Kiss concert was an epoch-making event. For the three teen fans in Detroit Rock City getting tickets to the sold-out show becomes the focal point of their existence. They'll do anything for tickets -- compete in a strip club's amateur-night contest, take on religious protesters, even rob a convenience store!
When a young rock group called The Mystery gets its first gig at a club, it's an opportunity to see what life is all about! Fresh out of high school, the rockers are hired by an exclusive beach resort thanks to a faded '60s songwriter. There, they meet with romance and adventure. But street-smart lead singer Jennie Lee faces a dilemma: pursue her budding career or finish high school.
A down-and-out gangster hires an alcoholic press agent to make his blonde bombshell girlfriend a recording star in 6 weeks. But what is he going to do when he finds out that she has no talent? And what is going to happen when the two fall in love?
The streets of the Bronx are owned by 60âs youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang âThe Wanderers.â
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese's multiple Oscar-winning crime thriller. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Axel Foley is back and as funny as ever in this fast-paced sequel to the original smash hit. This time, the Detroit cop heads for the land of sunshine and palm trees to find out who shot police Captain Andrew Bogomil. Thanks to a couple of old friends, Axel's investigation uncovers a series of robberies masterminded by a heartless weapons kingpin, and the chase is on!
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the "Ice Man". Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
Josie, Melody and Val are three small-town girl musicians determined to take their rock band out of their garage and straight to the top, while remaining true to their look, style and sound. They get a record deal which brings fame and fortune but soon realize they are pawns of two people who want to control the youth of America. They must clear their names, even if it means losing fame and fortune.
We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko PaviÄ (Nikola PejakoviÄ) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.
Vietnam veteran "Four Leaf" Tayback's memoir, Tropic Thunder, is being made into a film. Director Damien Cockburn canât control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback's advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes. Unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.
A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
Two years after the terrifying events that occurred in Woodsboro, Sidney is now attending Windsor College in Cincinnati with long time friend Randy. Meanwhile, Gale Weathers best selling book on Sidney's life has now been made into a major motion picture. When two college students are killed in a theatre while watching the new film "Stab," Sidney knows deep down that history is repeating itself.
CBGB looks at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal (Alan Rickman) in 1973 which launched thousands of bands.
A chronicle of the production problems â including bad weather, actors' health, war near the filming locations, and more â which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
In this tale of sex, violence, race, and rock and roll in 1950s Chicago, "Cadillac Records" follows the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry.
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
In a future in which most water has disappeared from the Earth, we find a group of children, mostly teenagers, who are living at an orphanage, run by the despotic rulers of the new Earth. The group in question plays a hockey based game on roller skates and is quite good. It has given them a unity that transcends the attempts to bring them to heel by the government. Finding an orb of special power, they find it has unusual effects on them. They escape from the orphanage (on skates) and try to cross the wasteland looking for a place they can live free as the storm-troopers search for them and the orb.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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