Pasolini prossimo nostro (2006)
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The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major players: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of placesâthese are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
A behind-the-scenes look into the first major recording of Scott Wheeler's piano music, including several musical portraits. Wheeler, best known for his operas, started composing musical portraits while studying under Virgil Thomson. The pieces are performed by pianist Donald Berman. It is hosted by Katie Northlich. Wheeler, Berman, and music producer Adam Abeshouse are interviewed. This documentary also features interviews with some of the portrait subjects: author Megan Marshall, artist Shane Crabtree, director Fern R Lopez, soprano Nancy L. Armstrong, and organist James Woodman. Excerpts from their musical portraits are heard so you can decide for yourself the first question that inevitably comes to mind: Does the portrait sound like it's subject?
An intimate portrait of Anton Corbijn as he travels the world as a photographer, film maker and video artistâ¦
Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, architectural analysis, and philosophical musings in equal measures. He's reflective and funny about cruising: he loves it, got in it to meet women, and he'd quit work if he could. His personal life is disclosed in small
When he was cutting Phantom India, Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shockingâa chaotic portrait of a city engulfed in social and political turmoil.
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J.R.R.T.: A Film Portrait of J.R.R. Tolkien is a 1996 documentary, narrated by Judi Dench, produced to celebrate the centenary of J.R.R. Tolkien's birth. It is sometimes called "J.R.R. Tolkien: A Portrait" and "J.R.R. Tolkien - An Authorized Film Portrait". It features archive footage and audio recordings of J.R.R. Tolkien, and interviews with three of his children Priscilla, John, and Christopher. It also includes interviews with Baillie Tolkien, Robert Murray, Queen Margrethe II of Denmark, Rayner Unwin, Tom Shippey, and Verlyn Flieger.
Shot from 1987 through 1998 on super 8, 16mm and video, Instrument is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
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A look at the life and work of Japanese photographer Nobuyoshi Araki and his impact on Japanese culture.
The academy award winning documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
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During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever changing humanity. He has witnessed the major events of our recent history ; international conflicts, starvations and exodus⦠He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes : a huge photographic project which is a tribute to the planet's beauty. Sebastião's Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
When National Geographic photographer James Balog asked, âHow can one take a picture of climate change?â his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.
Guy Debord's analysis of a consumer society.
Jan Saudek, Czechoslovakiaâs most famous living photographer, is the subject of this often-shocking kaleidoscopic biopic by friend and colleague Adolf Zika. With an unblinking eye, Zika chronicles the drama-filled life and work of a controversial artist who, though little-known in the United States, has enjoyed international acclaim throughout his fifty-year career
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A guided tour into the invisible world of cells, told through a collage of metaphors. Discusses and portrays the invisible world of cells, how they communicate with each other, work together, reproduce, and die, all to benefit the larger organism of which they are a part. State-of-the-art micro-cinematography is playfully intercut with parallel images from life at the human scale: a hundred lighted violins, imploding skyscrapers, pieces of film on the cutting room floor.
Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using 'The Birds' as an essential metaphor, DOUBLE TAKE traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day.
Immerse yourself in the lives of extraordinary characters that stand a few inches tall. From chipmunks to mice, be entertained and spellbound by the creatures that call the Hidden Kingdoms home.
"Origins" takes a journey through the biological roots of where we have come from and where we have gone. Using fire as a metaphor for technology, the film looks at the advances of our civilization and how the recklessness of unchecked technology is now choking out the environment and poisoning our bodies. Interviews with the biggest names in the health and green space create compelling context and arguments for how we can better coexist with nature. "Origins" shows how man, technology, and nature can walk together in balance.
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Blind blues musician Paul Pena is perhaps best known for his song "Jet Airliner". In 1993, Pena heard Tuvan throat singing over his shortwave radio and subsequently taught himself how to reproduce these extraordinary sounds. This documentary follows him to Tuva, where he takes part in a throat singing competition.
Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laboratory that 16 nations came together to build. Get a behind-the-scenes look at the making of this extraordinary structure in this spectacular IMAX film. Viewers will blast off from Florida's Kennedy Space Center and the Baikonur Cosmodrome in Russia for this incredible journey -- IMAX's first-ever space film. Tom Cruise narrates.
Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was âthe last refuge of poetryâ - the only contemporary art form from which metaphor could still spring naturally and spontaneously.
Louis Malle called his gorgeous and groundbreaking Phantom India the most personal film of his career. And this extraordinary journey to India, originally shown as a miniseries on European television, is infused with his sense of discovery, as well as occasional outrage, intrigue, and joy.
The story is a documentary of research that shows fairly conclusively that plants are actually aware of what goes on around them, even miles away. It is somewhat humorous in the methods it uses to prove the secret life of plants, but thought-provoking in the conclusions it arrives at. The most wonderful thing about the film is the soundtrack. This is original music composed by Stevie Wonder. There is even a scene in the film of Stevie singing one of his songs in a boat on a river. This scene is very moving, as Stevie is blind and yet able to know where he is going. The scene is the climax to the movie, and metaphoric as to what has been presented about plants, that although they don't seem to have senses as human beings and animals do, they are quite well aware of what is going on around them and where they fit into this in the evolutionary process.
Filmmaker Adam Scorgie explores the illegal marijuana industry in British Columbia, revealing how the international business is most likely more profitable than it would be if it was lawful in this enlightening documentary. Marijuana growers, law enforcement officials, physicians, politicians, criminologists, economists and celebritiesâincluding comedian Tommy Chongâshed light on this topical subject in a series of compelling interviews.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
220 million years ago dinosaurs were beginning their domination of Earth. But another group of reptiles was about to make an extraordinary leap: pterosaurs were taking control of the skies. The story of how and why these mysterious creatures took to the air is more fantastical than any fiction. In Flying Monsters 3D, Sir David Attenborough the worldâs leading naturalist, sets out to uncover the truth about the enigmatic pterosaurs, whose wingspans of up to 40 feet were equal to that of a modern day jet plane.
In The Private Life of Plants, David Attenborough takes us on a guided tour through the secret world of plants, to see things no unaided eye could witness. He shows us the struggles of plants to survive in a story that is full of extraordinary drama and breath-taking beauty.Each programme in this six-part series focuses on one of the critical stages through which every plant must pass if it is to survive:- travelling, growing, and flowering; struggling with one another; creating alliances with other organisms both plant and animal; and evolving complex ways of surviving in the earth's most ferociously hostile environments.
Our planet has amazing power, and yet that's rarely mentioned in our history books. This series tells the story of how the Earth has influenced human history, from the dawn of civilisation to the modern industrial age. It reveals for the first time on television how geology, geography and climate have been a far more powerful influence on the human story than has previously been acknowledged. A combination of epic story telling, visually stunning camerawork, extraordinary locations and passionate presenting combine to form a highly original version of human history.
In the First World War, T.E Lawrence helped to unite feuding Arab tribes into a formidable guerrilla army which helped to topple the Ottoman Empire. But today Lawrence has an extraordinary new relevance. His experiences of defeating a foreign military occupation, and of leading an insurgency, have led to him being held up as the man who cracked fighting in the Middle East. Lawrence had aimed, he said, âto write his will across the skiesâ and build a new independent Arab nation, but in these two films Rory Stewart shows how Lawrence felt his dream ended in catastrophe and shame. Drawing a comparison between Lawrence's experience and today, Rory explains how Lawrence came to the conclusion that foreign military interventions in the Middle East are fundamentally unworkable. He concludes, 'Looking at Iraq and Afghanistan today, I believe very strongly that Lawrence's message would not have been do it better, do it more sensitively, but don't do it at all.'.
Adapted from the multi-award winning BBC1 series, Planet Dinosaur 3D recreates the lost world of the dinosaurs in a groundbreaking stereoscopic production. This is one of the most ambitious animated programmes ever attempted for broadcast TV, recreating every detail of these extraordinary animals in an entirely digital production that stretches the boundaries of broadcast 3D with a scale and ambition normally reserved for Hollywood feature films. Planet Dinosaur 3D is a thrilling and immersive journey into a lost world. Pulling together cutting edge research from around the world this programme uses the latest, stunning fossil evidence to chart the rise and fall of the 'Ultimate Killers'; from the iconic Spinosaurus, the largest predator ever to walk the Earth, to Microraptor and the feathered, flying dinosaurs from China. At last, thanks to the advances in technology, and for the first time ever, these monsters can be experienced in all their full, magnificent wonder.
Tintin and I (French: Tintin et moi) is a 2003 documentary by Anders Høgsbro Ãstergaard, about Belgian writer-artist Georges Remi, better known as Hergé, and his creation Tintin. The film is a co-production of Denmark, Belgium, France, and Switzerland.The film is based around Numa Sadoul's revealing interviews with Hergé from the 1970s, and goes into detail about Hergé's life and how the success of Tintin affected it.The film is based strongly around Hergé's experiences and state of mental health leading up to the writing of Tintin in Tibet, often heralded as Hergé's most personal album. The history of Tintin is examined through Hergé's life and the way that he was affected by the growing popularity of his character.
In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungleâ¦naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaumâs 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaumâs return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.
A luxury cruise boat motors up the Yangtze - navigating the mythic waterway known in China simply as "The River." The Yangtze is about to be transformed by the biggest hydroelectric dam in history. At the river's edge - a young woman says goodbye to her family as the floodwaters rise towards their small homestead. The Three Gorges Dam - contested symbol of the Chinese economic miracle - provides the epic backdrop for Up the Yangtze, a dramatic feature documentary on life inside modern China.
This film tries to blow the whistle on what it calls the biggest swindle in modern history: 'Man Made Global Warming'. Watch this film and make up your own mind.
The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930's. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
A chronicle of the production problems â including bad weather, actors' health, war near the filming locations, and more â which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Overfed and Undernourished examines a global epidemic and our modern lifestyles through one boy's inspiring and personal journey to regain his health from the inside out.
While scouting locations for his classic "The Gospel According to St. Matthew", director Pier Paolo Pasolini noticed that filming in the actual site of the story, in Palestine, wouldn't be much of a great choice due to the modern invasion which completely altered the biblical settings. Here, the director explained his reasons of why his search in the Middle East end up being wrong - though somewhat fruitful and rewarding in other ways - and why his native Italy surprised him and became the scenario for his religious epic.
Bill Nye and Ken Ham debate whether creation is a viable model of origins in today's modern scientific era.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The Go-Go Boys tells the inside story of two Israeli-born cousins, the late Menahem Golan and Yoram Globus, who in pursuit of the âAmerican dreamâ turned the Hollywood establishment upside down. Together they produced more than 300 films and founded the most powerful independent film company in the world, Cannon Films, which was responsible for Israeli and mainstream, Hollywood-blockbuster, action/exploitation hits during the duoâs 1980s hey day, starring the likes of Chuck Norris, Jean-Claude Van Damme and Charles Bronson. Up close and personal, and with the complete cooperation of the filmâs subjects, the film examines the complex relationship between two contradictory personalities, whose combined force fueled their successes and eventual split. A film about filmmaking and two dogged, exceptional characters with modest origins taking on the big boys.
This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
"Man in the Sand" is a 1999 music documentary that chronicles the collaboration between Billy Bragg and Wilco, which involved the musicians creating new music to accompany lyrics that were written decades earlier by folk singer Woody Guthrie. The project, which was organized by Woody's daughter Nora, spawned two albums: "Mermaid Avenue," released in 1998, and "Mermaid Avenue Vol. II," released in 2000.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
"Talking Guitars" is an intimate portrait of master guitar craftsman, Flip Scipio. The behind-the-scenes music-documentary illustrates the fascinating juxtaposition of the quiet artist and the world of musicians who seek his expertise. His clients include Jackson Browne, David Lindley, Ben Taylor, Paul Simon, David Tronzo, Leni Stern and Carly Simon. It is claimed that Flip "can make the worst piece of sh*t sing". For himself "Music is like Esperanto"; a universal language.
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