Turn of the Century (2009)
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"Let Me Borrow Your Wife". This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
Duke & Chester on a ship to Skagway, Alaska, find a map to a secret gold mine, which had been stolen by thugs, McGurk & Sperry. Meanwhile, Sal Van Hoyden is in Alaska to try and recover her fathers map. She falls in with Ace Larson, who wants to steal the gold mine for himself. Duke & Chester, McGurk & Sperry, Ace, his henchmen & Sal, chase each other all over the countryside, all after the map.
Shirley and Dino, a couple of fairground entertainers, buy an old shaggy cabaret, which they desperately try to put back on its feet... Shirley et Dino débarquent à Paris pour reprendre le cabaret que leur oncle leur a légué. Au bord de la faillite, l'établissement est convoité par des truands du quartier, prêts à tout pour se débarrasser des nouveaux propriétaires. Mais c'est sans compter sur l'inventivité, l'innocence et la ténacité de Shirley et Dino... qui ont une semaine pour sauver leur Cabaret Paradis.
In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Bob Hope stars as an inept member of the chorus boy in a turn of the century stage show. After being fired, he finds himself starring acting as a decoy when a killer goes after the real star.
Two friends who work in a detective agency rob their boss in order to be hired by him to find the thieves. Their plan goes wrong after the man with a white hat steals their money. The investigation leads them to a casino cabaret club run by notorious Cornelone.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
Soul Kittens Cabaret follows seven women on their journey to self-discovery as they struggle with temptation, personal demons and false promises.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
The story revolves around a Spring, a hitman from mainland China who is on a mission in Hong Kong with his partner Setting Sun. However, Spring falls ill and comes under the care of a screenwriter by the name of Soya and they find themselves developing into a tight and everlasting friendship.
The neurotic New Yorker Woody Allen tells one of the greatest romantic comedies to be set in the city of New York.
Your job as a hostess in Malaga allows Hippolyta meet many men. One of them is a Chinese traveler, just in time to take her to her room, is killed. So, the blame falls on another Hippolyta customers.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's "mojo," Austin must return to the swingin' '60s himself -- with the help of American agent Felicity Shagwell -- to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions and saves the world in his own unbelievably groovy way.
As single mom Grace juggles work, bills, and her affair with a married doctor, her daughter, Ansiedad, plots a shortcut to adulthood after finding inspiration in the coming-of-age stories she's reading for school.
Professors Vrooshka and Crump decide to visit an archaeological site to study the artifacts there. Lo and behold, it's right next to a caravan site where all manner of people are staying. With a randy Major owning the site, a snobbish mother, and the two professors' constant innuendos, the film ends with a sinking caravan site and a striptease performance as a replacement for the cabaret night.
In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the 'king of the beggars'.
Charles Price may have grown up with his father in the family shoe business, but he never thought that he would take his father's place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles' ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men's fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola's discomfort in the small town and the selfish manipulation of Charles' greedy fiancée who cannot see the greater good in Charles' dream.
Paris,1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.
Victor Bukowski is an out-of-work actor with problems. He's got a lousy agent, he has a habit of falling out with directors and he's still in love with his ex-girlfriend. However, Victor is about to embark on an unexpected emotional journey which will make him confront his future and his past mistakes.
After a stint in a psychiatric hospital, a young woman returns to the house where her father killed the entire cast of The Artist during his exorcism.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
Ordinary single girl Amanda Pierce (Monica Potter) unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston (Freddie Prinze, Jr.). That is, until one night...
Choukri, alias Chouchou, a transvestite Maghrebi with clear eyes, comes illegally to Paris to find his nephew. Hired as an assistant by a psychotherapist, known for his good mood, he also work as a waiter in a transvestite cabaret of Clichy where he meets Stanislas.
Following in the aftermath of a terrible Demon-Human war, turn of the century Japan is preparing a new fighting force in case the demons decide to return. A squadron of giant robots are built to be controlled by the spirit of the pilot, but it is discovered that the only people with sufficient spirit are young women. After recruiting a team of youths from around the world, the Japanese government decides to keep them a secret by disguising them as a theater troupe, thus requiring them to spend as much time memorizing Shakespeare as they do on military training.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.
Wealthy construction mogul Andy Lau and cabaret dancer Qi Shu fall madly in love with one another despite the class differences that would keep many couples apart. However, what Shu doesn't know is that Lau is the man responsible for razing a building representing cherished memories from her childhood. Can they live happily ever after if this secret gets out?
An immature, newly unemployed comic must navigate the murky waters of adulthood after her fling with a graduate student results in an unplanned pregnancy.
A high-powered New York publicist finds herself in Montana promoting a charity calendar after being betrayed by her boss and fiancé. Unfortunately, matters of the heart are just as complicated in the wilds as they are in the big city.
A fidgety, wisecracking video store clerk develops a fixation on a particularly reclusive customer, a frequent visitor to the pornography section of Cinefile, the video store where he works in Los Angeles. After multiple failures to impress her during their brief daily transactions, he finds her street address in the store's database, drives to her apartment building and initiates an unconventional campaign to win her affections.
George Carlin celebrates 40 years of comedy and here, he presents 2 new standup bits, comedian Jon Stewart gives an interview with him, and we look at his old comedy work through the last 4 decades.
Where Angels Go, Trouble Follows (1968) is a movie comedy starring Rosalind Russell and Stella Stevens. The film is a sequel to The Trouble with Angels (1966) and was written by Blanche Hanalis from a story by Jane Trahey, and directed by James Neilson. The story depicts the rivalry between the conservative Mother Superior (Russell) and the glamorous, progressive young Sister George (Stevens) as they shepherd a busload of Catholic high school girls across America to an interfaith youth rally being held in Santa Barbara, California. As they debate expressions of faith and role of the Church in the tumultuous America of the sixties, they must also contend with the antics of two rebellious, trouble-prone students, Rosabelle (Susan Saint James) and Marvel Anne (Barbara Hunter).
Rakesh (Dev Anand) is a successful architect hired to design dream house for Seth Karamchand (Sujata's father) and Lala Jagannath (Rakesh's father). Sujata (Nutan) and Rakesh are romantically involved but Rakesh finds out that both of his clients cannot stand each other and are infact going to be neighbours. A poignant and entertaining story about love between two individuals and their efforts to patch up between their families.
Personal setbacks turn a working man into a notorious thief.
Quotas for women, parking spaces for women, online shopping, small talk and gossip. Software developer Erol, porta-potty rep Lars, and commercial pilot Helmut are licking the wounds of their masculinity â a female-free zone is whatâs needed! In the boiler room of their recently built housing complex, the three stressed husbands create a secret refuge where they can watch football, eat fast-food, drink beer and curse the opposite sex undisturbed. When Aykut, the complexâs facility manager, discovers their last bastion of masculinity, he threatens to close it down. One thing is for sure, the men are not going to give up their little slice of paradise without a fight. Based on the stage play bearing the same name, director Franziska Meyer Price allows men to return to rebellious ladhood.
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention.
Esteban and Maxime are inseparable. Their families have always lived in the same Parisian building and Maxime, who has lived alone with his mother, a hard-working attorney, since his father died, has always felt part of Esteban's happy, friendly family. The boys have known each other since birth and consider themselves more than friends, they are brothers. The two friends have secretly made a small attic room the center of their world, where they invent characters and store their disguises and most treasured possessions. But their friendship is threatened when Maxime learns to his dismay that Esteban and his Spanish-born family are moving back to Spain. The two boys dream up a plan that they must soon put into action.
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
Adaptation of the E. Nesbit novel set in turn of the century England.
Widower and father of five, Richard Bastable has only days to save his family home and stave off financial ruin.
While he is desperately hoping his latest invention - a refrigeration machine - will be his salvation,
his children set about finding their own solutions to the family's impending disaster.
About a working class woman climbing her way up the corporate ladder and scoring a hot, rich boyfriend along the way, this romantic comedy is based on the same-name popular novel.
Two married couples find only trouble and heartache as their complicated lives unfold. After 40 years of marriage, Alfie leaves his wife to pursue what he thinks is happiness with a call girl. His wife, Helena, reeling from abandonment, decides to follow the advice of a psychic. Sally, the daughter of Alfie and Helena, is unhappy in her marriage and develops a crush on her boss, while her husband, Roy, falls for a woman engaged to be married.
A high-powered attorney duct tapes her adulterous husband to the toilet ... right before their home is invaded by burglars.
The story is freely inspired by the life and work of Jan Saudek, who is probably the most well-known Czech photographer internationally and has indisputably been involved in the development of international photography. He has exhibited and sold his work in the largest galleries and art houses, he has earned international recognition and awards, he enjoys great popularity and interest - he is a true phenomenon.
Musical comedy starring George Formby alongside his wife Beryl in his first ever feature film. George plays John Willie, the shoeshine boy at the upmarket Crestonian Hotel. He's a cheeky little man with no time for authority, a head full of dreams, a pocketful of songs and a heart full of love for the hotel's scullery maid (Beryl Formby). After causing more than his fair share of chaos at the hotel, he finally gets the chance to redeem himself - and show off his hidden musical talents - when he finds himself topping the bill at the hotel's Gala Cabaret Night. Songs include: 'Why Don't Women Like Me?', 'Sitting on the Ice in the Ice Rink' and 'I Could Make a Good Living at That'.
A cabaret hostess is broken-hearted because she loves a gambler who does not love her.
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends-Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist tendencies, and the intrusion of a very free-spirited maid and her husband... And it all started with the arrival in the family of an innocent looking rat...
In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.
Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual nymphomaniac lover, a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model's casual sex partners begin to disappear.
Big Steve Halloway, gambler and proprietor of New York's Horseshoe Cabaret, where his girl, Bangles Carson sings, is in desperate need of money. He arranges for his fellow bookies, especially Sorrowful Jones, to each pay him $1,000 for his racehorse, Dream Prince, to lose. With all bets being placed at the window, Sorrowful encounters a gambler, having lost $500, wanting to place his bet but is unable to come up with $20. Instead, he places his daughter, Marthy Jane (Shirley Temple), as security, or in bookie's terms, a "marker". Having lost his bet, he commits suicide, leaving "little Miss Marker" under the care of Sorrowful Jones. As Steve hides out in Chicago to avoid investigation for his crooked bets, he entrusts Sorrowful to watch over Bangles during his absence, at which time the "gold digger" helps "tight-wod" with his trouble. When Big Steve learns Bangles is involved with Sorrowful, he returns to New York to do something about it.
Kenya McQueen, a corporate lawyer finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Stage comedian Patrick O'Brien is fired from his job because of his drinking celebration of his son, Jimmy, graduating from college. After the show he meets his son on a cabaret and there meets Abel Finklestein and his daughter, Miriam, and the two fathers form a business alliance, suspected of being bootlegging. They are arrested but are released after it is found they were importing molasses - but Miriam has to promise to marry Sam Berkowitz to secure the release. Jimmy and both fathers are unhappy with this turn of events.
A thriller crime comedy directed by Wolfgang Murnberger.
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