Saturday Night (2010)
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The great media prankster, Joey Skaggs, wants to fool the world media AGAIN, and, with the most complex hoax of his career in the pipeline, he now must use every trick in his prankster's arsenal to make it work. Art of the Prank is an emotional journey following the evolution of artist Joey Skaggs-a fierce proponent of independent thinking and the man who has turned the media hoax into an art form. With unprecedented access to the man and his archives, the 95-minute documentary interweaves a current unfolding hoax with a look behind-the-scenes at some classic performance pieces (all reported as fact by a wide range of prestigious journalists) plus commentary from co-conspirators and others. -IMDB
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
In this first-of-its-kind crossover comedy, director Ben Popik brings together five comedy writers, and surprises them with a challenge: to each write fifteen pages of a movie, having read only the previous five pages of the script. They agree with one stipulation: If they write the movie, he has to make it. It's a comedy, a love story, a psycho-sexual thriller, and a supernatural adventure all in one. Meanwhile, documentary footage of the writing process provides an inside look into the often-hilarious creative process, as well as the group dynamics that make collaboration between friends difficult.
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner's attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980's, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today's young crowds and still get the laughs?
Determined to find out the true effects of marijuana on the human body, stand-up comedian and former Stoner of the Year Doug Benson documents his experience avoiding pot for 30 days and then consuming massive amounts of the drug for 30 days. More than just an amusing story of one man's quest to get superhigh, this documentary also examines the hotly contested debate over medical marijuana use.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
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When a sleazy TV exec offers Wayne and Garth a fat contract to tape their late-night public access show at his network, they can't believe their good fortune. But they soon discover the road from basement to big-time is a gnarly one, fraught with danger, temptation and ragin' party opportunities.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornee.
When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.
Sidney Poitier and Bill Cosby team up in this hilarious misadventure as buddies Steve and Wardell, who head uptown to a swanky nightclub. Unfortunately, thieves hit the club and steal Steve's wallet -- which happens to hold a winning lottery ticket. Poitier also directed this classic 1970s comedy, which co-stars Harry Belafonte as Godfather figure Geechie Dan Beauford and Richard Pryor.
Despite being well into adulthood, brothers Doug and Steve Butabi still live at home and work in the flower shop owned by their dad. They exist only to hit on women at discos, though they're routinely unsuccessful until a chance run-in with Richard Grieco gets them inside the swank Roxbury club. Mistaken for high rollers, they meet their dream women, Vivica and Cambi, and resolve to open a club of their own.
With enormous cone-shaped heads, robotlike walks and an appetite for toilet paper, aliens Beldar and Prymatt don't exactly blend in with the population of Paramus, N.J. But for some reason, everyone believes them when they say they're from France! As the odd "Saturday Night Live" characters settle into middle-class life in this feature-length comedy, a neighbor admires their daughter.
Two young women (Chloë Sevigny, Kate Beckinsale) and their friends spend spare time at an exclusive nightclub in 1980s New York.
Stuart Smalley, the Saturday Night Live character, comes to the big screen. Stuart, the disciple of the 12 step program, is challenged by lifes injustices.
Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.
Direct out of jail, Jake Blues and his Brother Elwood are off on a âmission from Godâ to raise funds for the orphanage in which they grew up. The only thing they can do is do what they do best: play music. So they get their old band together and they're on their way yet not without getting in a bit of trouble here and there.
Because of his salacious language, late-night radio advice-show host Leon Phelps, along with his sweet and loyal producer Julie, is fired from his Chicago gig. Leon gets a letter from a former lover promising a life of wealth, but he doesn't know who she is. Can Leon find his secret sugar-mama? What about Julie?
Kung Fu meets disco in Singapore. Hock is a grocery clerk longing for a motorbike. He lives with his parents and sister; they idolize his younger brother, Beng, a medical student calling himself Leslie. Hock loves Bruce Lee; he works out and imitates his moves. When Hock sees a cheesy local version of "Saturday Night Fever," he gets the disco bug, taking his pal Mei to nightly lessons in hopes of winning a contest and buying the bike. He's blind to Mei's falling in love with him, and, at the last minute asks another woman to be his partner in the contest. Meanwhile, Beng reveals a personal secret to his family and a crisis ensues. Hock, Beng, Mei and her rival: it's Night Fever.
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Set in 1954, a group of Florida high schoolers seek out to lose their virginity which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.
After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.
Broadway producer Max Bialystock and his accountant Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back - and what can be a more certain flop than a tasteless musical celebrating Hitler� The film distributors were also afraid that the audience would react negatively, so the film had a sneak premiere in Pittsburgh in November 1967 and its official premiere in New York in March 1968, but it didn't go on general release in the US until November 1968. It wasn't released outside the US until its UK premiere in October 1969, followed by Sweden in May 1970, and Italy, Denmark and France in 1971. They didn't dare show in Germany until 1976. Today its regarded a comedy classic.
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Gretta's celebrity boyfriend breaks up with her after a long-term relationship, leaving the singer to find success on her own. With the help of record producer, Dan and hip-hop celebrity, Trouble Gum, Gretta strives to fulfil her musical ambitions.
When Kate and Abby are mistaken for famous art thieves, their fun night out quickly goes from good to bad.
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Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.
Hapless museum night watchman Larry Daley must help his living, breathing exhibit friends out of a pickle now that they've been transferred to the archives at the Smithsonian Institution. Larry's (mis)adventures this time include close encounters with Amelia Earhart, Abe Lincoln and Ivan the Terrible.
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A jealous piano teacher Orville Spooner sends his beautiful wife, Zelda, away for the night while he tries to sell a song to a famous nightclub singer Dino, who is stranded in town
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The night after another unsatisfactory New Year party, Tim's father (Bill Nighy) tells his son that the men in his family have always had the ability to travel through time. Tim can't change history, but he can change what happens and has happened in his own life---so he decides to make his world a better place...by getting a girlfriend. Sadly, that turns out not to be as easy as you might think.
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
Mock documentary about an upstart candidate for the U.S. Senate written and directed by actor Tim Robbins. Bob Roberts is a folksinger with a difference: He offers tunes that protest welfare chiselers, liberal whining, and the like. As the filmmakers follow his campaign, Robbins gives needle-sharp insight into the way candidates manipulate the media.
Reg and Lindsay run an organic fertiliser business. They need a fresh supply of their "secret ingredient" to process through the meat grinder. Reg comes across two guys and a girl with a broken-down vehicle on their way to a music festival.
Jeffrey "The Dude" Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
Rock Opera version of Phantom Of The Opera with elements of Faust. Record producer Swan steals both the music and the girl (Phoenix) from composer Leach. Disfigured Leach plans revenge on Swan and his rock palace, The Paradise, and becomes The Phantom. Leach signs contract with Swan to complete rock opera based on the life of Faust for Phoenix. Double crossed by Swan who hires heavy metal singer Beef, Leach exacts his vengeance.
Bastien, an ambitious young production assistant, catches the attention of Jean-Louis, a producer of high regard, and is granted a shot at his own television show.
Serving Sara is a 2002 romantic comedy film which stars Matthew Perry, Elizabeth Hurley and Bruce Campbell. Joe Tyler (Perry) is a process server who is given the assignment to serve Sara Moore (Hurley) with divorce papers.
Harriet Green, a beloved and radiant music hall star of the Edwardian era, has a guilty secret: She has a baby daughter, born out of wedlock. Harriet leaves her public and flees to South Africa to raise her daughter quietly. The years pass, and now her daughter, Harriet Hawkes, returns to London as a young show-biz hopeful. Tommy, a wily publicity man, knowing that young Harriet is a dead ringer for her famous mother, convinces a theater producer to star her in a new revue as none other than the original Harriet Green, miraculously untouched by old age. The ruse works too well: Now the public believes Harriet is a well-preserved 60-year-old and Tommy is her son. The deception is more than merely inconvenient, because now Harriet and Tommy have secretly fallen in love.
Struggling movie producer To Wai-Cheung (Chapman To) is hardly able to make ends meet, yet his daughter (Fiona Sit) hopes to one day sees him being interviewed on TV. In order to fulfill his daughter's dream, he meets Tyrannosaurus (Ronald Cheng), a Guangxi based triad head and a movie investor with a peculiar taste. Tyrannosaurus wants to remake a category III movie starring his childhood idol Siu Yam-yam called Confessions of Two Concubines. http://en.wikipedia.org/wiki/Vulgaria_%28film%29
Corporate billionaire Edward and working class mechanic Carter have nothing in common except for their terminal illnesses. While sharing a hospital room together, they decide to escape and do all the things they have ever wanted to do before they die according to their "bucket list". In the process, both of them heal each other, become unlikely friends, and ultimately find the joy in life.
Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.
In 1973, martial arts great Bruce Lee died, his final film, Game of Death, left unfinished. With the public hungry for more Lee, movie execs decide to find a replacement. This outrageous satire looks at the entire process, from the oddball candidates to the greed and racial motivations that drive the final decision. There's big business in the movies, and Finishing the Game skewers it with an eye for '70s detail.
Straitlaced Princeton University admissions officer Portia Nathan (Tina Fey) is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the freewheeling John Pressman (Paul Rudd). Pressman has surmised that Jeremiah (Nat Wolff), his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted -- but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.
Sanju (Allu Arjun) is a guitarist who operates a band in Barcelona. Komali (Amala Paul) goes to Barcelona to learn more about violin in an university. Akanksha (Catherina Tresa) is the daughter of a central minister. She comes to Barcelona for studies. Akanksha gets hold of a diary in which she reads the love story between Sanju and Komali. In the process, she gets interested in Sanju and falls in love with him as he seems to be single. The rest of the story is all about what happened to Komali.
Someone is killing beautiful young Hipsters in East L.A. Charlie is a crime scene cleaner working for Aftershocks Inc. with a penchant for Sherlock Holmes type deduction. Wallace is an out-of-luck filmmaker working as a crime scene videographer. The detectives covering the murders are apathetic at best but with good names (Henry and Carlita, particularly Carlita). Good names, bad attitudes.
A single mom and her slacker sister find an unexpected way to turn their lives around in the off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business, a biohazard removal/crime scene clean-up service.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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