Pop Star (2013)
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Maanav is a struggling filmmaker who will not compromise on the script he has written. His girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav's script. Maanav then suggests four stories on infidelity, woven together by a common story. The film itself echoes this structure, with four stories mingling with the main narrative
Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.
Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance Toby becomes romantically involved with K'Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.
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A teenage girls life gets turned upside down when a new school friend turns out to be a popstar.
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Nikki Crandon (Shannon Elizabeth) is one of the biggest pop stars on the planet. Whether she's singing the National Anthem or promoting her latest album, everyone knows who she isânone more so than New Jersey high school basketball coach and widower Chris Mitchell (Steve Byers), who was Nikki's first love in high school. When Chris' 10-year-old daughter Sophie (Julia Lalonde) finds out her dad still has feelings for the singer, she takes matters into her own hands. With her 8-year-old brother Jackson (Kyle Breitkopf) in tow, Sophie succeeds in reuniting the two. But when a misunderstanding and the growing glare of the public spotlight threaten Chris and Nikki's happiness, one can only wonder: will fame get in the way of a Merry Christmas?
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Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
When hard-working TV producer Becky Fuller is fired from a local news program, her career begins to look as bleak as her hapless love life. Stumbling into a job at "Daybreak" (the last-place national morning news show), Becky decides to revitalize the show by bringing on legendary TV anchor Mike Pomeroy. Â Unfortunately, Pomeroy refuses to cover morning show staples like celebrity gossip, weather, fashion and crafts â let alone work with his new co-host, Colleen Peck, a former beauty queen and longtime morning show personality who is more than happy covering morning "news." As Mike and Colleen clash, first behind the scenes and then on the air, Becky's blossoming love affair with fellow producer, Adam Bennett begins to unravel â and soon Becky is struggling to save her relationship, her reputation, her job and ultimately, the show itself.
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
A man crippled by the mundanity of his life experiences something out of the ordinary.
In this slacker bro-mantic comedy, writing partners Dulal and Mainak dream of shaking up the Bollywood film industry with their script âSulemani Keedaâ (Hindi street slang for âPain in the Assâ). When theyâre not being rejected by producers who refuse to read their script, they lurk around bookstores and poetry slams shamelessly hitting on girls. They find some hope when the drug addled, cat-obsessed Gonzo Kapoor, the son of a famous B movie producer, hires them to write an art house film billed as âTarkovsky with orgiesâ for his directorial debut. All seems well until Dulal meets Ruma, a beautiful photographer who makes him question his choice to sell out.
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
The next mayor of Seoul candidate's wife becomes a dance singer in this movie as Hwang Jeong-min takes on the role of poor lawyer turned politician and Uhm Jung-hwa as the wife who makes an attempt at singing without her husband knowing at first.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
University student Seo In-ha meets a young woman on the subway and falls in love. After joining a local book club, he is pleasantly surprised to find that the woman, Mun Hie-jae, is also a member. Although he makes a poor first impression, In-ha and Hie-jae become friends, though she is more interested in another student, Kang Seong-ho.Several years pass as they go their separate ways. While Hie-jae and Seong-ho prepare to wed, In-ha, now a producer at a local radio station, still pines after his crush. When Hie-jae survives a car crash that kills her fiancé and parents, In-ha resumes his pursuit of her by reading out letters on his radio show. They reunite and plan to get married.However, their happiness is short-lived, as Hie-jae becomes pregnant only to discover that she has stomach cancer, and must choose between her own life and the life of her unborn child.
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