Amnesty International's Big 30 (1991)
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FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPà under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.
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Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
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In 1964, when the New York Mets were regarded as little more than a punch line in major league baseball, the team moved into a brand new ballpark, Shea Stadium, which was to become their home for the next forty-four years. Shea Stadium was closed (in part to create more parking space for a new stadium, Citi Field), and on July 16 and 18, 2008, Billy Joel headlined the final concerts held at the stadium. Filmmaker Paul Crowder and a camera crew were on hand for Joel's shows, and the documentary THE LAST PLAY AT SHEA chronicles his historic two-night stand, as well as exploring Joel's career, his ties to working-class New York, and how his life and career paralleled the growth of suburban Long Island and the beloved ballpark.
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An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
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The best of Led Zeppelin's legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. THE SONG REMAINS THE SAME is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member's individual fantasies and hallucinations. Includes blistering live renditions of "Black Dog," "Dazed and Confused," "Stairway to Heaven," "Whole Lotta Love," "The Song Remains the Same," and "Rain Song" among others.
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Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums â Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinsonâs colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
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A 15-year-old girl incites chaos among her friends and a media frenzy when she accuses her drama teacher of sexual harassment.
A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?
When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.
Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father's care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital's legal team and do what's best for the patient?
Two contempo Frenchmen of Antillean descent visit their ancestor's time as well as their land in the slavery-themed French era.
Modern version of The Frog King. Out of an impulse, 15-year-old Anna kisses a frog which then turns into a prince. But the curse is not solved that easily.
Michael Caine stars as Baxter Thwaites, the laid-back Governor of the sleepy British colony of Cascara. But when American oil drillers accidentally strike a gusher of ultra-delicious mineral water, the forgotten Caribbean out-post becomes a global hotbed of political and economic chaos.
A live stand-up comedy and music gig to celebrate Amnesty International's 50th Anniversary.
Oridathoru Phayalvaan is a 1981 Malayalam film written, edited and directed by P. Padmarajan. The film is a folk parable about the success and failure in the life of a wrestler. Having an unusual and different plot, the movie was critically acclaimed. It stars Rashid, Nedumudi Venu and Jayanthi in the lead roles. It won the award for Best Script at the Kuala Lumpur International Film Festival, and a Gold Medal at the Asian Film Festival.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
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Subramaniapuram (Tamil: à®à¯à®ªà¯à®°à®®à®£à®¿à®¯à®ªà¯à®°à®®à¯) is a 2008 Tamil film produced, written, and directed by M. Sasikumar. The low budget film received critical acclaim for its original script, expert direction, screenplay, editing, accurate sets and costumes to resurrect Madurai from the 1980s. Sasikumar cast then relatively new actors Jai, Swathi, Ganja Karuppu and himself in pivotal roles for the film. Shot in a remarkable eighty five days, the film became a huge box office grosser. Sasikumar is now considered one of the promising young directors in Tamil film industry.
Thamizh Padam is a 2010 Indian Tamil language spoof film written and directed by debutant C. S. Amudhan. The film stars Shiva and Disha Pandey in the lead roles. The film's plot parodies contemporary commercial films in Tamil cinema, mocking the stereotypical scenes.[3][4]. The film was distributed by Dhayanidhi Alagiri's Cloud Nine Movies, and it was released on 29 January 2010 and won critical acclaim and commercial success at the box office.
A former world-famous conductor of the Bolshoï orchestra, known as "The Maëstro", Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornee.
An acclaimed actor and his equally acclaimed actress wife, who have been married for less than a year, are already showing signs of strain in their marriage. The actor believes his wife is capable of infidelity and sets out to prove this is so. Disguising himself as the kind of man he believes she fancies (a Russian military officer), the actor woos his wife while she believes him (her husband, that is) to be out of town. The actress shows every sign of succumbing to the "Russian's" advances, yet the husband can never quite put the stamp of certainty on her behavior. The truth eventually reveals itself...or does it?
Twins, separated at birth, end up as a Hong Kong gangster and a New York concert pianist. When the pianist travels to Hong Kong for a concert, the two inevitably get mistaken for each other.
Acclaimed director John Landis (Animal House, The Blues Brothers) presents this madcap send-up of late night TV, low-budget sci-fi films and canned-laughter-filled sitcoms packed with off-the-wall sketches that will have you in stitches. Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment. A truly outrageous look at the best of the worst that television has to offer.
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