Robot Chicken: DC Comics Special (2012)
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Humans... the other white meat... Unless you're black, then it's dark meat... Or if you are Asian, then it's yellow meat... Or if you are Native American, it's red meat...
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Luther Heggs aspires to being a reporter for his small town newspaper. He gets his big break when the editor asks him to spend the night at the Simmons mansion that, 20 years before, was the site of a now famous murder-suicide. Luther's account of his wild, ghost-ridden night in the house leads Simmons to sue for libel, but with the aid of his friend Kelsey they determines what exactly happened.
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Juli Baker devoutly believes in three things: the sanctity of trees (especially her beloved sycamore), the wholesomeness of the eggs she collects from her backyard flock of chickens, and that someday she will kiss Bryce Loski. Ever since she saw Bryce's baby blues back in second grade, Juli has been smitten. Unfortunately, Bryce has never felt the same. Frankly, he thinks Juli Baker is a little weird--after all, what kind of freak raises chickens and sits in trees for fun? Then, in eighth grade, everything changes. Bryce begins to see that Juli's unusual interests and pride in her family are, well, kind of cool. And Juli starts to think that maybe Bryce's brilliant blue eyes are as empty as the rest of Bryce seems to be. After all, what kind of jerk doesn't care about other people's feelings about chickens and trees? With Flipped, mystery author Wendelin Van Draanen has taken a break from her Sammy Keyes series, and the result is flipping fantastic.
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From chicken thief to cabin boy, riverboat pilot to circus performer, Huck Finn (Eddie Hodges) outsmarts everyone on his way down the muddy Mississippi. This 1960 movie was the first color version of the Mark Twain classic.
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From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. Geist starts up a magazine called "The Next Big Thing", which he uses to confront and insult upcoming actors, comics, models and rock bands. As Geist's mysterious Underground Agenda escalates, will he become the "last big thing", or be co-opted by the very forces he is railing against? Written by Van Film Fest
Pete Ivey (Jason Dolley) is the type of guy who's easily overlooked in the school halls -- unlike his boisterous best friend, Cleatus Poole (Mitchel Musso), who's proudly carrying on the family tradition of spreading school spirit as the spirited Brewster High chicken. But when the costume prompts an allergy attack, Poole begs Pete to take his place at center court; the resulting anonymity frees Pete to discover his inner star. Trouble is, it's Poole who's getting all the attention from fans, who think he's the one behind the mask. Meanwhile, Pete's attempts to get noticed by pretty new girl Angela (Josie Loren) are complicated by the fact that she's also entranced with the mysterious man in the chicken suit. In the end, Pete must decide whether facing the possibility of rejection is worth revealing himself for what -- and who -- he really is.
The Unbookables is a narrative documentary about stand-up comics who have spent their careers pushing limits--on stage and off. Relegated to small venues and touring in a crappy van through the Midwest they careen between the desire to succeed and the reality that there may be nothing left to lose. Road life is far from glamorous: comics come and go and cruel pranks and hard drinking punctuate their obsidian dark comedy on stage. They succeed and fail-spectacularly. When they face being fired for going too far on stage, the conflict culminates in a showdown: compromise or double down?
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The town sheriff and a madame team up to stop a television evangelist from shutting down the local whorehouse, the famed "Chicken Ranch."
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Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves
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