Snake of Violence (2013)
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Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia...
As Japan gears up for the 1964 Olympic games, the cops start to crack down under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima. Akira Kobayashi's Takeda tries to keep a lid on things, but hotheaded underlings create chaos, with one boss whacked in neutral territory, and the craven boss, Uchimoto, informing on an assassination attempt by his own minions. While the police round up hundreds of yakuza foot soldiers, Bunta Sugawara's Shozo Hirono plots to finally take out longtime nemesis, boss Yamamori.
Battles Without Honor and Humanity: Final Episode is part five and the final installation of a series of yakuza films directed by Kinji Fukasaku. In the wake of a big police crackdown, Akira Kobayashi's icily sun- glassed Takeda attempts to transform the Hiroshima yakuza families into a legitimate political organization: The Tensei Coalition. When the young Matsumura ascends to the chairmanship of the coalition, the older, hardened yakuza led by Jo Shishido (BRANDED TO KILL) seize one last opportunity to stir up chaos and bloodshed. Culminating with the arrests, deaths, or retirement of the first postwar yakuza generation, this milestone series draws to an ambivalent close.
Former Yakuza underling Kiryu Kazuma, who has recently been released from prison after a lengthy incarceration, and is trying to piece his life together and distance himself from his Yakuza past. Unfortunately Kiryu's problems slowly escalate as he is pursued by a former associate, the baseball bat-wielding psycho Majima Goro who has a grudge to settle with Kiryu.
In the teeming black markets of postwar Japan, Shozo Hirono (Bunta Sugawara) and his buddies find themselves in a new war between factious and ambitious yakuza...
After the assassination of Tokyo's Governor by Yakuza members, the CIA bureau chief (William Atherton) for Tokyo puts out a call to an agent (Steven Seagal) that had been raised in Japan and trained by ex-Yakuza. Using his former ties, he quickly determines that a war is brewing between old-guard Yakuza members and a young, crazed leader (Takao Osawa) with ties to the Chinese Tong.
The film is divided into three parts - the first two taking place in feudal Japan, the last segment being more "modern" and set in the late 1960's. All three deal with those that have broken the Yakuza code, and their subsequent torture and dispatch.
Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down. Jojima attempts to start a gang war between the Triad and yakuza. Ryūichi and Jojima meet.
When Nick Davis leaves prison after one year in solitaire, he is hired to operate forklift in a warehouse in the harbor owned by the Japanese Yakuza patriarch Isshin Tendo. The place is assaulted by the Italian Mafia leaded by Dino Campanela and Nick rescues and saves the life of Shuji Sawamoto, who is the representative of Yakuza interests in America. Shuji hires Nick to work for Yakuza and becomes his godfather in the family after his oath to join Yakuza. However, Nick is a lonely FBI undercover agent assigned to penetrate in the criminal organization. When the FBI discovers that Campanela is organizing a massive attack to destroy the Yakuza, Nick's boss Littman calls off the operation to leave the dirty work to the Italian Mafia. But the connection of Nick with Shuji and his goddaughter Yuko forces him to help his Japanese family.
To infiltrate a criminal organization responsible for the death of one of his colleagues, the Detective Tajima adopts the behavior of of a brutal thug and plays opposing yakuza bosses against each other.
In Japan, gonzo filmmakers hatch a three-pronged plan to save an actress's career, end a yakuza war and make a hit movie.
Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.
âTattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?
On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.
After Kunisada's Yakuza leader and father figure is brutally murdered, he and his best friend go on a two-man mission to avenge his death, killing other Yakuza leaders leading to a final confrontation by the old man's killers..
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
In at least 6 movies by director Kinji Fukasaku, Bunta Sugawara played a yakuza thug. This time, he carries a badge but his character hasn't lost his distaste for double-dealing bosses and authority figures who are out to cover their own butts. Detective Kuno is balanced between the law and pragmatism. Cops didn't enforce the law to the point of pushing gangsters over the edge. In return, the gangsters mostly stayed out of the public eye. Some of them even became friends with cops, sharing a mutual desire to keep-down trade unions and leftists. When that balance is upset, Kuno has to decide where his loyalties lie. In this gray world, cops aren't always good and gangsters are thoroughly bad.. although there's no reward for good men who drink from the cup of corruption. "Cops Versus Thugs" has that trademark Fukasaku camera-work.. constantly moving, zooming, and putting you right in the middle of the action, changing loyalties and political maneuvering between cops and criminals.
Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was interred. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.
The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomoâs lap.
Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka (Kinya Kitaoji) finally finds a home as a Muraoka family hit man and falls in love with boss Muraoka's niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo (Sonny Chiba) draws our series' hero, Shozo Hirono (Bunta Sugawara) into a new round of bloodshed, culminating with the tragic demise of the young Yamanaka.
After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.
An ex-cop finds himself caught up in a battle between Japanese mobsters and local gangland thugs and discovers that he was framed for wrong-doings by a corrupt cop.
A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.
Iron Zhao aka Steelhead, a truck repairman from China's Northeast, and settles down as an illegal immigrant in Tokyo. After a series of run-ins with the Yakuza, he rises to power as the Don of Chinese illegal immigrants. However, things get out of control when he's foolish enough to believe in clean getaways in a world that offers none, and soon comes to seal his own fate.
When two Girl Bosses fight each other over territory, their enmity is difficult to solve - they are equals in looks, strength, determination, and power of their respective girl gangs. So, the way is open to a mischievous Yakuza Boss who invites them for a peaceful way to decide their feud: a sexual challenge for him to decide who is the better Girl Boss. Trapped, both are subject to the man's lust and sadistic assaults. They escape by joining forces against the yakuza gang, though it costs one of the young women her life - when she was friends already with her former enemy.
Tetsu has joined his yakuza boss in going straight, but when a rival gang threatens to bring them back into the gang wars, Tetsu must become a drifter to keep the pressure off his old boss
In the 1970s, the Japanese youth emancipation also found it's way into the yakuza (crime) societies. A Girl Boss may have a choice between bikes, and between boyfriends. But she has to defend her choices the hard way, as her triumph and power over the girls' gang is questioned by her female rivals, and the all powerful Yakuza Boss. She inspires loyalty to her girls, and to men to the extent of many of them literally giving their lives for her - in a world of knife and gun fighting, bike and car chasing, and violent death.
When the mobster Iwaida Nishikawi is executed by the hit man Takeshi, his family chases the killer. Takeshi's brothers Takashi and Hideshi Miwa try to find Takeshi, who is hidden with the nurse Rie Ishibashi, to protect him and Hideshi discovers that Takeshi was secretly sent by their Yakuza boss to eliminate Iwaida. Meanwhile, the mobster Kenmoshi abducts Takashi's wife Mariko and rapes her, trying to force Takashi to deliver his brother to him.
Jo Dae-yeong is a police officer investigating a pickpocket ring with ties to the Yakuza. One day he rescues Baek Jang-mi from danger, only to discover that she is the boss of the gang he has been tracking.
Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband.
Oryu searches for blind child she left behind and get involved in a Yakuza turf war that takes place in the Tokyo Theater.
A postman is mistaken for a dangerous criminal by the police.
Tokyo is a dark technopolis, a city of faceless chrome and cold marble. It is ruled by Nogi, a yakuza boss specializing in drugs and murder. He gained absolute power by executing the former boss and marrying his daughter, Chiaki. Only the mysterious Ikko, Chiaki's half-sister threatens him. Inspired by a legendary hit-woman, Ikko calls herself the Black Angel and plans to wash away her father's murderer with a deluge of blood.
A Japanese Yakuza gangsterâs deadly existence in his homeland gets him exiled to Los Angeles, California where he is taken in by his little brother and his brotherâs gang. This is the first English film by Takeshi Kitano.
After serving 10 years in prison due to a drug-induced assassination of a rival gang boss Tachibana (Ryo Ishibashi) enters a world that's nothing like it was when he went in. Once a respected and feared Yakuza mastermind, he now must try and adapt within the confines of the new generations vision of honor. As he still garners a somewhat decent amount of respect he just tries to get by. Hooking up with a prostitute he's been in passing by with he begins to feel some sense of comfort. Upon stumbling across her being beaten down by her pimp, Tachibana can't just sit by and do nothing. So he commences in putting down an old school Yakuza ass whipping, thus beginning a showdown with the "now" boss, Sato.
While her husband is in prison doing time, Tamaki, the wife of a yakuza capo, runs her spouseâs gang with an iron hand. Meanwhile, Makoto, her younger sister, marries a member of a rival band after being raped by him. The two sisters, united by blood ties but married to enemy yakuzas, will ultimately have to decide whose side theyâre on.
A grand old Japanese hotel is trying to get a prestigious contract as the site of a summit meeting of important foreign officials. Unfortunately, this hotel is quite popular with the Yakuza (Japanese gangsters) and is a favorite target of theirs for extortion. They employ a variety of schemes to con the hotel out of 'hush-money.' The hotel needs to rid itself of the Yakuza and finally begins to fight back by hiring Mahiru Inoue, a lawyer who is an expert at dealing with these criminals on their own terms. This film by Juzo Itami combines action with farce, as an all-out war ensues. Written by Tad Dibbern
Osaka Tough Guys stars Kentaro Nakakura and Yoshiyuki Ohmori. It tells the story of two hoods forced to take on paid work when they run out of money for booze, who end up being drawn into the spiderweb of the yakuza. Gaijiro Saito and Sei Hiraizumi co-star. ~ Nathan Southern, Rovi
After spending over half his life in prison, ex-hitman Kunihiro is determined to go straight. But the shortcomings of the new gangs mean that he is soon having to call on his old-school yakuza talents. And when he falls for Asako, a beautiful piano player, she unknowingly ignites a fire within Kuni that will immolate everything and everybody around him. Regarded by many as his masterpiece, Onibi has all the hallmarks of a Mochizuki film, with the gangster elements tightly compressed and controlled to allow space in which a subdued romance can bloom. Coming from a background in porno cinema, this master of sexual relations injects a fresh passion and tension into the macho world of the yakuza film.
Abashiri Prison is located in the coldest place in Japan. Two men, handcuffed together have escaped from the prison, one a yakuza, the other a petty criminal, and although they hate each other they must work together if they are to evade capture in this harshest of climates.
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local Yakuza gang. However, the world is a tough place...
An retired yakuza is caught in the middle of a growing conflict between two rival clans.
Naomi is a university student who is leaving for the US to study in a week; Shuichi is a washed-up gumshoe who's hired by Naomi's father to bodygard his daughter until she leaves. Shuichi finds the job annoying and wants to quit. But he also has a screwed-up ex and alimony to pay. Things go from bad to worse when Naomi and Shuichi stumble upon a murder which might involve the yakuza. They decide to find out who committed the murder but God knows what it will lead to.
When a young Yakuza torments the customers in a rival crime family's nightclub, it is not long before his dead body is found. Soon, inter-family retaliation follows, resulting in the death fo a prominent crime boss. Devastated by htis turn of events, the temperamental Kenzaki vows to avenge his boss's death and, as bloody violence ensues, the body count reaches excessive proportions.
A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.
Ryuji tries quitting the yakuza to actively support his wife and daughter; as he's used to easy money, it's a difficult transition.
In one long Friday evening, Takeshi Miyata (Yasuhi Nakamura), a straight-arrow businessman, will encounter a number of people (some only fleetingly) who have intertwining fates. The plot of the film is presented in succession first from the point of view of Maki Kuwata (Reika Kirishima), a young woman disappointed in love, then from Takeshi's point of view, then of his friend, Yusuke Kanda (SÅ Yamanaka), a private detective, then of Takeshi's former girlfriend, Ayumi Kurata (Yuka Itaya), then of a wannabe-tough Yakuza, Asai (Kisuke Yamashita).
Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.
A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However, his fear of nothing soon causes problems.
After four years overseas, Shozo returns to Japan to avenge his yakuza boss who was assassinated by his own treacherous top man, Kurawaki. The resulting battle leaves both men severely injured, and Shozo awakens in a mysterious medical facility to find his arm replaced with an M61 Vulcan cannon and his leg replaced with a rocket launcher. Meanwhile, Kurawaki has been fitted with mechanical augmentations of his own. Get ready for the second round.
As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.
When mysterious foreign entrepreneurs appear with the intention of tearing down Treasure Town and replacing it with an amusement park, Black and White face their greatest adversaries yet. It is up to the destructive Black to save the fate of the city and up to the gentle White to save Black from his own dark nature. On the street of an unnamed city, literally high-flying urchins Black and White look to protect their turf from invasion from other gangs. While he can be tough in a fight or wielding a weapon, White is an 11-year-old who can't even dress himself. Slightly older, Black is more worldly and treats his buddy with paternal love. Both look on their city as "our town." Also prone to seeing the city as his property is world-weary yakuza leader Suzuki, aka the Rat. Feeling the town has become too placid, Suzuki plots his return, much to the consternation of local police.
The Japanese yakuza films certainly have a well-earned reputation of being violent and chaotic. Some are more frenetic than others and Street Mobster is unbelievable high on savagery and energy. It dawned the re-birth of the genre, telling the story of low-level punks who will do anything without compromise and little sense of honor.
An American with a Japanese upbringing, Chris Kenner is a police officer assigned to the Little Tokyo section of Los Angeles. Kenner is partnered with Johnny Murata, a Japanese-American who isn't in touch with his roots. Despite their differences, both men excel at martial arts, and utilize their formidable skills when they go up against Yoshida, a vicious yakuza drug dealer with ties to Kenner's past.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, however, he manages to escape. As they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game the Japanese way.
Chapman is an ex-marine in Brazil's slums, battling the yakuza outfit who attacked his sister and left her for dead.
After being brutally murdered in a gangster-style execution, Kensuke Hagane (Tsuyoshi Ujiki) finds himself brought back to life by a mad scientist and rebuilt as a robot-human hybrid with a serious thirst for vengeance and the tools to carry it out. Takashi Miike directs this action-packed sci-fi thriller that takes its cues from the more mainstream Robocop but amps up the violence for maximum effect.
Kitano plays Murakawa, a Tokyo yakuza tiring of gangster life. Along with a few of his henchmen, he is sent by his boss to Okinawa to help end a gang war, supposedly to mediate between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, Murakawa's headquarters are bombed and he and his gang are ambushed in a bar.
Ex-kickboxing champion turned sports photographer Max Havoc again finds himself in Guam on a publicity photo shoot. Max's helpful ways land him in the lives of the vacationing sisters Jane and Christy Goody who have acquired a rare jade dragon, which belongs to the ruthless Japanese Yakuza who will stop at nothing to get it back. It's up to Max to stop the Yakuza, save the sisters and restore order to the peaceful island.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.
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