Burma's Saffron Revolution (2008)
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Street art, creativity and revolution collide in this beautifully shot film about artâs ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30â mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
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Sampath is an expert in car, seizing, and works for Atul Kulkarni, who is a financier in North Madras. Burma aka Parandhaman works under Sampath for peanuts and the moment he comes to know the true colors of his boss; he makes his crooked intelligence to show the jail for Sampath and eventually gains the trust from Atul after creating his own brand for siezing cars. Sampath comes back from the jail and secretly plans the downfall of Burma. Burma gets an opportunity to seize 28 cars and he has completed 99% of his job without any fuss only to get stuck on the last car. What happens to Burma and to the rest of lead characters forms the rest of the story with parallel stories layered like a double decker sandwich.
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A truck convoy traveling the Burma Road is menaced by a group of smugglers.
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The film concerns the life of King Naresuan, who liberated the Siamese from the control of Burma. Born in 1555, he was taken to Burma as a child hostage; there he became acquainted with sword fighting and became a threat to the Burmese empire.
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A classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson , the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
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