Main cast T.J. Hill; Alexis Agathocleous; Ricky Hill; Renata Hill; Laura Italiano
Genres Documentary
Description Under the neon lights in a gay-friendly neighborhood of New York City, four young African-American lesbians are violently and sexually threatened by a man on the street. They defend themselves against him and are charged and convicted in the courts and in the media as a 'Gang of Killer Lesbians'.
What does mean to be gay and be a man? There's no straight answer for sure. From the Castro culture of the 1970s to todayâs Bears and gym rats, this fascinating investigation of gay men and sexuality blows the lid off old stereotypes and showcases a battalion of interviewees including muscle men, rodeo riders, rugby players and cops. The men speak candidly on topics from homophobia to metrosexuality to embracing effeminacy as they reveal what it means to be a gay man in America today.
Get up close and personal with 16 of the most successful women in the adult film industry as they shed their clothes for an intimate photo shoot with director Deborah Anderson. As questions are asked, personal stories about their lives are revealed, from why they chose the business of sex to how they got into it in the first place. These porn stars have always been discreet about their private lives in the past, yet Anderson has a way of opening up a dialog allowing them to share more than just their naked skin on screen. Their true inner vulnerability is touching, yet the characters they have created are confident and intoxicating. Once you hear their stories, you'll never look at them in the same way again.
This documentary about Henri-Georges Clouzotâs unfinished 1964 psycho-thriller LâEnfer is as tantalizing as it is frustrating. Despite remaining one of the most masterful of French directors, Cluozot inexplicably seems to have lost control on the big-budget production of LâEnfer. The long-lost raw footage is intriguing and dazzling, infused with swirling lights and blue-lipped, cigarette-puffing fantasy temptresses. Although directors Serge Bromberg and Ruxandra Mederea have managed to speak to numerous members of the original crew, this behind-the-scenes investigation has so little to say about the reasons behind Clouzotâs failure to complete the film. In spite of this, the undiminished power of Clouzotâs extraordinary images makes the documentary a fascinating watch.
Ten women, most of them in Vancouver or Toronto, talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love": Laura leaves her hick town and heads for the city, where she meets Mitch in a bar. Sparks fly, and so do laughter and joy. Ann Bannon, one of the writers of those paperback novels about forbidden love, talks about the genre.
He slept with Sal Mineo, was photographed by Andy Warhol, and he was lusted after by millions of men around the world. Model, photographer, filmmaker, clothing designer, and porn icon Peter Berlin is his own greatest creation. Berlin is front and center in this bio documentary from director Jim Tushinski, and featuring interviews with director John Waters, novelist Armistead Maupin, 70s porn director Wakefield Poole and more, all with Berlin as the subject. This intimate film reveals the legendary man with the white saran wrapped pants, undersized leather vests, and Dutch-boy haircut
From the onset of the AIDS epidemic, author Larry Kramer emerged as a fiery activist, an Old Testament-style prophet full of righteous fury who denounced both the willful inaction of the government and the refusal of the gay community to curb potentially risky behaviors. Co-founder of both the service organization Gay Men's Health Crisis and the direct action protest group ACT UP, Kramer was vilified by some who saw his criticism to be an expression of self-hatred, while lionized by others who credit him with waking up the gay communityâand, eventually, the government and medical establishmentâto the devastation of the disease.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
Bridges to Babylon Tour '97â98 by The Rolling Stones is a video from a concert which was filmed in St. Louis, Missouri 12-December-1997 during the Bridges to Babylon Tour 1997-1998. It features a single, massive oval video screen behind the band on the main stage, a stripped-down set on a small stage in the middle of the arena floor, and guest appearances by Dave Matthews ("Wild Horses") and Josh Redman.
A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
What "That's Entertainment" did for movie musicals, "The Celluloid Closet" does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Lily Tomlin narrates as Oscar-winning moviemaker Rob Epstein (The Times of Harvey Milk and Common Threads: Stories from the Quilt) and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.
In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of Dr. William Petit, his wife, Jennifer Hawke-Petit, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
Cinema's prodigal daughter Jennifer Lynch braves the unmapped territory of Bollywood-Hollywood movie making, where chaos is the process and filmmaking doubles as a crash course in acceptance and self-realization.
Since the assassination of Dr. George Tiller in Kansas in 2009, only four doctors in the United States continue to perform third-trimester abortions. These physicians, all colleagues of Dr. Tiller, sacrifice their safety and personal lives in the name of their fierce, unwavering conviction to help women.
Amanda (Marlee Maitlin) is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, Amanda slowly comprehends the various inspirations and begins to see the world in a new way.
Directors Nina Kusturica and Eva Testor followed Michael Haneke for a period of two and a half years. They accompanied him to film premieres and public appearances, radio interviews and photo shoots; they observed him as he scouted locations, directed actors on the set, and made final cuts in the editing room. In between, on long train and car rides, Haneke spoke candidly about his childhood, his transition to filmmaking, and his views on cinema, discussing films that inspired him and his own work (he counts The Seventh Continent and 71 Fragments of a Chronology of Chance among his favorites). What emerges in this insightful documentary is a portrait of a dedicated filmmaker, a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
Before crossing paths with Peyton, falling for a woman was an unimaginable situation for Elena, a straight wife and mother. The friendship between Peyton, an out lesbian writer, and Elena, the wife of an anti-gay paster who has never experienced true love, transforms swiftly from a one-sided crush into a torrid extramarital affair. Despite their attraction, Peyton, jaded in a number of ways, has strong reservations about becoming involved with a married straight woman; Elena, recognizing that she is caught in a loveless marriage, can barely begin to rationalize the nature and magnitude of her desires. As their relationship evolves, Elena confronts the choice of leaving her husband or ending her involvement with Peyton to save her unraveling and unrewarding marriage and return to a drab and automated life. Above all, Elena faces the looming challenge of convincing Peyton that the two women have a bright future together despite their unfavorable circumstances
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
A small group of friends experience relationships which grow and stumble, involving everything from straight, gay, lesbian, and bisexual relationships. The speed with which these relationships last leads to the Goldfish memory effect, the belief that a Goldfish only has a 3 second memory is a metaphor for the transient nature of the characters relationships.
With their women having been enslaved by a pack of lesbian vampires, the remaining menfolk of a rural town send two hapless young lads out onto the moors as a sacrifice.
"Let Me Borrow Your Wife". This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
Hallelujah! was, for its time, an impressive achievement. Director King Vidor, anxious to make a "personal" project for the impersonal MGM studios, proposed to film a spiritual story set in the deep South with blacks as the main characters. The Texas-born Vidor was familiar with certain particulars of African-American life, having witnessed the mass baptisms and religious ceremonies of the employees of his father's lumber mills. MGM, concerned that it would lose the "bigot trade," balked until Vidor offered to direct Hallelujah without salary.
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn't like kissing her boyfriend very much. And she's pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to "sexual redirection" school, where she must learn how to be straight.
The star player of Icelands top football team causes a stir when he admits to being gay to his team mates and then goes on a journey to discover himself (with the help of the local press). He soon finds himself on the bench for most of his teams matches and decides to call it quits and join a small amateur team made up of men like himself - gay guys trying to play football in a straight world of Icelandic fishing culture machoism
During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from a long list of suspects including the owners of the home, the staff and the patients recovering there.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
A recently outed soap opera actor crosses paths with a recently divorced gay marriage activist, forcing them to confront the price of fame and the fickle nature of celebrity within the gay community.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper's personal advertisement. The advertisement has been placed by 'lesbian-curious' Helen Cooper, a thirtysomething art gallerist.
Lorenz Meran, (40) a successful gay author suffering acute writers' block, has to leave Berlin and return to eastern Switzerland to provide care for his aged mother, Rosie. When he finds himself confronted with the fact that fun-loving Rosie refuses both outside assistance and a care home, he discovers that he is stuck fast in his small home town of Altstätten. But it is not only his mother's battle against being dictated to and losing her dignity that he is struggling with. It's also his own midlife crisis. And when long-kept secrets are suddenly revealed under the tensions of family dynamics, Lorenz almost fails to notice that love is knocking on the front door of his parent's house...
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
The stories of three lesbian couples -- who live in the same house at different periods of time -- who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Almost a decade has elapsed since Bowie esque glam superstar Brian Slade staged his own death and escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth of the enigmatic Slade's rise and fall. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.
Drama set in 1930s London with two sisters, Madeleine married to Rickie, and Dinah, who falls in love with him. Rickie and Dinah begin an affair which is to have repercussions throughout all their lives.
Popular and dashing American singer Nick Rivers travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond, he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric and Flammond to attempt the rescue of her father, Dr. Paul, from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.
Holden and Banky are comic book artists. Everything is going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
BearCity is a hirsute "Sex and the City," following the funny, romantic, and occasionally dramatic adventures of a group of bears and cubs in New York City. The sequel, BearCity 2 follows our familiar characters and a few new ones as they head to Provincetown, MA for Bear Week!
Viren (Anil Kapoor) who travels to Rajasthan with his governess, affectionately called Dai Jaa (Waheeda Rehman). He meets the beautiful Pallavi (Sridevi) and he instantly falls in love with her. However, she also happens to be older then him, though this does not bother Viren. During a property dispute and a court case, Paalavi's father suddenly dies of a heart-attack. She is shattered and goes into isolation. At the wake, Viren goes to console her, when she sees him she runs towards him but runs straight past Viren and goes towards Sidhharth - the man she loves. Viren is heartbroken but to fulfill Pallavi's father's dying wish, he arranges the wedding between Sidhharth and Pallavi. Allowing Pallavi to live her life happily, Viren leaves for London. However one year into the marriage Sidhharth and Pallavi are both killed in an accident. It was also revealed that she was pregnant at the time and gave birth to a daughte
Young Soul Rebels is a 1991 film by Isaac Julien which examines the interaction between youth cultural movements in Britain. Skinheads, Punks & Soulboys along with the political and cultural tensions between them. The film received the critics prize at the 1991 Cannes Film Festival
A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before
A mixed group of individuals - lesbian, gays, and heterosexuals who all frequent a local bar struggle to accept each others lifestyles. However when the two gays are attacked and fight back and ultimately rape one of their attackers, the group becomes strongly divided on their actions.
Set in New York's gay "bear" scene and taking a cue from the popular HBO franchise "Sex and the City," BearCity follows a tight-knit pack of friends experiencing comical mishaps, emotionally sweet yet lusty romantic encounters and a cast of colorful, diverse characters as they gear up for a big party weekend
Cheryl, a young black lesbian, works a day job in a video store while trying to make a film about a black actress from the 1930s known for playing the stereotypical "mammy" roles relegated to black actresses during the period. It was the first feature film directed by a black lesbian.
Hannah is a young woman who lives on her own. She starts to get this feeling that she is being watched. The phone starts ringing at night and when she answers, no one is there. Is she imagining everything or is it for real?
Apprentice Lapitch, the little shoemaker sets off on a journey after experiencing injustice from the cruel Master Mrkonja. On his journey he meets Gita, a beautiful little circus girl who is an orphan just like him. They share adventures and experience problems during their journey. They have nowhere to sleep, no food and are poorly clothed, but nothing scares them. They are bold and happy, willing to help everyone. On the night of the full moon something terrible happens, and changes everything...
When hordes of gays and lesbians come out "of the closet" in the fictional town of Azalea Springs, Texas, intolerant residents go into a panic about the water supply.
The story revolves around a Spring, a hitman from mainland China who is on a mission in Hong Kong with his partner Setting Sun. However, Spring falls ill and comes under the care of a screenwriter by the name of Soya and they find themselves developing into a tight and everlasting friendship.
Frank Ripploh tries to keep his professional and personal life separate. During the day, he is a dedicated school teacher. At night and on the weekends, he is a gay man who is always on the prowl for anonymous sex often in public places. Things may change when he meets Bernd, a movie theater clerk. Bernd quickly moves into Frank's flat and the two talk of their future life together, Bernd dreaming of them living together on a farm. But Frank, despite loving Bernd, feels restless and continues his quest for anonymous gay sex.
The "magic" in One Magic Christmas is often (and surprisingly) of the "black" variety. Like Jimmy Stewart before her, worn-out wife and mother Mary Steenburgen wishes that she'd never been born. And like Stewart, Steenburgen is visited by a guardian angel, in this case the western-garbed Harry Dean Stanton. Instead of granting Steenburgen's wish, Stanton shows her what life would be like without Christmas--and that vision is as grim as anything you're ever likely to see in any Holiday film. Throughout the horrendous tragedies heaped upon Steenburgen, we are comforted in the knowledge that Stanton is working in concert with Steenburgen's young daughter. Steenburgen learns her lesson of course, but what a ride!
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