Montreal New Wave (2016)
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An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts â written and narrated by former Cahiers du Cinéma editor Antoine de Baecque.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others. It was Meyer's first color film following a string of black & white "roughie nudies", including Faster, Pussycat! Kill! Kill! While a straightforward sexploitation film, the film owes some debt to the French new wave and cinéma vérité traditions, and is known to some under the titles: 'Mondo Girls' and 'Mondo Top.'Its tagline: "Two Much For One Man...Russ Meyer's Busty Buxotic Beauties ... Titilating ... Torrid ... Untopable ... Too Much For One Man!"The film was banned in Finland.http://en.wikipedia.org/wiki/Mondo_Topless
Agnes Varda, Grande Dame of the French New Wave, has made 2001's most acclaimed non-fiction film -- a self-described "wandering-road documentary." Beginning with the famous Jean-Francois Millet painting of women gathering wheat left over from a harvest, she focused her ever-seeking eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads us from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism. Varda's own ruminations on her life as a filmmaker (a glener of sorts) give her a connection to her subjects that creates a touching human portrait that the L.A. Weekly deemed "a protest film that's part social critique, part travelogue, but always an unsentimental celebration of human resilience."
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Take a trip back to a time when New York City wasn't all glitz and glamour as filmmaker Celine Danhier offers a look at the birth of "No Wave Cinema" and the vibrant art scene that exploded out of the East Village in the late '70s. In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood. ~ Jason Buchanan, Rovi
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format (with Seberg played by Mary Beth Hurt). He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered. Notably, details of French New Wave cinema, Russian Expressionist (silent) films, and the careers of Jane Fonda, Vanessa Redgrave, and Clint Eastwood are also intensively examined. Much of the film is based on conjecture, but Rappaport encourages viewers to re-examine their ideas about women in film with this thought-provoking picture.
Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Monsters We Met is a 3-part documentary produced by the BBC, and later aired on Animal Planet in 2003 under the title "Land of Lost Monsters", with added footage from "Walking with Prehistoric Beasts" and "Walking with Cavemen". The show used computer-generated imagery to recreate the animals that lived during the last ice age and examines what interactions humans had with them.
The travels in Italy of director Andrei Tarkovsky in preparation for the making of his film Nostalghia.
The career of the band, from its start in Georgia to its breakup in 2011.
Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. Director Amy Grill documents their successes and failures over a three-year period.
Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
In this two-part Channel 4 series, Professor Richard Dawkins challenges what he describes as 'a process of non-thinking called faith'. He describes his astonishment that, at the start of the 21st century, religious faith is gaining ground in the face of rational, scientific truth. Science, based on scepticism, investigation and evidence, must continuously test its own concepts and claims. Faith, by definition, defies evidence: it is untested and unshakeable, and is therefore in direct contradiction with science. In addition, though religions preach morality, peace and hope, in fact, says Dawkins, they bring intolerance, violence and destruction. The growth of extreme fundamentalism in so many religions across the world not only endangers humanity but, he argues, is in conflict with the trend over thousands of years of history for humanity to progress to become more enlightened and more tolerant.
A chronological account of the influential late 1970s English rock band.
Documentary about the life of skateboarder Danny Way and his attempt at jumping over the Great Wall of China on a skateboard.
First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.
Ye Xiang Lun is a music student majoring in piano who just transferred to Tamkang, a school famous for its musically talented students, especially those who play piano. On his first day of school, he hears a mysterious melody being played, and following it meets Lu Xiao Yu, another piano major. When he asks her about the song she was playing, she tells him that it is a secret that cannot be told. The two form a friendship that quickly evolves into a romantic relationship. However unbeknownst to Xiang Lun, there is more to Xiao Yu than initially meets the eye.
Blind blues musician Paul Pena is perhaps best known for his song "Jet Airliner". In 1993, Pena heard Tuvan throat singing over his shortwave radio and subsequently taught himself how to reproduce these extraordinary sounds. This documentary follows him to Tuva, where he takes part in a throat singing competition.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
Rokk à ReykjavÃk (Rock in Reykjavik) gives a thorough overview of the powerful and expanding rock scene in Iceland. Most of the film consists of performances by a wide variety of rock-groups in various clubs in Reykjavik in 1981-82. There are also interviews with members of the groups representing different views on such features of the rock scene as sex, drugs and politics. 19 groups appear in the film.
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from âCahiers du cinémaâ, then of âLiberationâ. In the course of their conversations, the two speakers discuss Rivetteâs career, his relationships with the other film makers of the new wave, his use of âmise en sceneâ and his working with actors.
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!
Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. Itâs always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and itâs fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.
In 1971, four college students got together to form a rock band. Since then, that certain band called Queen have released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever 40 years on. But it was no bed of roses. No pleasure cruise. Queen had their share of kicks in the face, but they came through and this is how they did it, set against the backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Featuring brand new interviews with the band and unseen archive footage (including their recently unearthed, first ever TV performance), it is a compelling story told with intelligence, wit, plenty of humor and painful honesty.
Joey Norton, seven years old, lives with his older brother Lennie in a lower middle class neighborhood of Brooklyn. Joey is too small to be taken seriously by Lennie and Lennie's friends. One day, while their mother is away visiting her sick mother, Lennie and his friends play a joke on Joey. They stage an incident so that Joey thinks he has shot and killed his brother. Francois Truffault credits this classic with inspiring the French New Wave.
A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.
Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow.
Francois (Jean-Claude Brialy) returns to his village after a long absence. He finds his friend Serge (Gérard Blain) who has married Yvonne, and has developed an alcohol problem after the death of their stillborn child. Serge has become an angry, bitter figure not unlike the roles of James Dean, refusing to face reality and adulthood and Francois must help him.
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man. He fell in love with Florence, one of Paul's acquaintances. But how will Paul react to that attempt to build a real love relationship ? One of the major New Wave films.
A young French girl becomes embroiled with some young Spaniards, who fear for their lives in regards to some organization is out to get them becuase of some supposed involvement in a conspiracy. But, the Spaniards chose suicide over murder.
A brash and precocious ten-year-old (Catherine Demongeot) comes to Paris for a whirlwind weekend with her rakish uncle (Philippe Noiret); he and the viewer get more than they bargained for, however, in this anarchic comedy from Louis Malle, which rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, Malleâs audacious Zazie dans le métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.
Cléo is a pop singer who wanders around Paris while she awaits her biopsy results in fear she may have cancer. As Cléo readies herself to meet with her doctor at 7 o'clock, she meets with several friends and strangers while trying to grapple with mortality. Sensing indifference from those nearest to her, she finds herself questioning the doll-like image people have of her and is overcome by a feeling of solitude and helplessness. She finally finds some comfort in the company of stranger she meets in a park and with whom she is able to have a sincere conversation.
A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
A lazy, irresponsible young clerk in provincial Northern England lives in his own fantasy world and makes emotionally immature decisions as he alienates friends and family
Film adaptation of a classic Rodgers and Hammerstein musical based on a nun who becomes a governess for an Austrian family.
It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor â and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they'll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wildcats?
Une petite ville de province, au milieu des années 80. La vie d'Ãric, collégien rêveur et solitaire, est chamboulée par l'arrivée d'un nouveau dans la classe : Romain, adolescent dissipé au style new wave très affirmé, qui va lui ouvrir les portes de son univers. Une amitié s'engage, jusqu'au jour où l'un reste pour que l'autre parte...
Musical based on The Beatles songbook and set in the 60s England, America, and Vietnam. The love story of Lucy and Jude is intertwined with the anti-war movement and social protests of the 60s.
Josie, Melody and Val are three small-town girl musicians determined to take their rock band out of their garage and straight to the top, while remaining true to their look, style and sound. They get a record deal which brings fame and fortune but soon realize they are pawns of two people who want to control the youth of America. They must clear their names, even if it means losing fame and fortune.
Paul and Eddie have just begun previews for the new Off-Broadway musical "Adam and Steve Just the Way God Made 'Em." Their lives strangely mirror the characters they are playing. Paul is looking for the perfect man and Eddie is dealing with how his sexuality and faith can mix
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to America with them, or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris more exciting than America and is reluctant to give up his music for a relationship, and Eddie wants to stay for the city's more tolerant racial atmosphere.
A frustrated artist is convinced by his eccentric roommate to rob a bank. Having planned the crime by watching bank-robber films, the amateur heist is doomed from the beginning.
Young Drew Boley (Diego Boneta) and Sherrie Christian (Julianne Hough) fall in love during the rock music scene of 1987.
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