Silence = Death is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film centers on the response of some New York City's artist to the AIDS epidemic. Interviewees includes East Village artist David Wojnarowicz, poet Allen Ginsberg, artists Keith Haring, Peter Kunz, Bern Boyle and many others. It is the first part of von Praunheim and Phil Zwickler’s trilogy about AIDS and activism it was followed by Positive (the third part, about the Aids epidemic in Germany, was never released).

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal's poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles--at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs--are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.

Burroughs: The Movie is the first and only documentary to be made about and with the full participation of writer William S. Burroughs. Howard Brookner began shooting the film in 1978 as his senior thesis at NYU; with Burroughs’ cooperation it subsequently expanded into a feature completed 5 years later in 1983. The film was shot by Tom DiCillo and the sound was recorded by Jim Jarmusch; both NYU classmates. In a collaboration between Burroughs and director Howard Brookner the film explores Burroughs’ life story along with many of his contemporaries including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and Lauren Hutton. Burroughs: The Movie documents Burroughs’ long, controversial and productive life in great detail, film traveling from the American Midwest to North Africa, through defining moments of his wildly unconventional life, including several personal tragedies, charting the development of Burroughs’ unique literary style.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

HEAVY PETTING is a hilarious and salacious exploration of the sexual mores of the 50's as seen through the eyes of a generation that lived through the Sexual Revolution. Creative baby boomers-- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- candidly recall their sexual coming-f-age tales in intimate interviews. Joyously campy and refreshingly carefree, HEAVY PETTING blends humorous, unbelievable footage of unhelpful sex-ed films with classic snippets of THE WILD ONE and Elvis' hip gyrations, not to mention Bernhard talking about playing "doctor", always observant Ginsberg on a disastrous encounter with a girl, and Byrne on the childhood myths of masturbation. Eternal mysteries such as the female orgasm, the universal appeal of Marilyn Monroe, and the rituals of high school are laid bare by this lovable group of characters.

A documentary about militant student political activity at the University of California, Berkeley in the 1960s.

Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."

Jack Kerouac's life is examined through interviews with his contemporaries and friends including Allen Ginsberg, Lawrence Ferlinghetti and William S. Burroughs. The film also employs dramatic recreations of Kerouac's life beginning with his early childhood.

Wild Combination is Matt Wolf’s acclaimed documentary on seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his death in 1992, Arthur created music that spanned both pop and the transcendent possibilities of abstract art.

Take a trip back to a time when New York City wasn't all glitz and glamour as filmmaker Celine Danhier offers a look at the birth of "No Wave Cinema" and the vibrant art scene that exploded out of the East Village in the late '70s. In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood. ~ Jason Buchanan, Rovi

American Boy: A Profile of Steven Prince is a 1978 documentary directed by Martin Scorsese. Its subject is Scorsese's friend Steven Prince, best known for his small role as Easy Andy, the gun salesman in Taxi Driver. Prince is a raconteur telling stories about his life as an ex-drug addict and a road manager for Neil Diamond. Scorsese intersperses home movies of Prince as a child as he talks about his family. When talking of his years as a heroin addict, Prince tells a story about injecting adrenaline into the heart of a woman who overdosed, with the help of a medical dictionary and a Magic Marker. This story was re-enacted by Quentin Tarantino in his screenplay for Pulp Fiction. Prince also tells a story about his days working at a gas station, and having to shoot a man he caught stealing tires, after the man pulled out a knife and tried to attack him. This story was retold in the Richard Linklater film Waking Life.

Crazy Wisdom is the long-awaited feature documentary to explore the life, teachings, and "crazy wisdom" of Chogyam Trungpa, Rinpoche, a pivotal figure in bringing Tibetan Buddhism to the West. Called a genius, rascal, and social visionary; 'one of the greatest spiritual teachers of the 20th century,' and 'the bad boy of Buddhism,' Trungpa defied categorization.

The poet and painter, Lawrence Ferlinghetti, is among the world's living monuments to arts and letters. For well over a half century, Ferlinghetti helped shape the currents of poetry and literature with his forceful engagement with society and an ideological position that often found him at odds with the political currents of his day. Ferlinghetti's quiet, behind the scenes demeanor and disarming mien may have assuaged, or even fooled, certain opponents, while in reality he was a literary mercenary, a rebel at the forefront of our own cultural revolution.

Taking Liberties Since 1997is a documentary film about the erosion of civil liberties in the United Kingdom and increase of surveillance under the government of Tony Blair. It was released in the UK on 8th June 2007. The director, Chris Atkins, said on 1 May that he wanted to expose "the Orwellian state" that now threatened Britain as a result of Mr Blair's policies.

Nev, a 24-year-old New York-based photographer, has no idea what he's in for when Abby, an eight-year-old girl from rural Michigan, contacts him on Facebook, seeking permission to paint one of his photographs. When he receives her remarkable painting, Nev begins a friendship and correspondence with Abby's family. But things really get interesting when he develops a cyber-romance with Abby's attractive older sister, Megan, a musician and model. Prompted by some startling revelations about Megan, Nev and his buddies embark on a road trip in search of the truth.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Documentary - After starting his career producing religious film shorts, J. Arthur Rank went on to become Britain's first and only movie mogul with his establishment of the legendary Pinewood Studios. Narrated by Michael Caine, THE GOLDEN GONG chronicles Pinewood's rise to success. - Richard Attenborough, Dirk Bogarde, Betty E. Box

A look at the life and work of Japanese photographer Nobuyoshi Araki and his impact on Japanese culture.

Chronicles a man who is obsessively interested in only one thing,the pictures he takes that document the way people dress. The 80-year-old New York Times photographer has two columns in the paper's Style section, yet nobody knows who he is.

In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.

No Distance Left to Run is a documentary film about the British rock band Blur, released in cinemas on 19 January 2010. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews. It was released on DVD on 15 February 2010 region free and the recording of the 2009 Hyde Park concert is included on a second disc. It aired on BBC2 on 14 March 2010. It is the band's second documentary video, following Starshaped seventeen years before in 1993.

Amanda (Marlee Maitlin) is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, Amanda slowly comprehends the various inspirations and begins to see the world in a new way.

Artifact is a 2012 American documentary film directed by Jared Leto under the pseudonym of Bartholomew Cubbins, a recurring character in the Dr. Seuss universe. The film is a documentary about the making of the 30 Seconds to Mars album This Is War and the band's battle against record label EMI. Included in Artifact are several interviews, including the one with neurophysicist Daniel Levitin, author of the popular science book This Is Your Brain On Music. The film won the BlackBerry People's Choice Documentary Award at the 2012 Toronto International Film Festival.

Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

When National Geographic photographer James Balog asked, “How can one take a picture of climate change?” his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.

During World War II, a hand-picked group of American GI's undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines. Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war's end.

Documentary about Miles Davis' legendary gig at the Isle of Wight Festival, August 1970. Includes full live footage and recent interviews with band mates and others.

Budo: The Art of Killing is an award winning 1978 Japanese martial arts documentary created and produced by Hisao Masuda and financed by The Arthur Davis Company. Considered a cult classic, the film is a compilation of various Japanese martial art demonstrations by several famous Japanese instructors such as Gozo Shioda, Taizaburo Nakamura and Teruo Hayashi. Martial arts featured in the film include: Karate, Aikido, Kendo, Sumo, and Judo among others.

A documentary film that explores the early Boston Hardcore music scene from the years 1981 through 1984. This film delves into the social and communal aspects of that particular era. The community, culture, straight edge and DIY (do it yourself) ethic of the time are all explored in the film. Never before seen archival footage, photographs, interviews and dramatizations make up the body of the film. Bands included are SS Decontrol, DYS, Gang Green, The FU's, Jerry's Kids, Negative FX, The Freeze, and more.

Political commentator, author and filmmaker Dinesh D'Souza puts forth the notion that America's history is being replaced by another version in which plunder and exploitation are the defining characteristics. D'Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D'Souza explores the lives and sacrifices of some of America's greatest heroes, including George Washington and Frederick Douglass.

In the film, we see subjects instructed to administer electric shocks of increasing severity to another person, and observe both obedient and defiant reactions. After the experiment, we witness subjects explain firsthand their actions. Obedience is as relevant today as it was at its publication. As we as a society witness suicide bombings, torture, and gang atrocities, we wonder just how far people will go. Fifty years later, this experiment still resonates as people ask themselves, “Would I pull that lethal switch?” This is the only authentic film footage of Milgram’s famous experiment and is essential to all foundational work in social psychology at the graduate, undergraduate, and high school level.

At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal, " influenced a musical generation that includes Metallica, Slayer, and Anthrax,. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams

Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical "life ground" attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a "Resource-Based Economy".

IN THE SHADOW OF THE MOON combines archival material from the original NASA film footage, much of it never before seen, with interviews with the surviving astronauts, including Jim Lovell, Dave Scott, John Young, Gene Cernan, Mike Collins, Buzz Aldrin, Alan Bean, Edgar Mitchell, Charlie Duke and Harrison Schmitt. The astronauts emerge as eloquent, witty, emotional and very human.

China's greatest living filmmaker Jia Zhangke (Platform, The World) travels with acclaimed painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. In DONG, Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.

Filmmaker Adam Scorgie explores the illegal marijuana industry in British Columbia, revealing how the international business is most likely more profitable than it would be if it was lawful in this enlightening documentary. Marijuana growers, law enforcement officials, physicians, politicians, criminologists, economists and celebrities—including comedian Tommy Chong—shed light on this topical subject in a series of compelling interviews.

A film profiling the unusual cross-demographic fandom of the ostensibly girl oriented television series "My Little Pony: Friendship Is Magic"

Among the most important films from the post-war American independent scene are Lionel Rogosin’s On the Bowery and Come Back, Africa — two incredible documents of bygone eras that still resonate today. From the beginning, Rogosin’s style as an independent filmmaker was straightforward and compassionate. His films, made “from the inside” showed the subjects he chose in their normal surroundings and allowed them to speak in their own words. By choosing ordinary people caught up in universal problems — homelessness, racial discrimination, war and peace, labor relations, and poverty — Rogosin made his point poignantly. The Oscar®-nominated On the Bowery is a masterpiece of the American blend of documentary/fiction.

A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac and William Burroughs.

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

Surrealist poet and artist Charles Henri Fords 1971 film, Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues he grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman. Unseen for over two decades, this classic of forgotten, queer cinema belongs alongside the films of Kenneth Anger, Derek Jarman and Jean Genet. Read more about the restoration process at http://blogs.westword.com/showandtell/2014/02/a_queer_classic_restored_poetr.php

A psychiatrist secretly films his female patients as an experiment; he pushes both him and his customers in ways that induce his own mental breakdown.

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran.

A guy kills his wife because she's a bad cook.

Tim Kelly is an orphan who runs away after his orphanage burns down. Presumed to be killed in the fire, he is able to roam the streets of New York freely. He meets Max Ginsberg, an old Jewish junk dealer with rheumatism, and the two strike a partnership and a close friendship.

After being unknowingly inflicted with the bite of a werewolf while on a visit to Europe, White House press secretary Jack Whittier (Dean Stockwell) begins to turn into a deadly beast by night, terrorizing Washington D.C. and presenting a very deadly threat to the President.

Jayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.

Trainees in the FBI's psychological profiling program must put their training into practice when they discover a killer in their midst.

A young writer tries to impress a girl he meets online with an embellished profile, but he finds himself in a real mess when she falls for him and he has to keep up the act.

Courtney Love stars as Joan Vollmer, the second wife of writer William S. Burroughs (Keifer Sutherland), in this picturesque look at death and travel among a group of travelling college students who would go on to become the best-known of the "Beat" writers.

A lawyer conducts business from the back of his Lincoln town car while representing a high-profile client in Beverly Hills.

Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.

Muggs and Glimpy, two East Side Kids in the army, return to their neighborhood, supposedly on furlough; actually, Muggs has been honorably discharged with a physical defect, but he tells no one of this. Danny, another East Side kid, is in jail because a large amount of medical supplies have been stolen from the warehouse where he works. Muggs see Spider, a new member of the gang, flashing a large amount of money around, and Muggs shrewdly turns toughie, boasting that he has a dishonorable discharge because of thievery. This leads Spider to confide in Muggs that he is the one who has been aiding in the theft of supplies from the warehouse, and he gets paid for the loot by Larry, operator of a nightclub where Muggs' sister, Milly, is an entertainer. Fingers, a henchman for Larry, kills Spider when he learns that Muggs has been let in on the operation. The police then suspect Muggs of killing Spider.

A former FBI profiler, now a sheriff of a small town and a single parent of a high school aged daughter, begins to profile a series of unexplained murders only to learn that the monster he's profiling may be himself.

A pretty but virtuous small-town bank clerk is the victim of a vicious rumor from an unsuccessful suitor that she spent the night with a notorious womanizer.

Based in part on Robert F. Kennedy's book, "Thirteen Days," this film profiles the Kennedy Administration's actions during the Cuban Missile Crisis.

A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuszter) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street" With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Köbánya-blues.

An early departure from director David Cronenberg's canon of visceral horror, 1979's Fast Company profiles one of his personal passions, racecars, in a gritty melodrama that also features exciting racetrack footage. Veteran toughguy William Smith is top-billed as a champion drag racer who clashes with the unscrupulous oil-company executive (John Saxon) who sponsors his team.

Germany director Dani Levy filmed this comedy about Jewish life in today’s Germany along side the familiar east-west conflict. With it great success this film is a joyful comedy of humor and knowledge.