The House on Carroll Street (1988)
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Blind, wealthy Stephen Murray (Robert Rawley) is disciplined and very matter-of-fact. He is wealthy and is the head figure of a country estate. He is organizing a memorial to his son (who was shot dead during WW2) to be unveiled when he is visited by Seymour Hicks (Lord Clandon). Hicks plays a far more sympathetic character and asks Murray to dedicate the memorial to all of the 50 or so villagers who never came back from the war, not just to his son. Murray refuses. At this point, we don't like Murray. One night, Nigel Patrick (Simon Rawley) shows up. Yep - he's the son.....and he's not been killed. He has quietly sneaked back to ask for money to make his escape as an army deserter. He hides in the house and the cast gradually become aware of his presence until he has a confrontation with his dad at the end, for which there can only be one outcome.
Aidan Bloom, a struggling actor, father and husband, is 35 years old and still trying to find a purpose for his life. He and his wife are barely getting by financially and Aidan passes his time by fantasizing about being the great futuristic Space-Knight he'd always dreamed he'd be as a little kid. When his ailing father can no longer afford to pay for private school for his two kids and the only available public school is on its last legs, Aidan reluctantly agrees to attempt to home-school them. Through teaching them about life his way, Aidan gradually discovers some of the parts of himself he couldn't find.
Bill Scanlin loses his job and embarks on a life of crime. As Bill stays ahead of the law, he discovers that sometimes the only thing worse than getting caught is getting away with it.
Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a âwar childâ; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
The story of a journalist in southern Germany who stays with a novelist and his wife and gradually begins to destroy the young couple's lives.
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