Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takersâcompulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Rita Moreno narrates this documentary that chronicles the life of artist Frida Kahlo. The biography reveals Kahlo's story in conjunction with events that defined the times in which she lived and that shaped her life and artwork. Kahlo's tragedies and triumphs are examined, from her childhood through to her debilitating accident, her moving self-portraits, an affair with Russian radical Leon Trotsky and a tumultuous marriage to muralist Diego Rivera.
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.
Disheartened when his story about Canadian snipers possibly mutilating corpses in Afghanistan is buried, Luke (Nick Stahl) quits his job but is even more determined to return to Afghanistan to get the real story. With his offbeat buddy, Tom (Nicolas Wright), tagging along, Luke returns to Afghanistan and intends to gather enough evidence to get his old story into print. But he soon finds that the country is an even more dangerous place than when he left. To make matters worse, his old friend and fixer, Mateen (Stephen Lobo) has been hired away by Luke's journalistic nemesis, Imran Sahar (Vik Sahay). Soon the trip for Luke and Tom in Afghanistan turns into a surreal and perilous adventure, a journey into an alternate reality, filtered through a haze of gun smoke.
In Jan NÄmecâs surreal fable, a picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up. This allegory about oppression and conformity was banned in its home country but became an international success after it premiered at the New York Film Festival.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.
First of a Trilogy: In a New York ravaged with acid rains, a man in his twenties meets a mysterious, yet familiar young woman who disrupts the banality of his day-to-day existence. Together, they will embark on a surreal journey with a devastating climax.
Gandu hates his life. He hates his mother. Gandu raps out his hate, anger, dirt and filth of his existence. He and his rickshawpuller friend enter the world of smack, rap, porn and horror. Reality and fiction, surreal and bizarre come together. Can Gandu survive?
The eagerly awaited sequel to Patrick Keiller's London and Robinson in Space is a beautifully photographed cinematic essay on our current environmental and economic predicament, narrated by Vanessa Redgrave. Timely, provocative and studded with surreal humour, Robinson in Ruins reveals hidden histories and surprising visions (from the opium poppy fields of Oxfordshire to what seems to be a talking post box), making us consider the world around us afresh.
Two friends, fed up with their college lives, quit art school and escape to the woods of northern Wisconsin where the wilderness begins to close in and they drift into a state of surrealism.
A group of stoners inhale more than they bargained for when they smoke from an evil bong in this campy comedy. The guys buy a vintage bong named EeBee from an ad in High Times magazine, but they have no idea the possessed pipe will gradually suck them into a horrifying surreal world. As they fight for their lives, EeBee's former owner (none other than Tommy Chong) -- the only one who understands the power of the bong -- tries to rescue them.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.
Amy and David are two underachievers from suburbia. Amy has had a rough life raised by her neglectful drug addicted single mother. David has been raised in a more conventional family, but his lack of motivation has driven his father crazy. When Amy meets David it seems they both find what they are looking for. But when Amy gets pregnant, both Amy and David go through a personal and surreal crisis in making choices. Which leads them to decide if they should do it the right way or the wrong way?
Hoyle a girl with a sharp mind and a weakness for bourbon -- finds herself on the trail of a reclusive genius. But her work takes a series of unforeseen twists as events around her grow increasingly fragmented... disconnected... surreal. With an ethereal lounge singer and her loyal partner as her only allies, Hoyle is plunged into a dark world of intrigue and earth-shattering cosmological secrets. Haunted by an ever-present shadow whom she is destined to face, Hoyle discovers that the most powerful force in the universe -- the power to bend reality, the power to know the truth -- lies within the depths of the human heart.
A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.
A surreal and erotic interpretation of Dylan Thomas' 'Under Milk Wood' is the first theatrical production of the brilliant, haunting radio play since Elizabeth Taylor and Richard Burton's 1972 film. Certain to astonish and excite in equal measures, Dan y Wenallt reunites director Kevin Allen with actor Rhys Ifans over 15 years after the release of their cult classic Twin Town. An ensemble Welsh speaking cast of familiar faces is led by Ifans as First Voice and Captain Cat, with Charlotte Church as Polly Garter.
Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.
Director Julien Duvivier's 1943 anthology film tells three tales of the supernatural. The first story is set at the Mardi Gras in New Orleans, the second involves a psychic who predicts murder, and the third is about a man who literally meets the girl of his dreams.
Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy night to tell scary stories. The first involves a young couple whose car breaks down by an old, abandoned house. The second has four trendy teenage girls getting lost in a bad part of town, and chased by a pack of vicious dogs. Last, we have Helgenberger confronting a stalker at the answering service where she works the night shift.
Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
In this anime trilogy, a salvage ship crew happens upon a haunted vessel in Magnetic Rose; a cold tablet turns a lab worker into a biological weapon in Stink Bomb; and an urban populace carries on an endless war with an unseen foe in Cannon Fodder. Three years in the making, the thought-provoking anthology features eye-popping action and directorial work by a trio of genre geniuses: Kôji Morimoto, Tensai Okamura and Katsuhiro Ãtomo. "Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by one woman's memories. In "Stink Bomb," a young lab assistant accidentally transforms himself into a human biological weapon set on a direct course for Tôkyô. The final episode, "Cannon Fodder," depicts a day in the life of a city whose entire purpose is the firing of cannons at an unseen enemy.
Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.
When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague, he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways.
In this 'sequel' anthology, the film offers a TRANCERS sequel written by original creators Danny Bilson and Paul DeMeo, a new Lovecraft adaptation THE EVIL CLERGYMAN, featuring Jeffrey Combs and Barbara Crampton, and finally a sequel to THE DUNGEONMASTER.
Big Bang Love tells the story of two young prisoners from different backgrounds whose bond transcends their pasts. This stunning, imaginative film has been adapted from Masaki Ato's homoerotic graphic novel. Two beautiful young men become lovers in jail until one kills again. As they open their hearts to each other, life around them dissolves between the real world with a murder mystery and a surreal journey filled with images of a primitive past and an ambiguous future.
An ambitious anthology film featuring segments directed by over two dozen of the world's leading talents in contemporary genre film. Inspired by children's educational ABC books, the motion picture is comprised of 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death. Provocative, shocking, funny and ultimately confrontational; THE ABC's OF DEATH is the definitive snapshot of the diversity of modern horror.
Taking all that was great from the first installment, ABCs OF DEATH 2 aims to be a wilder, leaner, faster paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
Our figurine sized supermen hero embarks on an epic surreal journey that will take him across the Ethiopian post apocalyptic landscape in search of a way to get on the hovering spacecraft that for years has become a landmark in the skies.
An Italian anthology film directed by Roberto Rossellini starring Anna Magnani and Federico Fellini. The film has two parts: "Una Voce Umana" ("The Human Voice") and "Il Miracolo" ("The Miracle").
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Journey into the mind of the undead, as a talking mummy guides us on grand tour of the timeless "battle of the sexes" between man and woman. A cult classic from Executive Producer Richard Gordon, BIZARRE is an offbeat anthology film that certainly defies description. An interesting mix of sex, horror and humor filmed in varied styles, this is certainly one of the strangest films you are ever likely to see. It is truly⦠BIZARRE!
Konservy (2007) (Tins, Russian: ÐонÑеÑвÑ) is a film about a journalist who possesses information on uranium sales and is set up by his enemies and sent to prison. Initially the film was planned as a political thriller, but along the way it gained features of action with elements of mysticism and surrealism.The film is full of vivid pictures of spy and terrorist games in Moscow, modern Gulag in the Far North, gold mines, escape with elite spetsnaz in the pursuit, underground community of permanently high punks, and other quite unusual settings.
Ten stories from horror's top directors. Ghosts, ghouls, monsters, and the devil delight in terrorizing unsuspecting residents of a suburban neighborhood on Halloween night. This creepy anthology combines classic Halloween tales with the stuff of nightmares.
"Ãscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Ãscar DomÃnguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.
The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper.
In an apocalyptic future world, a young upper class couple is visiting an exhibition of surrealistic paintings, presented by a group of young anarchists in their loft flat where they trap and torture their high society guests.
EC Comics-inspired weirdness returns with three tales. In the first, a wooden statue of a Native American comes to life...to exact vengeance on the murderer of his elderly owners. In the second, four teens are stranded on a raft on a lake with a blob that is hungry. And in the third, a hit and run woman is terrorized by the hitchhiker she accidentally killed...or did she really kill him?
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