Main cast Clara Bow; Ernest Torrence; Percy Marmont; Eugene Pallette; Tom Kennedy
Genres Comedy
Description A sexy young manicurist living with her older backwoodsman husband in a small Canadian town finds herself attracted to a young, rich and famous divorce lawyer who comes to town on vacation.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source.
Judy O'Brien (Maureen O'Hara) is an aspiring ballerina in a dance troupe. Also in the company is Bubbles (Lucille Ball), a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.
An account of the rise and fall of a silent film comic, Billy Bright. The movie begins with his funeral, as he speaks from beyond the grave in a bitter tone about his fate, and takes us through his fame, as he ruins it with womanizing and drink, and his fall, as a lonely, bitter old man unable to reconcile his life's disappointments. The movie is based loosely on the life of Buster Keaton.
Arlette is a malicious schoolgirl who uses her feminine charms to attract, and then destroy, every man gullible enough to respond to her flirtations. She sets her cap for the art professor and very nearly does him in... but his loving wife and daughter help the deluded man escape the seductive mantrap.
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck.
Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take
In 1927, Don Lockwood and Lina Lamont are a famous on-screen romantic pair. Lina, however, mistakes the on-screen romance for real love. Don has worked hard to get where he is today, with his former partner Cosmo. When Don and Lina's latest film is transformed into a musical, Don has the perfect voice for the songs. But Lina - well, even with the best efforts of a diction coach, they still decide to dub over her voice. Kathy Selden is brought in, an aspiring actress, and while she is working on the movie, Don falls in love with her. Will Kathy continue to "aspire", or will she get the break she deserves?
This remake of the 1926 silent film classic and play follows the adventures of a group of Marines stationed in France during World War I. Two military men, Captain Flagg (James Cagney) and Sergeant Quirt (Dan Dailey), who are rivals to begin with, grow more at odds with each other when Quirt is made Flagg's top sergeant. And when a local beauty (Corinne Calvet) comes between them, their rivalry escalates even further. But when they discover that the woman has marriage in mind, they now compete to try to avoid marching down the aisle - that is, until they are called upon to march into battle - in this compelling film that also stars Robert Wagner and William Demarest.
The Uptown Boy, J. Harold Manners (Lloyd) is a millionaire playboy who falls for the Downtown Girl, Hope (Ralston) who works in Brother Paul's (Weigel) mission. In order to build up attendance, and win Hope's attention, Harold runs through town causing trouble, and winds up with a crowd chasing him right into the mission. He eventually wins the girl and they marry, but not without some interference from his high-brow friends.
Based on a true crime story, the movie is about a wild jazz-loving and boozing wife Roxie Hart who kills her boyfriend in cold blood after he leaves her, and how she finagles her way out being convicted. Remade once as a movie, and as a Broadway musical.
Sam Bisbee is an inventor whose works (e.g., a keyhole finder for drunks) have brought him only poverty. His daughter is in love with the son of the town snob. Events conspire to ruin his bullet-proof tire just as success seems near. Another of his inventions prohibits him from committing suicide, so Sam decides to go on living..
Classic short British comedy, full of stars, about two workmen delivering planks to a building site. This is done with music and a sort of "wordless dialogue" which consists of a few mumbled sounds to convey the appropriate emotion.
A blowhard who poses as a railroad executive (but is really just a $30-a-week clerk) catches a young bride and then drives her family's finances to the brink of ruin.
A pampered American oyster tycoon decides to buy a husband for his daughter, but things donât go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.
Henry Stephenson stars as a retired Scotland Yard detective. He is regarded as an icon because he has written volumes of books on the art of detection. While Stephenson is being honoured for his past successes, he senses modern detectives, particularly the current District Attorney, look at him and his methods as outdated. This spurs the old man out of retirement to prove himself to the know-it-all modern detectives.
Branded as criminally insane and incarcerated for a murder he did not commit, Speight escapes from the asylum, determined to clear his name. He befriends private detective Hugo Bishop (Henreid) who, convinced that the wrong man has been convicted, agrees to help find the real killer. They begin their search for the murderer closest to home where both Thelma Speight (Maxwell) and her employer Maurice Jerrard were visibly distressed by the news of her husband's jailbreak. More than Speight's 'insanity' fuels their worries.
The Kiss is a 1929 drama film directed by Jacques Feyder and starring Greta Garbo, Conrad Nagel and Lew Ayres in his first feature film. This film is known for being both MGM's and Greta Garbo's last silent film.
Eddie finds himself being forced at a gunpoint, by an unseen assailant, on a dark and brutal journey through the harsh terrain of the Mojave desert. His nemesis is Jimmy, a man with an aberrant agenda; armed with a rifle, a scope, walkie-talkies and a truck, he has organized a series of ambushes and mantraps designed to push Eddie to the limits of his humanity and beyond (iMDB)
While silent-film star Charlie Chaplin may have charmed American audiences with the onscreen antics of his lovable "Tramp" character, the actor's private life was marred by a series of public scandals that eventually pushed him into exile. In addition to his penchant for much younger women, Chaplin was unjustly hounded by Senator Joe McCarthy's notorious anti-Communist witch hunts, for which the U.S. revoked his visa in 1952. A bitter and disenchanted Chaplin responded by moving his family to Switzerland, where he remained until his death in 1977. This documentary chronicles Chaplin's life and career during those so-called "forgotten years" (during which he became a prolific and highly respected film-score composer) through previously unreleased archival footage and intimate interviews with his friends and family, including his children Geraldine, Michael, and Eugene.
Helmed by Edmond O'Brien, this slick crime thriller stars Jeffrey Hunter as naïve Matt Jameson, whose Korean War pal Vince Biskay (David Janssen) talks Matt into helping commandeer nearly $4 million from a Central American dictator. After Vince is wounded in a gun battle as they're making off with the loot, the duo holes up at Matt's house -- where his boozy, promiscuous wife (Stella Stevens) puts the moves on Vince.
A documentary about the early years of silent films made in Britain. Showing that it wasn't just a few, easily dismissed comedies, but many high quality films including some very popular comedies and some fine dramas. Matthew Sweet shows through examples how the art and even the language of film was developed by some of these pioneers working in Britain.
Just as Fritz Langâs Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
Stella Dallas is a 1925 American silent film that was produced by Samuel Goldwyn, adapted by Frances Marion, and directed by Henry King. The film stars Ronald Colman, Belle Bennett, Lois Moran, Alice Joyce, Jean Hersholt, and Douglas Fairbanks Jr.
In the year 2022, a ruthless prison warden has created the ultimate solution for his most troublesome and violent inmates: Absolom, a secret jungle island where prisoners are abandoned and left to die. But Marine Captain John Robbins, convicted of murdering a commanding officer, is determined to escape the island in order to reveal the truth behind his murderous actions and clear his name.
Set in a rustic English village in the mid 19th century, Under The Greenwood Tree tells the story of a poor young man who falls for a middle-class schoolteacher and attempts to win her over.
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Greed is the classic 1924 silent film by Erich von Stroheim about a woman who wins the lottery thus becoming obsessed with money and ruining her marriage and the people around her. The film was originally 10 hours long and dramatically and realistically depicted word for word the Frank Norris novel McTeague. Only about 2 hours exist today as it is considered the 'Holy Grail' of lost films.
The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Ben-Hur is a 1959 epic film directed by William Wyler, the third film version of Lew Wallace's 1880 novel Ben-Hur: A Tale of the Christ. It premiered at Loew's State Theatre in New York City on November 18, 1959. The film went on to win a record of eleven Academy Awards, including Best Picture, a feat equaled only by Titanic in 1998 and The Lord of the Rings: The Return of the King in 2004. It was also the last film to win the Oscar for both Best Actor and Best Supporting Actor, until nearly 44 years later when Mystic River achieved the same feat.The movie revolves around a Jewish prince who is betrayed and sent into slavery by a Roman friend and how he regains his freedom and comes back for revenge.
A ballet rendition of Bram Stoker's gothic novel DRACULA, presented in a style reminiscent of the silent expressionistic cinema of the early 20th Century. This work employs the subtle and sometimes bold use of color to emphasize its themes, but mainly is presented in black-and-white, or tinted in monochrome. No spoken dialogue can be heard, and the story of a sinister but intriguing immigrant who preys upon young English women unfolds through dance, pantomime and subtitles.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showmanâs singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverentâpart Gospel, part Technicolor epic.
Sister Ye lives in a rural village, where everyone makes traditional toys. When Sister Ye's husband dies of an unknown illness, and while Ye is attending to him, her son is kidnapped and sold to a wealthy lady in the city of Shanghai. Shortly after, the village is destroyed during an attack between rival warlords, forcing the villagers move to the city, where they continue to make toys. Ten years pass, and Ye's daughter Zhu'er has become a toy designer. While helping the Nationalist army at the rear, Zhu'er is killed in an attack by the Japanese. On New Year's Eve, Sister Ye is dressed in rags, sitting on the curb, selling toys. A young boy buys toys from her, and it is none other than her son, whom she does not recognize.
Buffalo Bill and Wild Bill Hickok join forces to establish a mail route that can get mail from St. Joseph, Missouri, to Sacramento, California, in ten days. Along the way they must battle bad weather, hostile Indians and outlaws intent on robbing the mail and shutting down the entire operation.
Dr. Jekyll and Mr. Hyde is a 1920 horror silent film based upon Robert Louis Stevenson's novella The Strange Case of Dr Jekyll and Mr Hyde and starring actor John Barrymore.
In this silent film, a renegade police captain sets out to catch a sadistic mob boss.
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