A chronicle of the production problems â including bad weather, actors' health, war near the filming locations, and more â which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
The Go-Go Boys tells the inside story of two Israeli-born cousins, the late Menahem Golan and Yoram Globus, who in pursuit of the âAmerican dreamâ turned the Hollywood establishment upside down. Together they produced more than 300 films and founded the most powerful independent film company in the world, Cannon Films, which was responsible for Israeli and mainstream, Hollywood-blockbuster, action/exploitation hits during the duoâs 1980s hey day, starring the likes of Chuck Norris, Jean-Claude Van Damme and Charles Bronson. Up close and personal, and with the complete cooperation of the filmâs subjects, the film examines the complex relationship between two contradictory personalities, whose combined force fueled their successes and eventual split. A film about filmmaking and two dogged, exceptional characters with modest origins taking on the big boys.
This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.
In 1991, music manager Shep Gordon held Mike Myers over a barrel a few weeks before shooting Wayneâs World regarding an Alice Cooper song Myers wanted to use in the film. They have been close friends ever since. Twenty-two years later, the story of Gordonâs legendary life in the über-fast lane is now told in Myersâ directorial debut. And this time itâs Myers who has Gordon over a barrel. Shep Gordon: capitalist, protector, hedonist, pioneer, showman, shaman⦠Supermensch!
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
In celebration of the publisher's 75th anniversary, the hour-long special will take a detailed look at the company's journey from fledgling comics publisher to multi-media juggernaut. Hosted by Emily VanCamp (S.H.I.E.L.D. Agent Sharon Carter), the documentary-style feature will include interviews with comic book icons, pop culture authorities, and Hollywood stars. The special also promises an "extraordinary peek into Marvel's future!" Might Marvel release the first official footage from next year's Avengers: Age of Ultron or Ant-Man? If they do, you'll know about it here.
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his âwarriorsâ as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.
The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major players: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywoodâs ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand â Cannon Films â and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
Filmed over 14 months with unprecedented access into the inner circle of the man and the sport, this is the first official and fully authorised film of one of the most celebrated figures in football. For the first time ever, the world gets vividly candid and un-paralleled, behind-closed-doors access to the footballer, father, family-man and friend in this moving & fascinating documentary. Through in-depth conversations, state of the art football footage and never before seen archival footage, the film gives an astonishing insight into the sporting and personal life of triple Ballon D'Or winner Cristiano Ronaldo at the peak of his career. From the makers of âSennaâ and âAmyâ, Ronaldo takes audiences on an intimate and revealing journey of what itâs like to live as an iconic athlete in the eye of the storm.
Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.
A biography of the Portuguese-Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti frutti hat. She came to the US as the "Brazilian Bombshell" and was a Broadway and Hollywood star in the 1940s.
Immerse yourself in the lives of extraordinary characters that stand a few inches tall. From chipmunks to mice, be entertained and spellbound by the creatures that call the Hidden Kingdoms home.
Teenagers did not exist before the 20th century. Not until the early 1950s did the term gain widespread recognition, but with Teenage, Matt Wolf offers compelling evidence that âteenagersâ had a tumultuous effect on the previous half-decade.
Chaar Sahibzaade is the first photo realistic' 3D animation film in S-3D on Sikh history. It is the real story of the sacrifices of the four sons of Guru Gobind Singh ji (tenth guru of Sikhs)- Baba Ajit Singh ji, Baba Jujhar Singh ji, Baba Zorawar Singh ji and Baba Fateh Singh ji.
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
A documentary about the White family of Boone County, West Virginia. The 1991 documentary The Dancing Outlaw focused on Jesco White, a famous mountain dancer. This film focuses on the other members of his family.
This fiction-documentary hybrid uses a sensational real-life eventâthe arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbafâas the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers: *Choose a dame with no past and a hero with no future *Use no fiction but pulp fiction *See America through a stranger's eyes *Make it any colour as long as it's black *It ain't what you say, it's the way that you say it.
Werner Herzogâs documentary film about the âGrizzly Manâ Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one manâs attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
A teen movie star attempts to overcome her addition to alcohol and salvage what's left of her career after passing out on the red carpet at her big Hollywood premiere and being sent to recover with her upbeat aunt in Indiana. Morgan Carter (Jo Jo) is only seventeen years old, but she's already on top of the world. But so much fame so early in life can yield unpredictable consequences, and when Morgan is sent to the hospital with alcohol poisoning, it's clear that she isn't ready to deal with the pressures of stardom. Whisked away to rehab as the paparazzi clamors for a picture and the press predicts her downfall, Morgan is sent by her mother and concerned manager to Indiana, far away from the temptations of Hollywood. Once there, the troubled starlet reluctantly starts to reconnect with her quirky Aunt Trudy (Valerie Bertinelli), who offers just the kind of unconditional support that the young girl needs to get her life - and career - back on track.
Vietnam veteran "Four Leaf" Tayback's memoir, Tropic Thunder, is being made into a film. Director Damien Cockburn canât control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback's advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes. Unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.
Maya Dolittle (Kyla Pratt) thinks she doesn't have to spend 7 years in college to be a vet because she can talk to animals. While taking a walk with Lucky, she helps a cat on a tree by talking to it. She gets discovered and Tiffany Monaco (Tegan Moss), a Hollywood star, brings her to L.A. to help her little puppy, who turns out to be a boy. Soon, Maya and Tiffany began creating their own show, The Animal Talkers. Maya also meets Brandon Turner (Brandon Jay McLaren) who is her love interest. Maya soon finds out the show isn't about helping animals and goes back home to study being a vet. She also finds out Brandon is at her school too. Meanwhile, Monkey is out in L.A. searching for his big break but quits because he wants to help Maya.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
"These Old Broads" is a 2001 television film written by Carrie Fisher and starring her mother Debbie Reynolds, as well as Shirley MacLaine, Joan Collins, and Elizabeth Taylor in her final starring film role. Network television executive Gavin (Nestor Carbonell) hopes to reunite celebrated Hollywood stars Piper Grayson (Reynolds), Kate Westbourne (MacLaine), and Addie Holden (Collins) in a TV special after their 1960s movie musical "Boy Crazy" is re-released in the 1990s. Though the three women share the same agent, Beryl Mason (Taylor), Gavin's seemingly insurmountable obstacle is that they all cannot stand each other.
Milos, a retired porn star, leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.
A Hollywood star (Fawcett), fed up with her husband's cheating, hires a private investigator to tail him. Emotional support is offered by her two friends - a soul singer (Givens) and a famous director's wife (Gilbert)
Two years after the terrifying events that occurred in Woodsboro, Sidney is now attending Windsor College in Cincinnati with long time friend Randy. Meanwhile, Gale Weathers best selling book on Sidney's life has now been made into a major motion picture. When two college students are killed in a theatre while watching the new film "Stab," Sidney knows deep down that history is repeating itself.
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
Rexxx, Hollywood's top canine star, gets lost and is adopted into a shabby firehouse. He teams up with a young kid (Hutcherson) to get the station back on its feet.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Ronny Bowers, a saxophonist in Benny Goodman's band has won a talent contest an got a ten week contract with a film studio. On his first evening he is supposed to go with the studio's star Mona Marshall to a movie premiere. But this lady doesn't want to go, so the bosses decide to use for Mona a double, Virginia. When Mona finds out next morning that happened, she insisted to fire her double and Ronny. Ronny finds work as singing waiter in a drive in, and is spotted by a director of the same studio, who wants him to lend his voice for an leading actor in a musical.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl's fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother - which only fed Florence's need to stay in the spotlight.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
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