Merton of the Movies (1947)
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Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent, but actress Flips gives him a chance in a bit part, but he fails in that, but the way he fails makes her think that he could be a good comedian. She persuades the studio to put him in a western parody, not telling him what they're really planing, because they know that he does not like comedies. Rather than ending tragic-comically, however, the movie becomes a brilliant coda to art and its servants, the artists, in this case the magniloquent Joan Blondell and Stuart Erwin.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.
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In the late 1960s, Câest Si Bon is the music bar where every acoustic bandâs dream lies. There Geun-tae, a naïve country boy, meets the young musical prodigies Hyung-joo and Chang-sik, and forms the band named after it -- the Câest Si Bon Trio. As the three young artists bicker over their music, beautiful socialite Ja-young enters the picture and becomes their muse, and a series of moving love songs come from it. Geun-taeâs pure-heartedness wins Ja-young over but when she accepts a once-in-lifetime opportunity for a shot at an acting career, they part ways. After 20 years, the untold story of their love, song, and youth at Câest Si Bon is finally brought to light.
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