Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
In the Pacific Northwest wilderness, two hunters are tracked and viciously murdered by Aaron Hallum (Benicio del Toro). In the wilderness of British Columbia, L.T. Bonham (Tommy Lee Jones), a former special operations instructor, is approached and asked to apprehend Hallum, his former student who has "gone renegade" after suffering severe battle stress from his time in Kosovo.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
A thriller that follows two siblings who decide to fend for themselves in the wake of a botched casino heist, and their unlikely reunion during another family's Thanksgiving celebration.
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Jack the Ripper was a 1988 two-part television movie/mini-series portraying a fictionalized account of the hunt for Jack The Ripper, the killer responsible for the Whitechapel murders of 1888. The series coincided with the 100th anniversary of the murders. Using historical characters involved in the genuine 1888 hunt for the killer, the film was written by Derek Marlowe and David Wickes
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
A drunk cop investigates the murder of a sexy blonde. The policeman -who can't remember the night before - starts getting worried when all fingers began pointing at him.
Behind the locked doors of a mental institution resides crooked politico Judge Drake (Herbert Heyes), free from prosecution so long as he pretends to be crazy. To get the goods on Drake, private detective Ross Stewart has himself committed to the asylum as a patient. Meanwhile, reporter Kathy Lawrence (Lucille Bremer), posing as Stewart's wife, acts as his liaison to the outside world.
Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
Private detective Philip Marlowe is asked by a publishing executive, Adrienne Fromsett, to locate the wife of her boss, publisher Derace Kingsby. Earlier she had sent her husband a telegram saying she was heading to Mexico to marry Chris Lavery. However Kingsby had recently seen Lavery in the neighbouring Bay City. Marlowe pursues his investigation at the Kingsby's lakeside cottage.
Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.
Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
A psychopathic criminal (Cagney) with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.
Joe (George Raft) and Paul Fabrini (Humphrey Bogart) are Wildcat or, independent truck drivers who have their own small one truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his... then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge.
Orson Welles plays an escaped Nazi war criminal. After the war, he fled to the United States and assumed the name of Charles Rankin. Engaged to the unsuspecting daughter of a Chief Justice of the Supreme Court and posing as a college professor, he had the perfect cover. No one would think to look for a notorious Nazi war criminal in the sacred precincts of the Harper's School...
I Died a Thousand Times is essentially a remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works quite well on its own terms.
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.
Rocky Mulloy, back in town after serving 5 years of a life sentence for armed robbery, hopes to clear his friend Danny Morgan who's still in prison for the same crime. It won't be easy. Even the witness who cleared Rocky thinks he's guilty; Danny's glamorous wife Nancy, living in a sleazy trailer court, seems lukewarm about getting Danny back; cynical cop Gus Cobb just wants to stir things up in hopes that the missing "hot" $100,000 will surface. Plenty of tough talk, night scenes, deceptive dames and double crosses in this typical film noir.
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph's son, Taylor Henry, a gambler and the lover of Paul's sister Opal, is murdered, Paul's right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.
A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.
Night and the City (1950) is a film noir based on the novel by Gerald Kersh, directed by Jules Dassin, and starring Richard Widmark and Gene Tierney. Shot on location in London, the plot evolves around an ambitious hustler whose plans keep going wrong.
An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia's top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted thriller inspired by Scott Anderson's popular Esquire article. The Weinstein Company provides stateside
Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls, N.Y. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.
In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
No-nonsense San Francisco industrial whiz Walter Williams's two-timing wife and her lover plot to do her husband in, but Williams survives the "accident" and the lover is burned beyond recognition while driving Williams's car. Half-dazed, Williams stumbles into a moving van that takes him to idyllic Larkspur, Idaho, where newspaper stories of his "death" jog his memory. While recuperating and plotting his eventual return and revenge, Williams falls in love with Marsha, an auto mechanic. But when Williams finally gets back to San Francisco, he's charged with the lover's murder.
A teacher lives a lonely life, all the while struggling over his sonâs custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
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