Reign of Terror (1949)
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During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while posing as the foppish Sir Percy Blakeney in society. Percy falls for and marries the beautiful actress Marguerite St. Just, but she is involved with Chauvelin and Robespierre, and Percy's marriage to her may endanger the Pimpernel's plans to save the little Dauphin
Danton (Gérard Depardieu) and Robespierre (Wojciech Pszoniak) were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
Leslie Howard plays Sir Percy Blakeney, an 18th century English aristocrat who leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror. Based on the novel by Baroness Orczy.
In full French Revolution, the young Blanche de la Force decides to protect a convent and so entered the Carmelite order. She meets the cheerful nun Sister Constance and mother Marie, among others, and is happy with them despite the external conflicts and pressures of his father to leave the convent. Film based on real and tragic story from the sixteen Carmelite nuns in the convent of Compiègne in 1794, and collected by the French writer Georges Bernanos in his play of the same name, which in turn was inspired by the piece "The Last of the scaffold" the writer Gertrud von Le Fort.
The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.
Dissolute barrister Sydney Carton becomes enchanted and then hopelessly in love with the beautiful Lucie Manette. But Lucie loves and marries Charles Darnay, and remains oblivious to Carton's undimmed devotion to her. When Darnay is ensnared in the deadly web of the French Revolution and condemned to die by the guillotine, Sydney Carton concocts a dangerous plot to free the husband of the woman he loves.
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Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat, and Henriette for harboring him. Will revolutionary hero Danton, the only voice for mercy in the new regime, be able to save them from the guillotine?
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British barrister Sydney Carton lives an insubstantial and unhappy life. He falls under the spell of Lucie Manette, but Lucie marries Charles Darnay. When Darnay goes to Paris to rescue an imprisoned family retainer, he becomes entangled in the snares of the brutal French Revolution and is himself jailed and condemned to the guillotine. But Sydney Carton, in love with a woman he cannot have, comes up with a daring plan to save her husband.
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In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.
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