Armored Car Robbery (1950)
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A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
A night guard at an armored car company in the Southern U.S. organizes one of the biggest bank heists in American history.
A petty thief schemes a big score when he plans an armored car robbery.
An investigative journalist is found beaten to death in his home, where the fingerprints of a notorious criminal debt collector are also found. The murdered journalist has been threatened by right wing extremists, but it is the victimâs work with a book about âsocietyâs dark sideâ that captures the Beck groupâs interest. When the case takes an unexpected and terrible turn, there is suddenly much more at stake than finding the journalistâs killer. Martin Beck and his colleagues have never had to protect the balance of their professional and private lives with the same tenacity as they do now.
A Las Vegas singer (Mamie Van Doren) plans an armored-car robbery with her husband's (Lee Van Cleef) ex-cellmate (Gerald Mohr).
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
An armored-car guard must convince the authorities he is innocent after he is forced to rob his own company.
A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Archetypal buddy cops Riggs and Murtaugh are back for another round of high-stakes action, this time setting their collective sights on bringing down a former Los Angeles police lieutenant turned black market weapons dealer. Lorna Cole joins as the beautiful yet hardnosed internal affairs sergeant who catches Riggs's eye.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
one guy has the plan to rob a high security money transport
Duke Berne, former big shot but now a three-time loser, fears returning to crime because a fourth conviction will mean a life sentence. Finally, haunted by his past and goaded by his cohorts, he joins in planning an armoured car robbery.
When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He turns to his ex-girlfriend Monica, who works in an investment firm, for advice, before turning to the mob for help laundering the money. While Joey makes plans to leave the country, however, a detective is following his ever-warmer trail in order to recover the cash.
A wife's husband is cheating on her. She decides to go on a road trip with her husband's other woman. While driving the two women pick up a hitchhiker. The man they pick up may be a robber and murderer on the run from the cops. A policeman who is tracking the hitchhiker has a close eye on them, but the question is why?
A crew of seasoned criminals led by the notorious Nam, armed with high-powered weapons, pulls off another smooth and violent armored car heist in broad daylight in a crowded street. Whoever tries to get in their way, they will show no mercy. This puts the police force to shame and humiliation. A hardboiled senior police inspector Lui, hot on the trails of Nam and his tight crew, determines to put an end to this madness that causes the lives of innocent people. But he soon comes face to face with the cruel reality that the usual police tactics are too futile to send these armed thieves behind bars. Extreme crime requires extreme justice, even if it means crossing his moral line. Tou, an ex-con desperate to leave his criminal past behind, volunteers to be Luiâs snitch in exchange for a fresh start with her girlfriend Bing. But little does he know what hellish situation heâs getting himself into.
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
1952 black and white Cold War spy film, entirely without dialog
Illicit lovers plot to kill the woman's older husband.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
A criminal (Giuliano Gemma) seeks vengeance when his double-dealing brother (Klaus Kinski) steals his jewels and mutilates his shooting hand.
Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rei, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rei. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.
When radicals from Japan's Red Army took a woman hostage in the resort town of Karuizawa, Nagano in 1972, Officer Atsuyuki Sassa was put in charge of diffusing the situation. But the task had its challenges. Upon arriving in mountainous Nagano, Sassa had to compete with freezing winter temperatures, conflicting opinions between the Tokyo Metropolitan Police and the Nagano Prefectural Police, as well as public opinion to gain entrance to the lodge that held the single woman captive.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
Burt Lancaster plays Steve Thompson, a man who seals his dark fate when he returns to Los Angeles to find his ex-wife Anna Dundee (Yvonne DeCarlo) eager to rekindle their love against all better judgement. She encourages their affair but then quickly marries mobster Slim Dundee (Dan Duryea). To deflect suspicion of the affair, Steve Thompson leads Dundee into a daylight armored-truck robbery.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
A mystery woman is a murder suspect's only alibi for the night of his wife's death. Based on a story by noir scribe Cornell Woolrich.
Carol Ann MacKay is a popular nurse at a retirement home, and spends her free time with her hunky athletic husband Wayne MacKay, who would do anything for her, including cleaning up the messes her ideas get them in. When legendary bank robber Henry Manning, who had a major stroke in prison, is placed in the home and supposedly having lost all control over his body, she notices he must be in far better condition then he lets appear. Soon Carol gets his confidence and the two start planning how they three can commit another robbery on an armored money transport.
After a botched heist, Eddie a murderous crime boss, hunts down the seductive thief Karen who failed him. In order to win back Eddieâs trust, Karen recruits her ex-lover and premier thief Jack to steal a cargo of rare precious gems. But when the job goes down, allegiances are betrayed and lines are crossed as Jack, Karen, and Eddie face off in a fateful showdown.
James Cagney directs this remake of the film noir classic This Gun for Hire.
A radio reporter sets out to rescue his ex-girlfriend when she is kidnapped by gangsters.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
The life of American public enemy number one who was shot by the police in 1934.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
The mafia's Paul Vitti is back in prison and will need some serious counseling when he gets out. Naturally, he returns to his analyst Dr. Ben Sobel for help and finds that Sobel needs some serious help himself as he has inherited the family practice, as well as an excess stock of stress.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
In the slums of Barcelona, Fanny, a woman just released from prison, tries to carry out a revenge that has nourished for years: to kill "El Gallego", the corrupt and brutal policeman who killed her boyfriend
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Private Detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
Former race car driver Brent Magna (Hawke) is pitted against the clock. Desperately trying to save the life of his kidnapped wife, Brent commandeers a custom Ford Shelby GT500 Super Snake, taking it and its unwitting owner (Gomez) on a high-speed race against time, at the command of the mysterious villain holding his wife hostage.
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
The Killing was Stanley Kubrickâs first film with a professional cast and the first time he achieved public recognition as the unconventional director heâs now known for. The story is of ex-prisoners who plan to set up a racetrack so they can live a life without monetary worries. One of the more exceptional films of the 1950âs.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Dooley, a cop wrongly sacked for corruption, teams up with a useless defence lawyer in their new careers... as security guards. When the two are made fall guys for a robbery at a location they are guarding, the pair begin to investigate corruption within the company and their union. They soon make enemies of everyone, but can the unlikely duo save the day?
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
A seasoned team of bank robbers, including Gordon Jennings (Idris Elba), John Rahway (Paul Walker), A.J. (Hayden Christensen), and brothers Jake (Michael Ealy) and Jesse Attica (Chris Brown) successfully complete their latest heist and lead a life of luxury while planning their next job. When Ghost (Tip T.I. Harris), a former member of their team, is released from prison he convinces the group to strike an armored car carrying $20 million. As the "Takers" carefully plot out their strategy and draw nearer to exacting the grand heist, a reckless police officer (Matt Dillon) inches closer to apprehending the criminals.
Two tactical unit leaders are forced to put aside their differences to help catch a group of robbers.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
In the midst of a spat, film critic Terry Thorpe (William H. Macy) accidentally kills his lover. Though Thorpe covers his tracks, he raises the suspicions of a private investigator (James Cromwell), who then tries to blackmail him. Thorpe also falls under the watchful eye of Detective Fred Stapelli (Adam Arkin), a cop who is intent on becoming a screenwriter. Before long, Thorpe's girlfriend, Kit (Felicity Huffman), and Stapelli's wife, Patricia (Julia Campbell), are roped into the case.
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