Rhapsody (1954)
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Melodrama about two girls whose fortunes run on very different paths.
Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.
Flynn plays the exciled Ruritanian king who leaves his mistress to return home to a political marriage. Love versus duty in this enjoyable romantic film.
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
Lam Yiu Kwok, a Hong Kong secondary school teacher is facing a mid-life crisis. While he has only his pride and Chinese poetry to fall back on, his peers are successful businessmen and professionals who flaunt their extravagant lifestyles at reunion dinners. After many years, Lam is still living in a modest apartment with his wife, Man Ching and two teenage sons. However financial stagnancy is not his only problem. An old flame of Man Ching (who was the couple's former schoolteacher) returns to Hong Kong and uncovers old wounds. Man Ching feels obliged to help her ex-lover. Meanwhile, Yiu Kwok faces another dilemma: Choy Lam, a precocious student, has a crush on him and the 'forbidden fruit' looks more and more tempting in the light of his wife's 'infidelity'. Will he succumb to young charms and let history repeat itself?
Melodrama about the professional and romantic problems of an aspiring singer.
Davis and Rains shine in a romantic melodrama set in the world of concert music. Davis is a pianist torn between her wealthy, jealous patron and her cellist husband.
The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s, Elise McKenna. Becoming more and more obsessed with her, he manages, by self hypnosis, to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their "time" difference? And can Richard remain in a time that is not his?
Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in Ä°stanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Fantasy comedy about a young window dresser who kisses a statue of Venus, which then comes to life in the form of Ava Gardner. The problems begin, however, when Venus falls in love with him.
Lana Turner stars as an American news correspondent working in England during WWII. Her affair with a married British correspondent (Sean Connery) ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.
An odd-but-gifted poet, Evan Merck (Wes Bentley, 'American Beauty') makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte (Winona Ryder, 'Girl, Interrupted'), the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King.
Devdas is sent away by his father so he can improve himself but upon his return his father still doesnât welcome him back. Devdas and Paro are in love but Paro is a lower caste and is set to be married to an older widower. Devdas is devastated & leaves home. He becomes an alcoholic womanizer and falls in love with a courtesan. Paro tries to get Devdas away from drinking before he self destructs.
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
Broken Blossoms is an American silent film from director D. W. Griffith. This melodrama tells the love story of an abused English woman and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
This Mexican crime melodrama was released in English-speaking communities as Another Dawn. Latin film favorite Pedro Armendariz stars as smooth-talking Octavio, chief henchman to a slain labor leader. On behalf of his fallen boss, Octavio protects a cache of valuable documents from the assassins. Along the way, he renews his relationship with ex-flame Julieta (Andrea Palma), now engaged to another man.
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager in charge Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack if offering to let him see the show from an unusual view point, after he forgot to get him tickets for the performance, but then they find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Then Rita is shot onstage with Eric's gun. Jack and Bill decide not to stop the show, but Bill preparing to arrest Eric. Is he on the right track ?
Starstruck Indiana small-town girl Lily is pestering theatrical producer John Thornway for a role but he is reluctant.
Josh (Astaire) and Dinah (Rogers) Barkley are a successful musical-comedy team, known for their stormy (but passionate) relationship. Dinah feels overshadowed by Josh, and limited by the lighthearted musical roles he directs her in, and decides to stretch her skills by taking a role in a serious drama, directed by another man.
Guy Holden falls for Mimi Glossop without knowing she's married. She's trying to get a divorce, so her dizzy aunt and incompetent lawyer hire a professional correspondent to pose as her lover. When Guy unknowingly gives Mimi the code phrase, she thinks he's the faux beau; and she confuses his genuine interest for part of the act.
Hoda is a famous dancer who gives up the spotlight to marry and start a family with Mamdouh, a handsome young doctor who is just beginning his career. When Mamdouh's scheming Italian head nurse Yolanda sets her sights on Mamdouh, Hoda's jealousy drives her to drink, ultimately endangering everything she holds dear. An enchanting example of Egyptian melodrama at its finest.
I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the documentary follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
Amidst unrest, organizers put on a benefit concert.
In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000. Contestants flock in from around the globe. Representing America is Chester Kent, a theatre producer who thinks he's an American despite being Canadian; representing Serbia is his brother, Gavrilo the Great, who is succumbing to madness over the death of his son; and representing Canada is their father, a pathetic drunkard. As the competition builds toward its climax, these estranged characters are brought together to express their deep feelings of pain and ultimately give in to treachery.
The musical biopic of jazz great Red Nichols features a healthy dose of melodrama along with the melodies. As the famed Dixieland cornetist, he runs into opposition to his sound, but breaks through to success. He marries a warm, patient woman (Bel Geddes) and even finds time to raise a family. Then tragedy strikes when their daughter contracts polio. The jazzman puts down his horn to stand by her.
Greta Garbo runs away from an unbearable life at home--and a pre-arranged marriage to a man she despises--and seeks happiness with handsome engineer Clark Gable. Director Robert Z. Leonard's 1931 melodrama also features Jean Hersholt, Alan Hale, John Miljan, Cecil Cunningham, Hale Hamilton and Russell Simpson.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
Kamal (Jayam Ravi), a young billionaire, doesn`t believe in love; his philosophy is simple: No love, no commitments = No disappointments. He works hard for 11 months and takes a month`s break from all the work related commitments. Cute violinist Kayalvizhi alias Kayal (Hansika Motwani) believes in true love and is highly fascinated with Indian culture. Kayal`s father Rajasekhar (Suman) runs a small detective agency in France and Kayal often reads her father`s case files for interesting stories. One day, Rajasekhar gets a new client (Sonu Gates) who wants to know about his girlfriend`s mystery man. After a brief investigation, Rajasekhar finds that his client`s girl friend is dating Kamal. Sonu gets angry and decides to kill his girlfriend and Kamal.
Original in its sincere, lyrical realism, The River is a naturalistic melodrama otherwise characteristic of the period. Shot in sunbathed pastoral locations by Jan Stallich (Ecstasy), the story of first love between a sturdy village boy and a country girl is filmed with a movingly genuine charm.
Presents a day in the life of a few inhabitants of Tórshavn in the Faroe Islands: A father and his daughter are having breakfast when the fire-brigade drive by. A woman and her child are looking at the fire and meet a married couple. The couple say hello to a man who is going out with his boat... and so on.
A Hungarian family forced to flee the Communist country for the United States, must leave a young daughter behind. Six years later the family arranges to bring the absent daughter to the United States where she has trouble adjusting. The daughter then decides to travel to Budapest to discover her identity.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
Melodrama about a woman who marries a bigamist, then a drunk, and falls in love with another man, all while working at a carnival.
Based on the 1932 play of the same name by Phillip Dunning and George Abbott. Lilly Turner is a very precode character in a very precode film. She starts out with all the best intentions and does nothing wrong, only to find herself in a highly unfortunate situation that society of the time couldn't approve of: an unmarried mother to be. She then gets out of it through the kindness of another, becoming half of an open marriage, very progressive for the times. Lilly Turner would have needed to be completely rewritten to have been made during the code years.
When bored courtesan Zelie de Chaumet begs her lover, the corrupt and powerful Stetz, to take her slumming, the pair encounter Pierre Boucheron, alias 'The Rat' , boy-king of the Paris underworld, and the innocent Odile. Love, life and jewels are risked and lost in this powerful romantic melodrama as the four characters' lives are changed by this chance encounter for ever.
The story centers on an elderly hibakusha, who lost her husband in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
Glossy melodrama starring Lana Turner as a young woman from Kansas who moves to New York, becomes highly successful at a prestigious modeling agency, and falls in love with a married man.
In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love.
"Tokyo Rhapsody" consists of 11 short films all centered around the music genre known as "Kayokyoku". Kayokyoku is a catch-all term to describe the music that defined two generations of post-war Japan. Although the term survives, it has a strong connotation with a simpler, pre-"Economic Bubble" era when Japanese people shared a common identity in the reconstruction of their nation.
the story of two adolescents, Moni and Zhozho, who meet 17-year-old Zheni in 1943 and with whom both fell in love. The events that follow unfold while Bulgaria has to decide on the deportation of 11 343 Jewish citizens in Macedonia and Thrace.
A prominent New York doctor (Kay Francis), unable to have a child, discovers her philandering husband (Warren William) has impregnated her best friend (Jean Muir). Director William Keighley's 1934 melodrama also stars Verree Teasdale, Emma Dunn, Phillip Reed, Louise Beavers and Ann Shoemaker.
Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
The life of a beautiful rising female recording star is placed in jeopardy when she witnesses the drive-by shooting of a rival rap-star in Las Vegas. Wanted by both the killers and the corrupt police, the young woman must go into hiding while three of her kick-ass friends root-out the truth to the situation.
George Sanders stars in this engrossing melodrama about a very domineering sister who holds a tight grip on her brother -- especially when he shows signs of falling in love.
An elderly businessman (Frank Morgan) plans what he thinks is an innocent night on the town while his wife is away. Instead, he finds himself involved in a showgirl's murder.
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and⦠Finally, he returns to his village, and meets Oksana. âYerevan International Film Festival
action melodrama
The film features the leading actress Greta Garbo as Yvonne, an artist's model. Other stars include Robert Montgomery, Lewis Stone, Marjorie Rambeau and Judith Vosselli. It is a romantic melodrama, portraying a Parisian belle with a past returning to haunt her. The film is the only one where Montgomery played opposite Garbo.
In this morbid Nazi sanctioned pro-euthanasia melodrama, a successful doctor is forced to make a heart wrenching decision after his beautiful young wife is diagnosed with multiple sclerosis.
Yuukai Rhapsody follows a man who is stuck in a rut, no personal life and no cash lead him to the drastic decision of kidnapping a rich boy, unbeknownst to him the boy's father is a yakuza boss! With the yakuza and the police hot on his tail he is forced to take the boy and go on the run, somehow during the journey kidnapper and kidnappee begin to develop a friendship with one another.
In this crime melodrama, a Swiss woman finds herself unwittingly involved in a plot to steal from her employer, a London diamond merchant. Her boyfriend is behind the scheme. First he sends two accomplices disguised as German jewelers to see the boss. He is not fooled by their ruse and is killed while the woman is knocked unconscious. She awakens with amnesia and begins aimlessly wandering the London streets. Thinking that his girl has squealed to the police, her boy friend begins scouring the town to find her. Meanwhile, she is taken in by a boxer who returns to the ring to win the money needed to get her out of the country. Trouble ensues when her lover finally finds her after the match and begins beating on the exhausted fighter.
A drama with fairy tale elements, where an orphaned musical prodigy uses his gift as a clue to finding his birth parents.
On the keyboard, the young hands fly rapidly and the melody rises. For the child, nothing is easier; he hears the sounds in his head. These hands belong to 6 years old André Mathieu. He won his audiences and fired up concerts halls in London, New York, Paris and around the world. Adulated, hailed, praised, the child prodigy seemed to have everything to succeed. From the top of his vertiginous successes, to depths of torment, the life of the "Little Canadian Mozart" blends into his music. A romantic and passionate composer wishing for happiness, his story is nevertheless played on tragic notes.
A woman travels to Hawaii to find out of a man in prison there is actually her missing husband.
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
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