Main cast Judy Holliday; Dean Martin; Fred Clark; Eddie Foy Jr.; Jean Stapleton
Genres Comedy, Music, Romance
Description Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green's service, listens in on others' lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer's block and desperately needs a muse.
It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor â and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they'll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wildcats?
Paul and Eddie have just begun previews for the new Off-Broadway musical "Adam and Steve Just the Way God Made 'Em." Their lives strangely mirror the characters they are playing. Paul is looking for the perfect man and Eddie is dealing with how his sexuality and faith can mix
Josh (Astaire) and Dinah (Rogers) Barkley are a successful musical-comedy team, known for their stormy (but passionate) relationship. Dinah feels overshadowed by Josh, and limited by the lighthearted musical roles he directs her in, and decides to stretch her skills by taking a role in a serious drama, directed by another man.
Gretta's celebrity boyfriend breaks up with her after a long-term relationship, leaving the singer to find success on her own. With the help of record producer, Dan and hip-hop celebrity, Trouble Gum, Gretta strives to fulfil her musical ambitions.
Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...
James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. Co-starring Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. Inducted into the Library of Congress National Film Registry.
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century.
Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.
In search of an emissary to represent the American theater at an arts expo in Paris, a State Department bureaucrat (Ray Bolger) invites Ethel Barrymore to appear -- too bad her invitation is sent to chorus girl Ethel "Dynamite" Jackson (Doris Day) instead! Not one to look a gift horse in the mouth, Miss Jackson hightails it to Paris -- with the bureaucrat in pursuit. A plethora of song-and-dance numbers ensues in this Sammy Cahn-scored musical.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship.
Skating star Sonja Henie and the Glenn Miller Orchestra share the spotlight in Sun Valley Serenade. Henie plays a Norwegian refugee adopted by band pianist John Payne, who mistakenly thought that the full-grown Miss Henie was a 10-year-old little girl. Payne's girlfriend, Lynn Bari, is a soloist with the Miller band, and also a violently jealous sort. When Bari quits Miller out of pique, Henie stages an elaborate ice show as a substitute. This impromptu spectacular thrills the audience at the Sun Valley resort hotel where most of the action takes place. Joan Davis and Milton Berle provide comic relief to the music and romance (you haven't lived until you've seen Berle on skis), while The Nicholas Brothers and Dorothy Dandridge perform a lively chorus of "Chattanooga Choo Choo."
Contemporary rethinking of the legendary Broadway musical and 1962 film, updated to reflect a few early twenty-first-century sensibilities: A masterful con artist tries to bilk a staid Midwestern community, with unexpected results.
Set during WW I, Palmer and Hayden team up as vaudeville artists. Harry Palmer deliberately injures his hand to avoid being drafted to the army. Later, he makes up for this. WW I patriotism for a WW II audience, very sentimental, great musical episodes and songs.
Based on Puccini's opera La bohème, Rent tells the story of a group of impoverished young artists struggling to survive and create in New York City in the 1990s. This is a live recording of Rent's final performance after more than 12 years and 5000 shows.
Musical based on The Beatles songbook and set in the 60s England, America, and Vietnam. The love story of Lucy and Jude is intertwined with the anti-war movement and social protests of the 60s.
When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can't believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
Academy Award-honoree Peter O'Toole stars in this musical classic about a prim English schoolmaster who learns to show his compassion through the help of an outgoing showgirl. O'Toole, who received his fourth Oscar-nomination for this performance, is joined by '60s pop star Petula Clark and fellow Oscar-nominee Michael Redgrave.
Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life, Rick becomes a star trumpeter, but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
When reporter Jean Craddock interviews Bad Blake -- an alcoholic, seen-better-days country music legend -- they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son. But can he leave behind an existence playing in the shadow of Tommy, the upstart kid he once mentored?
Dusty Chandler (Strait) is a super star in the country music world, but his shows have the style of a '70s rock concert. One day he takes a walk - out of his overdone concerts to find his real country roots. He's helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the girls' Aunt Etta, in the long time family home. Of the four, Kay has the greatest promise as a musical performer, specifically as a singer. Theirs is a loving family, however much the girls exasperate their father with their love of popular music, since he loves only the classics, most specifically Beethoven. The girls support each other however they can, but each is an individual with her own distinct personality and wants, including the type of man each wants as a husband. Practical but deep in her heart romantic Emma has long been courted by their next door neighbor, unassuming florist Ernest Talbot, and clever Thea wants to be Mrs. Ben Crowley, he a wealthy up and coming banker with prospects. Only the youngest, the fun loving Ann, states that she doesn't want to get married.
Fortune hunter Holly Golightly finds herself captivated by aspiring writer Paul Varjak, who's moved into her building on a wealthy woman's dime. As romance blooms between Paul and Holly, Doc Golightly shows up on the scene, revealing Holly's past.
Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last?
A broadway playwright is burning the candle at both ends. He is dealing with pressure from a production nearing premiere, a wife who is leaving him, and 5 children 4 of which belong to her.
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age, who immediately and unexpectedly captures his heart.
George Roundy is a Beverly Hills hairstylist whose uncontrolled libido stands between him and his ambitions. He wants the security of a relationship. He wants to be a hairdressing "star" and open his own salon. But the fact that he beds down with the wife, daughter and mistress of a potential backer doesn't help. It also does little for his relationship with his current girlfriend.
It's Martha's first night as a waitress in an upscale New York restaurant. Veteran Chloe shows her the ropes and introduces her to the lives of the restaurant staff. Adam, a hopeful playwright, suffers for his art while dealing with a very indecisive (ex-?)girlfriend. Marlon is a cocky young actor, certain that his big break is just around the corner. When the restaurant's obnoxious owner, Simon, brings a special client in for dinner, pressures mount until an explosion seems inevitable.
A golf-crazy songwriter tries to avoid the long, solitary hours of concentration needed to produce a hit musical. His producer and his secretary conspire to get him back on track.
Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière's theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
A Braodway playwright wants to keep on writing plays for his wife to star in, but all she wants is to retire to Connecticut and, following a few 'worlds-apart" discussion of the issue, they get a divorce. The actress marries a banker in a fit of pique only to quickly discover the divorce was not valid. She communicates this information to her not-yet ex-husband and he, to prevent consummation of the invalid marriage rescues her by sending plumbers, waiters, porters, chambermaids, bellhops, desk clerks, exterminators and, finally, a crowd of roistering conventioneers to the suite to ensure no bedtime story would take place there
Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and anxieties about love and acceptance.
The Flemish harmony Sint-Cecilia from Staaikerke and the Walloon harmony En Avant are both selected for the big European finale. The Walloon En Avant comes up with the great trumpeter Hugues. Hugues is so amazing during his solo that Willy, from the Flemish Sint-Cecilia, has to give everything he has, the highest note, the lowest note, the last note... Willy falls dead on stage. Surprising everyone, both harmonies get selected for the finale. But what will the Flemish do without their best player? Elke, the daughter of conductor Jozef, has an idea. A transfer! What works easily on a football field seems to be more difficult in the music world. The young, handsome Hugues generates a lot of emotions in the quiet village of Staaikerke. His transfer drives the conflict between En Avant and Sint-Cecilia on.
Lovestruck: The Musical: Tells the story of Harper (Jane Seymour), one of the best dancers to hit Broadway. But an injury caused her to leave the spotlight, become a choreographer, and raise her daughter, Mirabella (Sara Paxton). When Mirabella, the star of Harper's next big production, decides to quit the show to get married, her mother is determined to put a stop to the wedding and show Mirabella that she cannot give up her career for love, especially to marry playboy Marco (Alexander DiPersia).
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.
Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.
Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn
Ballet star Pete "Petrov" Peters arranges to cross the Atlantic aboard the same ship as the dancer he's fallen for but barely knows, musical star Linda Keene. By the time the ocean liner reaches New York, a little white lie has churned through the rumor mill and turned into a hot gossip item: that the two celebrities are secretly married.
Me and Orson Welles is a period-drama film directed by Richard Linklater and starring Zac Efron, Christian McKay and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant.
Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.
A idealistic shipyard worker interests a beautiful Hollywood star in staging a musical tribute to the war industry, but they disagree on some important issues.
When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.
Nicky and his friends find that their youth club is in danger of being flattened to make way for a new office block unless they can come up with £1500 to pay the new owner, the ruthless property tycoon Hamilton Black. To help raise the cash, Nicky records a song and his friends broadcast it via a pirate radio station, touting him as "The Mystery Singer" - the plan works and interest in their up and coming show is heightened by this new but unknown heart-throb. But Nicky has an even bigger secret and one that he cannot share, even with his girlfriend Toni... Hamilton Black is his father.
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