The Pink Panther (1963)

Director
Blake Edwards

Main cast
Peter Sellers; David Niven; Robert Wagner; Capucine; Claudia Cardinale

Genres
Comedy, Crime

Description
Bumbling French police inspector Clouseau (Peter Sellers) tries to catch The Phantom, a daring jewel thief whose identity and features are unknown - and is acting right under his nose. The first film in director Blake Edwards' Pink Panther series.


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When the coach of the France soccer team is killed by a poisoned dart in the stadium in the end of a game, and his expensive and huge ring with the diamond Pink Panther disappears, the ambitious Chief Inspector Dreyfus assigns the worst police inspector Jacques Clouseau to the case.
The Pink Panther diamond is stolen once again from Lugash and the authorities call in Chief Inspector Clouseau from France. His plane disappears en-route. This time, famous French TV reporter Marie Jouvet sets out to solve the mystery and starts to interview everybody connected to Clouseau.
Detective Inspector is borrowed from the Surete on special assignment for Scotland Yard in hopes that a fresh outlook will help the government recover the loot from the Great Train Robbery, which is being used to underwrite a new crime wave. What they don't count on, however, is having more than one Clouseau on the job.
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Upstanding community leader Nils (Stellan Skarsgård) has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.” Hans Petter Moland’s action-thriller is an entertaining and intelligent black comedy set in the dead of frozen Norwegian winter. In English, Norwegian, and Swedish with English subtitles.
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After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt, they make a break together. Unable to shake the clumsy Quentin Ruby is forced to take him along as he pursues his former partners in crime to avenge the death of the woman he loved and get to the money.
Bumbling cop Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business. As always, the jokes (and sight gags) fly like gunfire!
Two clumsy detectives investigating the murder of a singer scare themselves when they accidentally reveal the killer to be a respectable psychiatrist, secretly a notorious jewel-thief. A rare film venture by this top radio comedy team.
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The eighth and last of the Pink Panther series. The illegitimate son of Inspector Clouseau is on the case of the kidnapped Princess Yasmin.
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The film is the immediate continuation of Un éléphant ça trompe énormément, released the previous year. Having fortuitously discovered a photograph in which Marthe embraces someone unknown, clothed with a chequed jacket, Étienne Dorsay becomes jealous, and imagines various stratagems to identify the lover. In the meantime, Étienne and his friends acquire a weekend house for a very low price. As in the previous work, the film is largely narrated by the character Étienne, whose tone shifts with the reality of the images. The film contains a certain number of allusions to the films of Blake Edwards (the Pink Panther series).
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Hips, Hips, Hooray! is a 1934 slapstick comedy film starring Bert Wheeler, Robert Woolsey, Ruth Etting, Thelma Todd, and Dorothy Lee.
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In 2005 Bruce Campbell directed his first ever feature film. The film stars Bruce Campbell as a wealthy CEO who travels to Bulgaria after the fall of communism. His plan was to do business for his U.S. drug company yet he is shortly caught up in some dirty situations and ends up with a brain transplant after his brain is severely damaged. Slapstick B-Movie science fiction on a low budget.
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A brash and precocious ten-year-old (Catherine Demongeot) comes to Paris for a whirlwind weekend with her rakish uncle (Philippe Noiret); he and the viewer get more than they bargained for, however, in this anarchic comedy from Louis Malle, which rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, Malle’s audacious Zazie dans le métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.
When a thief driving a motorcycle steals a purse of a pedestrian, the clumsy, naive and honest rookie policeman Sang-hwan runs after him, but the skilled specialist in martial arts Wi-jin captures the criminal and Sang-hwan is severely injured. She brings Sang-hwan to her home, where the six Masters of Tao heal him and believe that he has a powerful Qi, the spiritual energy of the universe, and could be a powerful warrior. Sang-hwan begins his training to ascend to a Maruchi, while the evil and ambitious Heuk-woon is accidentally released from his imprisonment. The powerful Heuk-woon attacks the masters, searching a key that they protect, which would permit him to become an Arahan and dominate the world. When the masters are defeated, Sang-hwan and Wi-jin are the only and last hope to mankind.
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The Angrez is a 2006 Indian comedy movie directed by Kuntaa Nikkil. In this movie, the word "Angrez" refers to English people and non-resident Indians. The movie was a trend-setter in that, it was one of the first to effectively and humorously, often resorting to the slapstick kind, portray the dialect of the Old City and the Hyderabadi tongue.[1][2] The film also portrays the fascination for American materialism, the hype around the IT industry and the lifestyle and culture it has spawned.

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