Lola (1970)
Similar movies
A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences donât matter and they become best friends and love each other.
Raimunda (Penélope Cruz) works and lives Madrid with her husband Paco and daughter Paula. Her sister Sole (Lola Dueñas) lives nearby and they both miss their mother Irene (Carmen Maura), who died several years ago in a house fire along with their father. A former neighbor from their hometown reports that she has seen the ghost of Irene and both daughters do not believe her. After a murder and a family tragedy, Irene's spirit materializes around her daughters to help comfort them.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.
This movie follows a mother who falls for a younger man while her daughter falls in love for the first time. Mother Nature messes with their fates.
Ned (Liev Schreiber) is in the throes of a mid-life crisis. His work as a writer on an outrageous, semi-pornographic TV show is less than satisfying. His fifteen year old son has just told him he is gay and his eleven year old is afraid of, well pretty much everything. When his wife, Jeannie (Helen Hunt), moves her sick and embittered father (Brian Dennehy) from Detroit into their home in NY, it puts added stress on an already strained marriage. And when a sexy female co-worker (Carla Gugino) puts the moves on Ned, the temptation sends him spiraling. EVERY DAY is about one family's struggle to survive the unexpected curve-balls that are simply part of real life; aging and death; commitment and freedom; love and acceptance. It's an uncompromising look at an ordinary family making an extraordinary journey towards themselves and towards each other.
Second part of the film "Sorry if I love you". Alex (Raoul Bova) and Niki (Michela Quattrociocche) are more in love than ever. They have just returned from the lighthouse on the island Blu where they have lived unforgettable days. Niki returns to see his friends, but a number of important changes in their lives will test the friendship of the girls. Alex also resume life with his old friends. All of them, Flavio, Enrico and Pietro, are no longer serene and safe husbands due to certain difficulties that have compromised their marriages.
Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested.
This feature is one of the Israeli cinematography milestones. It displays the atmosphere of the late Israeli 50s from the view of young boy Alex, just becoming 13. His mom is the classic "Polish Mother", his school friends are young hustlers dreaming of nude girls, his schoolmaster is a nervous Russian immigrant. The street speech is full of Polish, Russian, and Farsi slang, full of the small talk that had later entered the everyday speech. The soundtrack, which is quite remarkable, is built solely on the American music of the period. Everyone in the feature finds one's love and happiness.
Lola, a Mexican waitress working in Madrid, befriends a 30-year-old suicidal man who has borrowed $1,000,000 to spend on his last day on Earth, knowing he will be killed anyway if he fails to return the money. After meeting Lola, however, he decides that life might be worth living after all.
A comedy/drama about a world-weary impresario who transforms a laundress into a theatrical star.
Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
Giulia (Giovanna Mezzogiorno) and Carlo (Stefano Accorsi) have been happy together for three years, but Giulia's announcement that she is pregnant sends him into a secret panic. Terrified at his imminent entry into the adult world of irreversible responsibilities, Carlo finds himself tempted by a bewitching 18 year old girl, Francesca (Martina Stella), whom he meets by chance at a wedding. The possibility of one last youthful crazy fling before the impending prison of parenthood proves to be too attractive to resist.
A man's (Hugh Laurie) affair with his friend's much-younger daughter (Leighton Meester) throws two neighboring families into turmoil.
Silent as a painting, the movie shows us day-dreamer Hermie and his friends Oscy and Benjie spending the summer of '42 on an US island with their parents - rather unaffected by WWII. While Oscy's main worries are the when and how of getting laid, Hermie honestly falls in love with the older Dorothy, who's married to an army pilot. When her husband returns to the front, Hermie shyly approaches her. Written by Bob Dawson
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn't make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love's age old question in a fresh new way, "If you try, try again, will you finally get it right?" (Written by M. Siler and E. Seidler)
It made me think a little to "Magnolia", the difference is that there is no extraordinary coïncidence and only three characters. They have three very different lives and when they meet... Claire, played by the wonderful Isabelle Huppert, who has a quite normal life in a small city, she can't have children. She comes to Paris to see a doctor. Marguerite is a Teenager. She feels "different". Jacques is an ex-alcoholic, unemployed, left by his wife. He meets a strange girl who asks him a strange thing... I guess the conclusion of that movie is to tell us that the 6 billion human beeings living on our planet have 6 billion different stories... I appreciated, maybe I'll forget this movie quickly but it is objectively good.
Charles Price may have grown up with his father in the family shoe business, but he never thought that he would take his father's place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles' ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men's fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola's discomfort in the small town and the selfish manipulation of Charles' greedy fiancée who cannot see the greater good in Charles' dream.
Ten years after the war, West Germany's market economy is booming. Into an unnamed city that's rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. He's smitten by Marie-Louise, a single mother who's his landlady's daughter. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohm's projects. When von Bohm discovers Marie-Louise's real vocation and looks closely at Schuckert's work, will this social satire play out as a remake of "Blue Angel," a visit of Chekhov to West Germany, or an update of Jean Renoir's "Rules of the Game"?
Two families, Sebkovi and Krausovi, are celebrating christmas, but not everyone is in a good mood. Teenage kids think their fathers are totaly stupid, fathers are sure their children are nothing more than rebels, hating anything they say. Written by AntonÃn
Jack Powell suffers from an affliction that makes him grow four times faster than normal, so the 10-year-old looks like a 40-year-old man. After years of being tutored at home, Jack convinces his overprotective parents to send him to public school. The children don't know what to make of Jack, but with the help of his fifth-grade teacher, he makes an effort to win them over.
A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.
A single mother in Madrid sees her only son die on his birthday as he runs to seek an actress' autograph. Beside herself with grief, she returns to Barcelona to tell the boy's father about the death of the son he never knew he had.
Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesnât see coming is Zibby â a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.
Corporate billionaire Edward and working class mechanic Carter have nothing in common except for their terminal illnesses. While sharing a hospital room together, they decide to escape and do all the things they have ever wanted to do before they die according to their "bucket list". In the process, both of them heal each other, become unlikely friends, and ultimately find the joy in life.
Two master thieves (Brosnan and Hayek) are finally retiring after one last succesful mission. Residing in their own tropical paradise, their old nemesis, FBI Agent Stan P. Lloyd shows up to make sure they really are retired. Docked in the port is an ocean liner called the "Diamond Cruise" and Stan is convinced that they're not really retired at all, and that this is the next set up.
It's almost summer in Sweden and minor indiscretions and misbehavior abound. Leffe likes to show off for his friends and play salacious pranks, especially when he's drinking. Meanwhile, a righteous grade-school teacher doesn't know where to draw the line: she insists her fellow educators need a bit of instruction. Then there are two young teenage girls who like to pose for sexy photos and to party, but one night in a park, one of them is found passed out drunk by a complete stranger.
When Mitchie gets a chance to attend Camp Rock, her life takes an unpredictable twist, and she learns just how important it is to be true to yourself.
The film tells the tragical story of the life of Lola Montes who was a great adventurer and stopped being the attraction of her circus after having been the lover of various important men.
Lola, is a 1961 film, the debut film directed by Jacques Demy as a tribute to director Max Ophüls and is described by Demy as a "musical without music". Anouk Aimée starred in the title role. The film was restored and re-released by Demy's widow, French filmmaker Agnès Varda.
An old surgeon falls in love with an intellectual underage girl.
Prasanna (Kamal Haasan) is nursed back to health by a classical singer Bhairavi (Srividya) after a bloody street-side fight. The two are slowly drawn to each other and decide to marry in spite of their age difference and a past relationship that Bhairavi is still inextricably tied to. In the meantime, Prasanna's father (Major Sundararajan) embarks on a relationship with the young Ranjini (Jayasudha). We soon find out that Ranjini is Bhiaravi's daughter (born to her out of wedlock). Both relationships arrive at a dilemma with an unexpected twist when Bhairavi's long-lost husband (Rajinikanth) comes into picture.
Wealthy American Jervis Pendleton III (Fred Astaire) has a chance encounter at a French orphanage with a cheerful 18-year-old resident, Julie Andre (Leslie Caron). He anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Her nickname for him, "Daddy Long Legs", is taken from the description of him given to Andre by some of her fellow orphans who see his shadow as he leaves their building. Several years later, he visits her at school, still concealing his identity. Despite their large age difference, they soon fall in love.
A small town in Australia, in the late 1950s: Brownie and Lola are deeply in love. But because they are under-age, their parents are against their relationship and try to separate them.
Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Magali (Béatrice Romand), forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine (Alexia Portal) and Isabelle (Marie Rivière) both want secretly to find a husband for Magali.
A teenage girl helps investigators reconstruct her mother's (Isabelle Renauld) murder.
Before he went exclusively style-over-substance, Daniel Lee directed fighting drama A FIGHTERâS BLUES, about an aging boxer (Andy Lau, in a mature and underrated performance) seeking a shot at redemption. Co-starring Japanese drama queen Takako Tokiwa. Billed as Andy Lauâs 100th film. He would go on to make a whole lot more.
Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.
A psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.
Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the girls' Aunt Etta, in the long time family home. Of the four, Kay has the greatest promise as a musical performer, specifically as a singer. Theirs is a loving family, however much the girls exasperate their father with their love of popular music, since he loves only the classics, most specifically Beethoven. The girls support each other however they can, but each is an individual with her own distinct personality and wants, including the type of man each wants as a husband. Practical but deep in her heart romantic Emma has long been courted by their next door neighbor, unassuming florist Ernest Talbot, and clever Thea wants to be Mrs. Ben Crowley, he a wealthy up and coming banker with prospects. Only the youngest, the fun loving Ann, states that she doesn't want to get married.
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.
The French film in 1988 was considered provocative. The story is about a 14 year old girl whoâs sexual curiosities lead to date an older man. Female sexuality and puberty are themes in this film.
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
A coming-of-age story about a teenage girl in 1960s suburban London, and how her life changes with the arrival of a playboy nearly twice her age.
Forced to move to a boring backwater town, a teenager embarks on affairs with a teacher (Josh Lucas) and a stoner classmate.
In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?
A self-conscious bride is tormented by the memory of her husband's dead first wife.
Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
A fairy tale-like love story between young circus artist Lola and the bear Misha, who one day transforms into a human being.
Ling Xi (David Chiang) is a rebellious youth whose liaison with underage girlfriend Cindy (Agnes Chan) is the spark which lights the eventual flame of his rebellion. Against the wishes of her parents, Ling Xi and Cindy move in together, and the two find a measure of bliss in their shared life. However, rumors circulate that Ling Xi is using Cindy as a means of financial support. After his brother Ling Zhao (Di Lung) returns Cindy to her parents, Ling Xi is branded an outcast. His anger only leads to spiraling bitterness, and finally employ in a triad gang which gives him the ability to release his frustration - which he does until the bitter end.
The film is a French-Spanish production and most of the dialog is in French. 'Lo que se de Lola' - in English 'What I know about Lola' - is about a lonely guy, living an uneventful life in Paris. He takes care of his mother. One day, a girl with a more exciting life moves in his apartment building...
An emotionally remote recovering alcoholic and his dowdy, unambitious wife face a personal crisis when they take in an attractive lodger.
Doc Delaney (Burt Lancaster) and wife Lola (Shirley Booth) had an indiscreet affair, she became pregnant and, compelled to marry her, he gave up his medical studies, forfeited his future and settled down to a life of quiet desperation with the simple, frumpy Lola, who lost the child but has remained Doc's steadfast if slatternly wife. Now a chiropractor, recovering alcoholic, and active member of his town's AA chapter, Doc's sobriety is severely tested when Marie (Terry Moore), a young college student becomes their boarder, bringing new life and long-dormant hostilities to the surface of Doc and Lola's troubled marriage.
Eriko â lonely, aimless and self-absorbed â falls for Tamura. Despite knowing that he is waiting for his girlfriend to return from overseas, she requests to enter into a relationship with him for just one year.
© Valossa 2015–2024