Whoever Says the Truth Shall Die (1981)
Similar movies
Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
Chaar Sahibzaade is the first photo realistic' 3D animation film in S-3D on Sikh history. It is the real story of the sacrifices of the four sons of Guru Gobind Singh ji (tenth guru of Sikhs)- Baba Ajit Singh ji, Baba Jujhar Singh ji, Baba Zorawar Singh ji and Baba Fateh Singh ji.
This fiction-documentary hybrid uses a sensational real-life eventâthe arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbafâas the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)
A chronicle of the production problems â including bad weather, actors' health, war near the filming locations, and more â which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
While scouting locations for his classic "The Gospel According to St. Matthew", director Pier Paolo Pasolini noticed that filming in the actual site of the story, in Palestine, wouldn't be much of a great choice due to the modern invasion which completely altered the biblical settings. Here, the director explained his reasons of why his search in the Middle East end up being wrong - though somewhat fruitful and rewarding in other ways - and why his native Italy surprised him and became the scenario for his religious epic.
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
The Go-Go Boys tells the inside story of two Israeli-born cousins, the late Menahem Golan and Yoram Globus, who in pursuit of the âAmerican dreamâ turned the Hollywood establishment upside down. Together they produced more than 300 films and founded the most powerful independent film company in the world, Cannon Films, which was responsible for Israeli and mainstream, Hollywood-blockbuster, action/exploitation hits during the duoâs 1980s hey day, starring the likes of Chuck Norris, Jean-Claude Van Damme and Charles Bronson. Up close and personal, and with the complete cooperation of the filmâs subjects, the film examines the complex relationship between two contradictory personalities, whose combined force fueled their successes and eventual split. A film about filmmaking and two dogged, exceptional characters with modest origins taking on the big boys.
This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.
The film offers a comprehensive examination of the exploitation of animals in modern society.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major players: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of "La Divina" pays tribute to her enduring legacy some three decades after her death.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywoodâs ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand â Cannon Films â and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.
A documentary about the White family of Boone County, West Virginia. The 1991 documentary The Dancing Outlaw focused on Jesco White, a famous mountain dancer. This film focuses on the other members of his family.
A compilation of trailers and scenes from crime, horror and sci-fi films.
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers: *Choose a dame with no past and a hero with no future *Use no fiction but pulp fiction *See America through a stranger's eyes *Make it any colour as long as it's black *It ain't what you say, it's the way that you say it.
Werner Herzogâs documentary film about the âGrizzly Manâ Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one manâs attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road...
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution. She brings her teenage son Ettore (Ettore Garofolo), who was raised alone in the country, to live with her, and Ettore becomes her pride and joy. However, the boy that does not want to study or work, joins to idle friends, has a crush on a bitch, and Mamma Roma uses her best but limited efforts to straight Ettore and make him an honest man. However, her past haunts her with tragic consequences.
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
Near the Tiber river, in a Roman park, a prostitute was killed. The police tracks down people that were inside the park during that night. They are questioned and have to explain why they were there. One of them is the killer.
A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
A struggling actor comes from Delhi to Bombay and enters the Hindi film industry. This gives the audience an in sight into what sometimes happens when making a movie and what happens in the industry and more when it involves the opposite sex and when you are working together. Zoya Akhtar, sister to Farhan Akhtar and daughter of Javed Akhtar, has done a superb job in her directorial debut in showin
Jean-Luc Godard's poetic meditation on war, violence and defeat. The film is structured in three parts. The three segments are "Hell", "Purgatory", and "Heaven". The first segment is a montage of war images from documentary and fictional sources. The second concerns two young Jewish women attending a European arts conference in Sarajevo. The final segment concerns the after life.
A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
The film tells the story of a series of comic clashes that occur when Nalla Sivam (Kamal Haasan) a wise-cracking, handicapped communist and Anbarasu (R. Madhavan), an arrogant young advertisement filmmaker who favors capitalism, both happen to get stuck with each other on their problem-filled trip from Bhubaneshwar to Chennai. Themes such as globalization, financial disparity and compassion in present day India are explored around the two protagonists. The film is also shown to be based on Kamal Haasan's personal views on theism. The film is based upon American movie Planes, Trains and Automobiles released in 1987.
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
Karthik (Naga Chaitanya) is an engineering graduate who wants to pursue his career as a film director. Samantha is his neighbour and he falls in love with her at the very first sight. But there are two catches. One is that she is elder to him and the bigger hitch is that she is a Malayali Christian. He proposes to her and she slowly falls for his guts and his perseverance. Her strict father comes to know about it and settles her marriage. She loves him, but canât hurt her entire family by marrying him. The rest of the story is all about how Karthik achieves his passion to become a film director and tastes success at the personal front.
A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths. He proceeds to have sex with his daughter who is now a prostitute and films his son being humiliated and hit by classmates. "Q", a perfect stranger somehow gets involved and enter the bizzare family who's son beats his mom, who in turn is also a prostitute and a heroin addict
The story of the murder of a poet, a man, a great film director: Pier Paolo Pasolini. The story begin with the arrest of "Pelosi", a young man then accused of the murder of the poet. All the investigation about the crime is about the question: "Was ONLY the "Pelosi" to kill Pasolini?" The help of a Policeman, Trepalle put in evidence a trouble: Was Pasolini killed because of his accuses to some politicians?
Vietnam veteran "Four Leaf" Tayback's memoir, Tropic Thunder, is being made into a film. Director Damien Cockburn canât control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback's advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes. Unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.
Le streghe (also known as Les Sorcières or The Witches) is a film produced by Dino De Laurentiis in 1965 and released in 1967.[1] It consists of 5 short stories, directed by Franco Rossi, Luchino Visconti, Mauro Bolognini, Pier Paolo Pasolini and Vittorio De Sica.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
A quirk in time and space gives a failed filmmaker the chance to reshape his destiny when he visits his peculiar alma mater.
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
Milos, a retired porn star, leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.
An adaptation of nine stories from Bocaccio's "Decameron": A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death. Pasolini is up to his old tricks satirizing the Church, and throwing in liberal doses of life and love
A wealthy Italian household is turned upside down when a handsome stranger (Terence Stamp) arrives, makes love to every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.
Two years after the terrifying events that occurred in Woodsboro, Sidney is now attending Windsor College in Cincinnati with long time friend Randy. Meanwhile, Gale Weathers best selling book on Sidney's life has now been made into a major motion picture. When two college students are killed in a theatre while watching the new film "Stab," Sidney knows deep down that history is repeating itself.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli (Riccardo Scamarcio), and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasoliniâs life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
A clerical mistake results in a bumbling film extra being invited to an exclusive Hollywood party instead of being fired.
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' ('Il Nuovo Mondo') illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character's girlfriend. In Pasolini's 'Curd Cheese' ('La Ricotta'), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. The central character is hoisted up on a cross for filming, and dies there. Finally comes Gregoretti's 'Free Range Chicken' ('Il Pollo Ruspante') in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a marxist avant-la-lettre and therefore uses half of the text of Matthew.
© Valossa 2015–2024