Innisfree (1990)
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On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.
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Hosted by Ben Stein, this controversial documentary examines how pro-intelligent design scholars and scientists are often chastised, fired or denied tenured positions by those who believe in Darwin's theory of evolution. Nathan Frankowski's film explores how scientists who believe in God are oppressed and how the acceptance of Darwinism might have played a role in the formation of the Nazi regime.
Delving into our collective nightmares, this horror-documentary investigates the origins of our most terrifying urban legends and the true stories that may have inspired them.
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From go-kart champs, NASCAR winners are bred -- or so goes the thinking of the drivers (and their families) involved in the World Karting Association's National Pavement Series. This documentary follows three of the series' top contenders. Although small in stature, the adolescent racers harbor big dreams as they hit speeds of 60 to 70 miles per hour in their quest to ascend the first rung on their way to NASCAR in this film from Marshall Curry.
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Ten of Muhammad Ali's former rivals pay tribute to the three-time world heavyweight champion.
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Short documentary / tribute to the late, truly great American stand-up comedian Bill Hicks, included as an extra in several box sets. Bill Hicks passed away in 1994, taken tragically young aged only 32. His legend and reputation, however, continue to grow. "It's Just a Ride" is a celebration of his life and work, featuring numerous clips of Bill's many recorded stand-up performances, along with trbutes from Sean Hughes, Eric Bogosian, David Letterman and Eddie Izzard, amongst others.
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Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.
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The Official Golden Harvest tribute to the Master of the Martial Arts Film, Bruce Lee.
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Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of placesâthese are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
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Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
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When he was cutting Phantom India, Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shockingâa chaotic portrait of a city engulfed in social and political turmoil.
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