Bassie en Adriaan en de Reis Vol Verrassingen (1994)
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The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking up Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
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Kingdom of Crooked Mirrors (Russian: ÐоÑолевÑÑво ÐÑивÑÑ
ÐеÑкал, translit. Korolevstvo krivykh zerkal) is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev.Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya (O. Yukina) meets her counterpart Yalo (T. Yukina), while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.
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The Shamer's daughter, Dina, has unwillingly inherited her mother's supernatural ability. She can look straight into the soul of other people, making them feel ashamed of themselves. When the sole heir to the throne is wrongfully accused of the horrible murders of his family, Dina's mother is lured to Dunark under false pretenses to make him confess. Neglecting to use her ability for the wrong purposes, she is taken prisoner. It is now up to Dina to uncover the truth of the murders, but soon she finds herself whirled into a dangerous power struggle with her own life at risk. In a semi realistic medieval fantasy world with Dragons and Witchcraft, Dina and her family are thrown into the adventure of a lifetime in order to put the rightful heir to the Kingdom of Dunark on the Throne.
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Epic account of the thief Barabbas, who was spared crucifixion when Pilate manipulated the crowd into pardoning him, rather than Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.
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