Death Is a Caress (1949)
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This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, CA. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers: *Choose a dame with no past and a hero with no future *Use no fiction but pulp fiction *See America through a stranger's eyes *Make it any colour as long as it's black *It ain't what you say, it's the way that you say it.
A police detective is in charge of the investigation of a brutal murder, in which a beautiful and seductive woman could be involved.
A domestic house cat named Francis investigates the grisly feline murders taking place in his new neighborhood.
Frederick Manion, an Army lieutenant, is arrested for the murder of bartender Barney Quill. In his defense, he claims that Quill raped and beat up his wife Laura. Although Laura supports her husband's story, the police surgeon cannot find evidence of rape. Manion is defended by Paul Biegler, a humble small-town lawyer. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and that his wife has a reputation for giving her favors to other men. Biegler realizes that the prosecution will try to make the court believe that Laura was the lover of the bartender and that Manion killed him and beat her up when he discovered them together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, sets his assistants to try to find a witness who will save Manion.
A young novelist, Richard Harland, meets beautiful Ellen Berent on a train where they fall in love and are soon married. When tragedies take first his handicapped young brother, then his unborn son from him, Harland gradually realises that his wife's insane jealousy may be the cause of the tragedies in his life. Yet another shock awaits them all, as Ellen's emotions become uncontrollable.
Unsuspecting Mr. Dietrichson becomes increasingly accident prone after his icily calculating wife encourages him to sign a double indemnity policy proposed by a smooth-talking insurance agent. Against a backdrop of distinctly California settings, the partners in crime plan the perfect murder to collect the insurance. Perfect until a claims manager gets a familiar feeling of foul play and pursues the matter relentlessly.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Federal agent Alexandra Barnes believes that Catherine Petersen is a serial killer who marries rich men and then murders them for their money. But since Catherine is seemingly a master of disguise and has multiple identities, Alexandra can't prove anything with conventional detective work. With no other option, she goes undercover, pursuing the same man as Catherine, and hoping that Catherine will slip up and reveal her true identity.
Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears...
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
Sexy. Slammin'. Outrageous. Hurl all the adjectives you want, but one word says it all: Britney. (Ms. Spears if you're nasty.) The Grammy-winning pop diva storms the stage with a fierce mix of fan-favorite hits and hot new tracks from her latest album, Femme Fatale, in this concert special taped before a sold-out crowd in Toronto. Whether you're in the market for bodacious dance moves, killer costume changes or that make-you-melt Louisiana drawl, Britney's bringing 'em all - bigger and better than ever.
An ex-tennis pro carries out a plot to have his wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. When things go wrong, he improvises a new plan - to frame her for murder instead.
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
"Let Me Borrow Your Wife". This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
A California forest ranger (Colin Firth) seeks his bride (Lisa Zane) and discovers, with his artist friend (Billy Zane), her dark sides.
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
Get up close and personal with 16 of the most successful women in the adult film industry as they shed their clothes for an intimate photo shoot with director Deborah Anderson. As questions are asked, personal stories about their lives are revealed, from why they chose the business of sex to how they got into it in the first place. These porn stars have always been discreet about their private lives in the past, yet Anderson has a way of opening up a dialog allowing them to share more than just their naked skin on screen. Their true inner vulnerability is touching, yet the characters they have created are confident and intoxicating. Once you hear their stories, you'll never look at them in the same way again.
A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.
Lionel Twain has invited the five greatest detectives to a "dinner and murder." How can they resist? Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities, and more plot turns and twists than are decently allowed.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
This documentary about Henri-Georges Clouzotâs unfinished 1964 psycho-thriller LâEnfer is as tantalizing as it is frustrating. Despite remaining one of the most masterful of French directors, Cluozot inexplicably seems to have lost control on the big-budget production of LâEnfer. The long-lost raw footage is intriguing and dazzling, infused with swirling lights and blue-lipped, cigarette-puffing fantasy temptresses. Although directors Serge Bromberg and Ruxandra Mederea have managed to speak to numerous members of the original crew, this behind-the-scenes investigation has so little to say about the reasons behind Clouzotâs failure to complete the film. In spite of this, the undiminished power of Clouzotâs extraordinary images makes the documentary a fascinating watch.
Mike Lambert, seeking a mining job, instead becomes the patsy for a femme-fatale's schemes.
Framed in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
Night and the City (1950) is a film noir based on the novel by Gerald Kersh, directed by Jules Dassin, and starring Richard Widmark and Gene Tierney. Shot on location in London, the plot evolves around an ambitious hustler whose plans keep going wrong.
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
Young auto mechanic Dan Brady takes $20 from a cash register at work to go on a date with blonde femme fatale Vera Novak. Brady intends to put the money back before it is missed, but the garage's bookkeeper shows up earlier than scheduled. As Brady scrambles to cover evidence of his petty theft, he fast finds himself drawn into an ever worsening "quicksand" of crime.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Nightclub manager Darnell Wright is a perpetual playboy who is almost as devoted to his job as he is to the pursuit of beautiful women. After he sets his sights on the ultra-classy Brandi Web, he launches an all-out assault to win her heart. Ultimately, charm, lust and passion prevail, but Darnell learns the hard way that when you play, you pay. Brandi is much harder to get rid of than she was to get--especially when she realizes that she has a rival vying for Darnell's affection. When he finally decides to call it quits, Brandi becomes an obsessed femme fatale stalking the new love of her life.
A series of murders rock a dance academy in New York in which the mysterous directress, Candice, sets out to find the kiler, with a little assistance from a shady male model, named George, who has a hidden agenda for her as does she for him.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
Mr. Dean's body is found face down in the fireplace, his features burned beyond recognition. Detectives Patrick (Paul Langton) and Rawley (Robert Shayne) arrest nightclub-singer Eden Lane (Barbara Payton) and she is convicted of the crime. On the way to prison, Eden sees a man through the train window, identifying him as the murderer, and Patrick and Eden jump from the train to search for the man.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
Jack Kaplan is a US Army Soldier and Weapons Expert liberated by a "rescue team", he returns home to the United States only to find out that his wife Diane has been captured by infatuated gangster Duffy Collins. Kaplan embarks on a mission to find his wife, running into characters like Digger, Man With The Golden Hand, and the treacherous femme fatale Eve. He is a man on a mission.
Dr. Richard Kimble, unjustly accused of murdering his wife, must find the real killer while being the target of a nationwide manhunt.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
A historic Hollywood hotel houses a supernatural evil. It's been subdued for decades - but when renovations start, a series of murders take place. It's up to our heroine to solve the mystery.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).
While doing a friend a favor and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery.
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager in charge Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack if offering to let him see the show from an unusual view point, after he forgot to get him tickets for the performance, but then they find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Then Rita is shot onstage with Eric's gun. Jack and Bill decide not to stop the show, but Bill preparing to arrest Eric. Is he on the right track ?
Hannah is a young woman who lives on her own. She starts to get this feeling that she is being watched. The phone starts ringing at night and when she answers, no one is there. Is she imagining everything or is it for real?
At the request of his old war time colleague Ailsa Brimley, George Smiley agrees to look into the murder of Stella Rode. Brimley had only just received a letter from her saying she feared for her life at her husband's hand. The husband, Stanley Rode teaches at Carne School, but Smiley is doubtful that he had anything to do with his wife's death. As Smiley investigates, he learns that Stella was a nosy busybody who loved to learn other's little secrets and then gossip about them - or possibly blackmail them. When a student is killed and Smiley unearths a secret, he has the evidence to name the killer.Based on John Le Carré's 1962 thriller (his first) in which George Smiley is brought out of spy retirement to solve a murder in a British public school. The setting is based on Le Carre"s own schooldays in Sherborne and his brief experience teaching at Eton.
The Comic Strip team return for a special 50s-style 'fugitive' film noir spoof. The 60-minute film, penned by Peter Richardson and Pete Richens, follows Prime Minister Tony Blair (Stephen Mangan), wanted for murder and on the run. Escaping from Number 10 and leaving behind his adoring wife Cherie (Catherine Shepherd), Tony vows to clear his name no matter what the consequences.
The story revolves around a Spring, a hitman from mainland China who is on a mission in Hong Kong with his partner Setting Sun. However, Spring falls ill and comes under the care of a screenwriter by the name of Soya and they find themselves developing into a tight and everlasting friendship.
An accountant (Hamlin) beleaguered by personal and professional problems gets involved with a femme fatale (Anthony) and her mysterious psychiatrist (Ironside).
Based on a true story, this film recounts the story of Diane Zamora and David Graham, two high school sweethearts who swear to always be together, even as they enter separate military academies. But when David confesses he had an affair with a classmate, Diane has an ultimatum, leading the two into a murderous pact with severe repercussions.
A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fiancée Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness â and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.
The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. Meanwhile, the Bolshevik division commanded by Mykola Shchors is marching on the capital. The Bolsheviks capture the cities of Vinnytsia, Zhmerynka, and others one by one, but lose Berdychiv to Petliuraâs forces. They are demoralized by the defeat. By his personal example of courage and military skill, Shchors inspires the retreating Red troops and leads them to victory over the enemy.
Sergeant Carlos Olivarez (Buck Jones) becomes entangled in the machinations of an oil baron, havoc-wreaking bandits, and the femme fatale who ruined his brother.
After a lawyer gets disbared, he goes off to write a book about his experience. He meets a man who lets him read his manuscript. The man dies and the lawyer passes the book off as his. Just when the book becomes a big success. He gets arrested for the true life murders of the five lawyers in his book. He then finds himself, trying to prove that he is innocent of the murders
Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls, N.Y. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.
Set in Stalin-era Soviet Union, a disgraced MGB agent is dispatched to investigate a series of child murders -- a case that begins to connect with the very top of party leadership.
1952 black and white Cold War spy film, entirely without dialog
A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.
Looking to escape her unhappy marriage, villainous femme fatale Bridget Gregory (Linda Fiorentino) convinces her husband, Clay (Bill Pullman), to sell cocaine, then steals the profits and runs out on him. She stops in a small town en route to Chicago, where she ensnares her next conquest, insurance man Mike Swale (Peter Berg). After getting a job at his insurance company, Bridget convinces Mike to run a scam -- but things take a deadly turn when she recruits him to help get rid of her husband.
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