Cartesius (1974)
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A US politician visits his poet friend in Mont. St. Michael, France. While walking through the medieval island discussing their philosophies of life they happen upon Sonja, a scientist in recluse, who joins in their conversation. The two men listen to the ideas of this brilliant woman and discuss how her ideas can work in their own politician and poet lives.
Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.
Charlie's visit to Paris, ostensibly a vacation, is really a mission to investigate a bond-forgery racket. But his agent, apache dancer Nardi is killed before she can tell him much. The case, complicated by a false murder accusation for banker's daughter Yvette, climaxes with a strange journey through the Paris sewers.
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Hal, a 15-year-old high-school student with a minor yet socially alienating (and painful) disability: he stutters uncontrollably. Determined to work through the problem, Hal opts for an extreme route he joins the school debating team, which sends him on a headfirst plunge into breakneck speech competitions and offers a much-needed boost toward correcting the problem.
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The crowning achievement of Orson Wellesâs later film career, Chimes at Midnight returns to the screen after being unavailable for decades. This brilliantly crafted Shakespeare adaptation was the culmination of Wellesâs lifelong obsession with the Bardâs ultimate rapscallion, Sir John Falstaff, the loyal, often soused childhood friend to King Henry IVâs wayward son Prince Hal.
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Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
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Once in the life (of drug dealing and organized crime), can anyone get out? During a brief jail stay, two half-brothers, who have rarely seen each other while growing up, connect. One of them, called 20/20 Mike because he can sense people nearby, concocts a scheme in which the two of them will steal some dope from young couriers. The heist goes awry when Billy, the junkie brother, shoots the victims of the theft. The brothers hole up in an abandoned building, and 20/20 Mike seeks help from an old cell mate, Tony, whom he thinks is out of the life. It turns out that they have stolen Tony's dope, and Tony's boss wants the two thieves dead. Is there any way out? Written by
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Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
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