High School Record (2005)
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It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent scouts or should he attend the local state college with his girlfriend and give up his football career?
When once-up-and-coming indie film starlet Halley Feiffer loses her boyfriend, her agent and her career in one fell swoop she finally realizes that something in her life has got to change... she has to become WAY MORE FAMOUS! Armed with a stolen script and two pitchers of sangria, Halley enlists the help of her brother Ryan and his boyfriend to make her own movie, starring herself (of course) as herself, and any A-list celebrity she can land along the way.
A married, indie band duo regretfully takes a job on a children's show ("Rumperbutts"). Despite the money & success, they are miserable. However, on one magical evening, a mysterious man appears & gives them a second chance.
A former college athlete joins forces with a sports consultant to handicap football games for high-rolling gamblers.
A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Lovelife is a 1997 romantic comedy film written and directed by Jon Harmon Feldman. The ensemble cast includes Matt Letscher, Sherilyn Fenn, Saffron Burrows, Carla Gugino, Bruce Davison, Jon Tenney and Peter Krause. Lovelife was nominated for a Feature Film Award at the 1997 Austin Film Festival, and won an Audience Award at the Los Angeles Independent Film Festival. The film was winner of the screenplay award at the L.A. Indie fest.
Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didnât know he had â Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
WEDDING PALACE has been called the Korean-American âMy Big Fat Greek Wedding.â Abandoned at the altar, Jasonâs (Brian Tee) family approaches bridal replacements, but to their horror, he rejects them all. On a business trip to Korea, he meets the girl of his dreams, Na Young (Kang Hye-jung). They embark on a cyber love affair fueled by imagination and video chats. Jason proposes and his family is delighted. When Na Young arrives, Jasonâs wacky family screws things up at every turn causing a roller coaster of ups and downs to this modern romance. Jason will have to bridge the gap between family expectations and true love. Award winning indie trail blazer, WEDDING PALACE is the first ever US-Korea indie co-production and was shot in Los Angeles and Seoul.
In this action-comedy, four twenty-something friends are looking for love and having no luck. While on a ski trip, one of them finds passion with a beautiful girl after a random accident on the icy slopes. The others quickly conclude that the extreme circumstances of the accident were what caused love to bloom. They decide that the path to true love is to purposely set each other up on "extreme dates" with the objects of their affections...
Two French Canadian neâer-do-wells travel to New York City with a scheme to a get rich quick selling Christmas trees. Easygoing charmer Rene (Paul Rudd) clashes with misanthropic ex-con Dennis (Paul Giamatti), whose wife Rene just stole. Still, this odd couple must make an honest go of it in this fresh buddy comedy co-starring Sally Hawkins, by the director of the indie breakout hit Junebug.
In a last-ditch effort to break through in the crowded and convoluted indie film world, a husband-wife producing team make a film especially designed to win a regional film festival and attract the attention of actor Bill Murray.
Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.
Jay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar". But because Jay doesn't fit the "brotha" stereotype, he fails miserably with the "sistahs." Then he meets the dynamic Catherine, a misunderstood "Half-rican Canadian", who's as righteously quirky as he is. To win her heart, Jay must confront his fears as he realizes commitment is a bigger issue than race.
Follow the story of Jesus in this slapstick satire. With a name like "Jesus, the Total Douchebag" the movie should only be seen by people who enjoy blasphemous comedy, and as such, the comedy is focused on targets that are usually exempt. Director Bill Zebub explains, "Indie movies should revel in their freedom. They are not confined to the same boundaries as the big budget movies. They should give what Hollywood can't."
The documentary, Kingdom Come follows a first-time director (Daniel Gillies) as he tries to raise a million dollars to finance his first film, Broken Kingdom. This emotionally-charged journey is interwoven with over 30 rare interviews from acclaimed indie darlings including Mark Ruffalo, Illeana Douglas, Don Cheadle, Kevin Smith, Edward Burns, Tim Roth, Morgan Spurlock, Selma Blair, Robert Townsend, Bill Pullman and many more.
Jose Stern, an erstwhile indie-rocker relegated to playing children's birthday parties, is on the verge of turning 40 and at a crossroads in his life.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
Josh's life is pretty much in the toilet. He's a failed NYC indie rocker, and a failing booking agent. But he finds the potential of a small victory in a really bad idea. He decides to purchase a 1985 Lazy Boy on eBay, just like the one his dad had when Josh was a kid. He'll drive cross-country for the chair, staying with Emily at his brother's house on the way, and deliver it to his father as a surprise birthday gift. But when Rhett ends up coming along for the ride, it's three people and a giant purple puffy chair in a too-small van... and one of them has to go before the trip's end.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they're each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o'clock. Splick's most recent TV show, centered around his character's perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother's apartment in New York. Frustrated by a barrage of comments about the "good," "funny," movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
Set in contemporary Los Angeles, this fast-paced indie flick stars Mexican wrestler Atomic Blue as a man trying to put his past behind him. Young Nick Rodriguez, devastated by his brother's death and worried about a land developer who wants to destroy his neighborhood, is looking for a knight in shining armor -- and thinks he's found one in former wrestling champ Atomic Blue. Trouble is, the aging athlete isn't anxious to be a hero anymore.
Two college roommates -- prim and proper Grace (Cat Taber) and wild and woolly Casey (Soleil Moon Frye) -- find themselves in a tense rivalry when Casey's conduct almost destroys Grace's engagement to preppie heartthrob Charlie (Wil Wheaton). Not too high-minded to seek revenge, Grace cozies up to Casey's pal Joey (Gary Wolf), setting off a cycle of envy and mistrust that may destroy both women's lives in director Irene Turner's well-paced indie.
The movie opens as the two protagonists, Rodrigo and Rocco join their families to hold a birthday party for their grandfather, Rodrigo Carnicero, which through most part of the movie is only referred to as "El abuelo" (Spanish for Grandpa). Rodrigo is a regular middle-class teenager, while Rocco (who, in fact, is also named Rodrigo but shortens his name to Rocco) is rather more unconventional, a marijuana user and indie magazine writer, and has deep conflicts with his father Luis.
A lonely plumber poses as a director to meet women, and the writer whose script he's stolen builds on his ruse to get her movie made.
Patti Petalson is a promising writer, but her marriage and conventional job keep her from her dream. She longs to return to her writing, especially after running into her first love Brian Callahan, a successful crime novelist. Kate is Patti's best friend since college; she's a tough-talking schoolteacher who plays therapist to all Patti's problems, while she's got a few of her own.
In this indie comedy from helmer Bob Byington, dry wit and deadpan humor abound as aptly named lyricist Harmony (Justin Rice) insists on wallowing in misery eons after being unceremoniously dumped by his girlfriend, the lovely Jessica (Kristen Tucker). While the members of Harmony's family are long over his antics, that doesn't stop him from milking his heartbreak and telling his tale of woe to anyone who will listen.
In writer-director Nick Whitfield's black indie comedy, a pair of "exorcists" (Ed Gaughan and Andrew Buckley) with the power to rid people of their secrets agree to help a woman (Paprika Steen) whose daughter (Tuppence Middleton) is mute -- and whose husband is missing. Jason Isaacs co-stars as the mysterious Colonel, who seems to be calling the shots from the sidelines of the duo's shadowy enterprise.
Year 1977. Punk and new wave rock´n roll has arrived to remote Finland and a bleak small town Oulu where increasingly odd-looking youths began to appear in the street with a message. Their rebellion speaks to Välde (17). Välde dreams of joining a rock band and becoming famous. He wants to get drunk for the first time, and to win the love of Pike, the most beautiful girl in the class. When Pike wins the Miss Blue Jeans contest organised by the country´s leading (and only) pop music magazine Suosikki and takes as her boyfriend the bourgeois Henri Hakala, Välde puts all his eggs in one basket. He abandons his former self and begins purposefully constructing a new persona for himself. But everything doesnât go as Välde wanted ⦠The film is based on a novel by Kauko Röyhkä, an author and indie rock musician.
The dorkiest thing in the world, according to feminist poet Sigrid, is the movie cliche of the young woman who in the morning dons her male lover's shirt, looking adorably "indie cute". But when she begins a relationship with KÃ¥re Tryvle, a writer twenty years her senior, she has difficulties living up to her ideals. Meanwhile, pregnant performance artist Trine is planning to give birth in a cage, dressed up as Marie Antoinette, on camera, and factory worker Astrid is looking for the son she had adopted. Yngvild Svee Flikke's directorial debut, based on Gunnhild Ãyehaug's celebrated feminist novel "Wait, Blink", is an elegant, energetic and extremely funny portrait of three women struggling with the patriarchy as well as themselves.
Indie Game: The Movie is a feature documentary about video games, their creators and the craft. The film follows the dramatic journeys of video game developers as they create and release their games to the world. The film tells the emotional story of friends Edmund McMillen & Tommy Refenes, as they craft their first Xbox game: "Super Meat Boy". It follows Phil Fish, the creator of the highly-anticipated game: "FEZ". After 4 years of working in near solitude, Phil reveals his opus to the public for the first time. And, the film tells the surprising story of one of the highest-rated video games of all time:"Braid". The film is about making video games, but at its core, it's about the creative process, and exposing yourself through your work. In short: Making fun and games is anything but fun and games.
Feature documentary about the great West Indies cricket team of the 1970's/80's. Fire In Babylon is the breathtaking story of how the West Indies triumphed over its colonial masters through the achievements of one of the most gifted teams in sporting history. In a turbulent era of apartheid in South Africa; race riots in England and civil unrest in the Caribbean, the West Indian cricketers, led by the enigmatic Viv Richards, struck a defiant blow at the forces of white prejudice worldwide. Their undisputed skill, combined with a fearless spirit, allowed them to dominate the genteel game at the highest level, replaying it on their own terms. This is their story, told in their own words.
This feature documentary chronicles the last days of Dispatch, quite possibly the biggest band that never signed with a record label. In a time of upheaval in the music industry, their do-it-yourself style started a grassroots fan phenomenon that is changing the way indie bands (and record labels) do business. The band's final concert, "The Last Dispatch" drew 110,000 fans from every U.S. state and 20 foreign countries for one last free show in Boston in July of 2004.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
It's been said that the first 21 years defines the career of an artist. Few directors have single-handedly shaken up the film establishment like the godfather of indie, Richard Linklater. From the groundbreaking SLACKER to his innovative BOYHOOD, Linklater has just reached the 21-year mark and has unapologetically carved his signature into American pop culture. This compelling documentary takes you on a behind the scenes tour into Linklater's style, skills, and motivation via his friends, actors, and other directors. Get a raw and honest perspective on Richard through candid conversations with Ethan Hawke, Jack Black, Keanu Reeves, Billy Bob Thornton, Matthew McConaughey, Jason Reitman, Julie Delpy and others, and see their stories brought to life through hilarious animated sequences.
Dragonslayer documents the transgressions of a lost skate punk falling in love in the stagnant suburbs of Fullerton, California in the aftermath of America's economic collapse. Taking the viewer through a golden SoCal haze of broken homes, abandoned swimming pools and stray glimpses of unusual beauty, Dragonslayer captures the life and times of Josh 'Skreech' Sandoval, a local skate legend and new father, as his endless summer finally collides with the future. Set to the alternately roaring and dreamy soundtrack of bands from the indie labels Mexican Summer and Kemado Records including Best Coast, Bipolar Bear, Children, Dungen, Eddy Current and the Suppression Ring, Golden Triangle, Jacuzzi Boys, Little Girls, Real Estate, The Soft Pack, Saviours, as well as DEATH and Thee Oh Sees. Dragonslayer is a punk-rock manifesto to youth, love and learning to survive after the decline of western civilization.
A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next?
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
A growing number of Evangelical Christians believe there is a revival underway in America that requires Christian youth to assume leadership roles in advocating the causes of their religious movement. Jesus Camp follows children at a Christian summer camp as they hone their "prophetic gifts" and are schooled in how to "take back America for Christ." The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
Makers Our Story is a feature length documentary about the UK independent film industry directed and produced by independent filmmakers. It is an inspirational documentary featuring an array of talent from the UK filmmaking community with interviews from award-winning filmmakers and film industry experts. The documentary gives a rare insight into the work of the indie filmmakers who exist outside of the Hollywood studios and shows the passion and commitment of a generation of filmmakers who share their experiences working in a challenging industry.
Former indie film "guru" John Pierson takes his family to Fiji for one year to run the world's most remote movie theater.
To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.
Explores a year in the world of long-form improvisation in L.A. through the eyes of three theaters; the top of the chain Upright Citizens Brigade, the grassroots Improv Space and the vast and quickly growing underground, indie improv movement.
An in depth look at a little known recording artist named Weird Paul. After releasing several homemade cassette albums in the late 80's, Paul finally became noticed and got a record deal with Homestead Records, one of the best indie labels at the time. See interviews with Paul, his family, friends, band-mates, musicians and label executives.
Indie director Jim Jarmusch lenses a low-tech tribute to protean rocker Neil Young and his long-standing band, Crazy Horse. Stitched together from archival material shot in 1976 and 1986 along with candid scenes of Young and the band kicking back between shows, this rockumentary is as ragged as it is direct. Concert performances include renditions of hits such as "Sedan Delivery" and "Like a Hurricane."
At the heart of "Dreaming in America" is Lucero's story about that amazing thing, too often overlooked: a blue-collar rock group's struggle to survive. As the music industry has exploded over the past few decades and the ability to "move units" has become the defining calculus of the business, it's an incredibly emotional experience to see a band who does it because they have to, because their lives depend on it, and because they love it. There are hundreds of such bands criss-crossing the country at any given moment. This is a film about one of them-a band on the edge of greatness, working to break through. In a happy bit of rock kismet, "Dreaming in America's" cameras started rolling just as Lucero was breaking from its indie rock past and considering the treacherous leap to a major label deal unlike anything seen by the industry before. At that point, the band was between labels and, though it had sold north of 20,000 records.
Journey into the creative process of Brooklyn indie rock band the National with this unique documentary. Filmmaker Vincent Moon's cameras follow the band as they make their fourth album, "Boxer," and work to diversify their sound. More than just a technical examination of the recording process, the film uncovers the mental and emotional challenges, collaborative highs and lows, and quest for fresh ideas that drive this -- or indeed any -- band.
In almost fifteen years, Low became an institution on the indie and alternative scenes. Famous for their quiet, beautiful slow songs, and fascinating harmonies, as well as their religious background (core members Alan Sparhawk and Mimi Parker are Mormons). For this documentary, a film crew followed Alan and Mimi on tour, at home in Duluth, MN, in their church community, and as parents. It's more than an on-the-road or behind-the-scenes video. It shows Sparhawk as the ambivalent main character in an intriguing movie about religion, violence, conscience, and madness. It can also be seen as a touching love story.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
Mocca are Arina (vocal), Riko (guitar), Toma (bass) and Indra (drum). Mocca plays indie pop folk jazz swing bossanova music. They established in 1999, in Bandung, Indonesia. In 2011, the band has to take a break because Arina has to go to the USA to get married. This documentary tells the story of the band members during these 12 years.
Indie folk heroes Edward Sharpe & The Magnetic Zeros, Tennesseeâs Old Crow Medicine Show, and Britainâs acclaimed Mumford & Sons, climbed aboard a beautiful vintage train in California, setting out for New Orleans, Louisiana on a âtour of dreamsâ. The resulting film from this journey is nothing short of magical. Part road movie and part concert film, BIG EASY EXPRESS bears witness to the birth of a new musical era. With poignancy and beauty, Malloy documents these incredible musicians as they ride the rails and wow the crowds, from Oakland⦠to New Orleans.
Live performance by English indie band Foals. Filmed at the Royal Albert Hall in London, the band perform a selection of tracks from throughout their career including 'Spanish Sahara', 'Inhaler', 'My Number' and 'Late Night'.
It's the true-life story of legendary track star Steve Prefontaine, the exciting and sometimes controversial "James Dean of Track," whose spirit captured the heart of the nation! Cocky, charismatic, and tough, "Pre" was a running rebel who defied rules, pushed limits ... and smashed records ...
After seizing an English ship, buccaneer captain Anne Providence spares Pierre LaRochelle from walking the plank - as he's in irons he is presumably no friend of England. He signs on as a pirate and she is increasingly drawn to him, a feeling that seems to be reciprocated. When fearsome Captain Blackbeard, her teacher in the ways of pirating, sets eyes on LaRochelle he recalls him as a French navy officer. Anne sticks by her man but the truth, when it is uncovered, is even more painful.
A newly possessed cheerleader turns into a killer who specializes in offing her male classmates. Can her best friend put an end to the horror?
This American Indie drama follows several endearing characters as they wade through life seeking happiness, peace and ultimately, love. Will (Ronnie Kerr, Vampire Boys 2, Shut Up and Kiss Me) leaves the Navy after many years, soon reunites old friends and begins to start his new civilian life. His friend Rich (Bruce L Hart) tries to set him up with ruggedly handsome Josh (Ian Roberts-a former Australian professional rugby player, actor and model-Cedar Boys, Superman Returns, Little Fish). While there is immense chemistry between the two, timing and certain ideals never seem to align. When a shocking tragedy happens the two are paired up to pick up the pieces and sort through the after effects. Saltwater is a story about men of all ages, finding love, losing friends, navigating their way through life and knowing it's the journey rather then the destination that's important.
Black college graduate Richard Kelly (Cedric Sanders) reluctantly accepts a plea bargain requiring him to spend two semesters at an all-white seminary after he's wrongly accused of crimes committed during the 1965 Watts riots. Facing bigotry on all sides, he's close to cracking until he meets an elderly custodian (Louis Gossett Jr.) who helps him navigate the trials of racism. Lauren Holly also stars in this indie drama inspired by a true story.
In Bodeen, Texas, Land Of The Dragon, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987âs Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
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