When once-up-and-coming indie film starlet Halley Feiffer loses her boyfriend, her agent and her career in one fell swoop she finally realizes that something in her life has got to change... she has to become WAY MORE FAMOUS! Armed with a stolen script and two pitchers of sangria, Halley enlists the help of her brother Ryan and his boyfriend to make her own movie, starring herself (of course) as herself, and any A-list celebrity she can land along the way.
A married, indie band duo regretfully takes a job on a children's show ("Rumperbutts"). Despite the money & success, they are miserable. However, on one magical evening, a mysterious man appears & gives them a second chance.
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Lovelife is a 1997 romantic comedy film written and directed by Jon Harmon Feldman. The ensemble cast includes Matt Letscher, Sherilyn Fenn, Saffron Burrows, Carla Gugino, Bruce Davison, Jon Tenney and Peter Krause. Lovelife was nominated for a Feature Film Award at the 1997 Austin Film Festival, and won an Audience Award at the Los Angeles Independent Film Festival. The film was winner of the screenplay award at the L.A. Indie fest.
Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didnât know he had â Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
WEDDING PALACE has been called the Korean-American âMy Big Fat Greek Wedding.â Abandoned at the altar, Jasonâs (Brian Tee) family approaches bridal replacements, but to their horror, he rejects them all. On a business trip to Korea, he meets the girl of his dreams, Na Young (Kang Hye-jung). They embark on a cyber love affair fueled by imagination and video chats. Jason proposes and his family is delighted. When Na Young arrives, Jasonâs wacky family screws things up at every turn causing a roller coaster of ups and downs to this modern romance. Jason will have to bridge the gap between family expectations and true love. Award winning indie trail blazer, WEDDING PALACE is the first ever US-Korea indie co-production and was shot in Los Angeles and Seoul.
In this action-comedy, four twenty-something friends are looking for love and having no luck. While on a ski trip, one of them finds passion with a beautiful girl after a random accident on the icy slopes. The others quickly conclude that the extreme circumstances of the accident were what caused love to bloom. They decide that the path to true love is to purposely set each other up on "extreme dates" with the objects of their affections...
Two French Canadian neâer-do-wells travel to New York City with a scheme to a get rich quick selling Christmas trees. Easygoing charmer Rene (Paul Rudd) clashes with misanthropic ex-con Dennis (Paul Giamatti), whose wife Rene just stole. Still, this odd couple must make an honest go of it in this fresh buddy comedy co-starring Sally Hawkins, by the director of the indie breakout hit Junebug.
In a last-ditch effort to break through in the crowded and convoluted indie film world, a husband-wife producing team make a film especially designed to win a regional film festival and attract the attention of actor Bill Murray.
Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.
Jay Brooks is that black guy who digs indie rock, graphic novels, and dates white chicks. After a slew of bad break-ups, Jay gives up white women, "cold turkey," and he goes on a mission: "Operation Brown Sugar". But because Jay doesn't fit the "brotha" stereotype, he fails miserably with the "sistahs." Then he meets the dynamic Catherine, a misunderstood "Half-rican Canadian", who's as righteously quirky as he is. To win her heart, Jay must confront his fears as he realizes commitment is a bigger issue than race.
Follow the story of Jesus in this slapstick satire. With a name like "Jesus, the Total Douchebag" the movie should only be seen by people who enjoy blasphemous comedy, and as such, the comedy is focused on targets that are usually exempt. Director Bill Zebub explains, "Indie movies should revel in their freedom. They are not confined to the same boundaries as the big budget movies. They should give what Hollywood can't."
The documentary, Kingdom Come follows a first-time director (Daniel Gillies) as he tries to raise a million dollars to finance his first film, Broken Kingdom. This emotionally-charged journey is interwoven with over 30 rare interviews from acclaimed indie darlings including Mark Ruffalo, Illeana Douglas, Don Cheadle, Kevin Smith, Edward Burns, Tim Roth, Morgan Spurlock, Selma Blair, Robert Townsend, Bill Pullman and many more.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
Josh's life is pretty much in the toilet. He's a failed NYC indie rocker, and a failing booking agent. But he finds the potential of a small victory in a really bad idea. He decides to purchase a 1985 Lazy Boy on eBay, just like the one his dad had when Josh was a kid. He'll drive cross-country for the chair, staying with Emily at his brother's house on the way, and deliver it to his father as a surprise birthday gift. But when Rhett ends up coming along for the ride, it's three people and a giant purple puffy chair in a too-small van... and one of them has to go before the trip's end.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they're each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o'clock. Splick's most recent TV show, centered around his character's perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother's apartment in New York. Frustrated by a barrage of comments about the "good," "funny," movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
Set in contemporary Los Angeles, this fast-paced indie flick stars Mexican wrestler Atomic Blue as a man trying to put his past behind him. Young Nick Rodriguez, devastated by his brother's death and worried about a land developer who wants to destroy his neighborhood, is looking for a knight in shining armor -- and thinks he's found one in former wrestling champ Atomic Blue. Trouble is, the aging athlete isn't anxious to be a hero anymore.
Two college roommates -- prim and proper Grace (Cat Taber) and wild and woolly Casey (Soleil Moon Frye) -- find themselves in a tense rivalry when Casey's conduct almost destroys Grace's engagement to preppie heartthrob Charlie (Wil Wheaton). Not too high-minded to seek revenge, Grace cozies up to Casey's pal Joey (Gary Wolf), setting off a cycle of envy and mistrust that may destroy both women's lives in director Irene Turner's well-paced indie.
The movie opens as the two protagonists, Rodrigo and Rocco join their families to hold a birthday party for their grandfather, Rodrigo Carnicero, which through most part of the movie is only referred to as "El abuelo" (Spanish for Grandpa). Rodrigo is a regular middle-class teenager, while Rocco (who, in fact, is also named Rodrigo but shortens his name to Rocco) is rather more unconventional, a marijuana user and indie magazine writer, and has deep conflicts with his father Luis.
Patti Petalson is a promising writer, but her marriage and conventional job keep her from her dream. She longs to return to her writing, especially after running into her first love Brian Callahan, a successful crime novelist. Kate is Patti's best friend since college; she's a tough-talking schoolteacher who plays therapist to all Patti's problems, while she's got a few of her own.
In this indie comedy from helmer Bob Byington, dry wit and deadpan humor abound as aptly named lyricist Harmony (Justin Rice) insists on wallowing in misery eons after being unceremoniously dumped by his girlfriend, the lovely Jessica (Kristen Tucker). While the members of Harmony's family are long over his antics, that doesn't stop him from milking his heartbreak and telling his tale of woe to anyone who will listen.
In writer-director Nick Whitfield's black indie comedy, a pair of "exorcists" (Ed Gaughan and Andrew Buckley) with the power to rid people of their secrets agree to help a woman (Paprika Steen) whose daughter (Tuppence Middleton) is mute -- and whose husband is missing. Jason Isaacs co-stars as the mysterious Colonel, who seems to be calling the shots from the sidelines of the duo's shadowy enterprise.
Year 1977. Punk and new wave rock´n roll has arrived to remote Finland and a bleak small town Oulu where increasingly odd-looking youths began to appear in the street with a message. Their rebellion speaks to Välde (17). Välde dreams of joining a rock band and becoming famous. He wants to get drunk for the first time, and to win the love of Pike, the most beautiful girl in the class. When Pike wins the Miss Blue Jeans contest organised by the country´s leading (and only) pop music magazine Suosikki and takes as her boyfriend the bourgeois Henri Hakala, Välde puts all his eggs in one basket. He abandons his former self and begins purposefully constructing a new persona for himself. But everything doesnât go as Välde wanted ⦠The film is based on a novel by Kauko Röyhkä, an author and indie rock musician.
The dorkiest thing in the world, according to feminist poet Sigrid, is the movie cliche of the young woman who in the morning dons her male lover's shirt, looking adorably "indie cute". But when she begins a relationship with KÃ¥re Tryvle, a writer twenty years her senior, she has difficulties living up to her ideals. Meanwhile, pregnant performance artist Trine is planning to give birth in a cage, dressed up as Marie Antoinette, on camera, and factory worker Astrid is looking for the son she had adopted. Yngvild Svee Flikke's directorial debut, based on Gunnhild Ãyehaug's celebrated feminist novel "Wait, Blink", is an elegant, energetic and extremely funny portrait of three women struggling with the patriarchy as well as themselves.
Indie Game: The Movie is a feature documentary about video games, their creators and the craft. The film follows the dramatic journeys of video game developers as they create and release their games to the world. The film tells the emotional story of friends Edmund McMillen & Tommy Refenes, as they craft their first Xbox game: "Super Meat Boy". It follows Phil Fish, the creator of the highly-anticipated game: "FEZ". After 4 years of working in near solitude, Phil reveals his opus to the public for the first time. And, the film tells the surprising story of one of the highest-rated video games of all time:"Braid". The film is about making video games, but at its core, it's about the creative process, and exposing yourself through your work. In short: Making fun and games is anything but fun and games.
After seizing an English ship, buccaneer captain Anne Providence spares Pierre LaRochelle from walking the plank - as he's in irons he is presumably no friend of England. He signs on as a pirate and she is increasingly drawn to him, a feeling that seems to be reciprocated. When fearsome Captain Blackbeard, her teacher in the ways of pirating, sets eyes on LaRochelle he recalls him as a French navy officer. Anne sticks by her man but the truth, when it is uncovered, is even more painful.
Feature documentary about the great West Indies cricket team of the 1970's/80's. Fire In Babylon is the breathtaking story of how the West Indies triumphed over its colonial masters through the achievements of one of the most gifted teams in sporting history. In a turbulent era of apartheid in South Africa; race riots in England and civil unrest in the Caribbean, the West Indian cricketers, led by the enigmatic Viv Richards, struck a defiant blow at the forces of white prejudice worldwide. Their undisputed skill, combined with a fearless spirit, allowed them to dominate the genteel game at the highest level, replaying it on their own terms. This is their story, told in their own words.
This American Indie drama follows several endearing characters as they wade through life seeking happiness, peace and ultimately, love. Will (Ronnie Kerr, Vampire Boys 2, Shut Up and Kiss Me) leaves the Navy after many years, soon reunites old friends and begins to start his new civilian life. His friend Rich (Bruce L Hart) tries to set him up with ruggedly handsome Josh (Ian Roberts-a former Australian professional rugby player, actor and model-Cedar Boys, Superman Returns, Little Fish). While there is immense chemistry between the two, timing and certain ideals never seem to align. When a shocking tragedy happens the two are paired up to pick up the pieces and sort through the after effects. Saltwater is a story about men of all ages, finding love, losing friends, navigating their way through life and knowing it's the journey rather then the destination that's important.
This feature documentary chronicles the last days of Dispatch, quite possibly the biggest band that never signed with a record label. In a time of upheaval in the music industry, their do-it-yourself style started a grassroots fan phenomenon that is changing the way indie bands (and record labels) do business. The band's final concert, "The Last Dispatch" drew 110,000 fans from every U.S. state and 20 foreign countries for one last free show in Boston in July of 2004.
Black college graduate Richard Kelly (Cedric Sanders) reluctantly accepts a plea bargain requiring him to spend two semesters at an all-white seminary after he's wrongly accused of crimes committed during the 1965 Watts riots. Facing bigotry on all sides, he's close to cracking until he meets an elderly custodian (Louis Gossett Jr.) who helps him navigate the trials of racism. Lauren Holly also stars in this indie drama inspired by a true story.
In Bodeen, Texas, Land Of The Dragon, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987âs Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
A marvelous new film from Andrew Bujalski, one of the brightest stars in indie film, Beeswax revolves around the personal and professional entanglements of twin sisters Jeannie and Lauren â played by extraordinary newcomers Tilly and Maggie Hatcher â living in Austin, Texas. Jeannie co-owns a vintage clothing store with Amanda, a semi-estranged friend who she fears is trying to end their partnership. Lauren leads a looser, less tethered existence and is considering getting out of the country altogether. When Jeannie receives an email from Amanda threatening a lawsuit, she calls her law student ex-boyfriend Merrill for help. Eager for distraction from his own problems, he begins helping the sisters with theirs. Imbued with an innate charm, Beeswax is a story about families, friends, lovers and those awkward moments that bring all of them together.
BELLE is inspired by the true story of Dido Elizabeth Belle, the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield and his wife, Belle's lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar's son bent on change who, with her help, shapes Lord Mansfield's role as Lord Chief Justice to end slavery in England
he enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
The title says it all for the bleak Korean indie Mother is a Whore. Do-all filmmaker Lee Sang Woo writes, produces, directs, and stars in this shocking drama about an impoverished HIV-positive man forced to pimp out his 60-year-old mother (Lee Yong Nyeo) to make ends meet. Angry about his mother's suffering and his own sickness, Sang Woo rages against his father (Kwon Bum Taek), who left them for a younger woman (Kim Ji Hee). It turns out his father's life isn't doing so well either with a fanatically religious wife and her dysfunctional children. A notable rising name in Korean indie cinema, Lee Sang Woo has drawn comparisons to early Kim Ki Duk with his dark family dramas Mother is a Whore and Father is a Dog.
Nova Zembla tells the gripping true story of the legendary failed mission of the late sixteenth century Dutch flotilla trying to find a trading route to Asia across the North Pole. The ship crew, who got stuck in the ice of Nova Zembla and had to survive the dark coldness of winter in the most gruesome of circumstances. An incredibly powerful story of determination, hardship and a triumph of the human spirit. The sixteenth century Dutch ship crew is leaving the port of Amsterdam and sailing to the northern arctic, where they get stuck in the ice. Two ships take part at the mission and captain De Rijp decides to return while he still can, while the other ship helmed by Willem Barentsz, stubbornly proceeds.
Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.
It's been said that the first 21 years defines the career of an artist. Few directors have single-handedly shaken up the film establishment like the godfather of indie, Richard Linklater. From the groundbreaking SLACKER to his innovative BOYHOOD, Linklater has just reached the 21-year mark and has unapologetically carved his signature into American pop culture. This compelling documentary takes you on a behind the scenes tour into Linklater's style, skills, and motivation via his friends, actors, and other directors. Get a raw and honest perspective on Richard through candid conversations with Ethan Hawke, Jack Black, Keanu Reeves, Billy Bob Thornton, Matthew McConaughey, Jason Reitman, Julie Delpy and others, and see their stories brought to life through hilarious animated sequences.
Time is unraveling, paradoxes are everywhere, and strangers with terrifying technologies are on the hunt. A thrilling, original, ultra indie full-length sci-fi movie that is the story of Sally Biggs, an FBI agent who has the power to rewind time. Her scientist husband has disappeared mysteriously, and the closer she gets to finding him, the more dangerous her life becomes. To save the future and her loved ones, Sally must enter a battlefield she never knew existed. Fortunately, she's a 95er. Surrounded by bizarre timespace paradoxes and hunted by terrifying forces from the future, Sally must discover the earth-shattering truth behind it all before her very being fades out of reality.
Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brotherâs death. Against the backdrop of the vibrant indie music scene, his childhood best friend tries to reconnect with him, while he unexpectedly finds a chance at a first, real romantic relationship. Amidst the holidays, Gibson reconsiders and redefines his relationship with his family, with himself, even with his dead brother: the only person he talks to.
Anna: Scream Queen Killer takes us on a journey into the world of indie grind house film auditions with a twist. Our young actress is desperate to make it in the movies. She is invited to a series of filmed auditions, playing out various scenarios on camera. The problem is, the director is a perverted sicko with only one thing on his mind. As the actress progresses through an ever more bizarre series of roles she slowly realizes all the man wants is sexual satisfaction. Forced to strip, and do carnal things in the name of the art, she eventually flips and takes matters into her own hands.
Dragonslayer documents the transgressions of a lost skate punk falling in love in the stagnant suburbs of Fullerton, California in the aftermath of America's economic collapse. Taking the viewer through a golden SoCal haze of broken homes, abandoned swimming pools and stray glimpses of unusual beauty, Dragonslayer captures the life and times of Josh 'Skreech' Sandoval, a local skate legend and new father, as his endless summer finally collides with the future. Set to the alternately roaring and dreamy soundtrack of bands from the indie labels Mexican Summer and Kemado Records including Best Coast, Bipolar Bear, Children, Dungen, Eddy Current and the Suppression Ring, Golden Triangle, Jacuzzi Boys, Little Girls, Real Estate, The Soft Pack, Saviours, as well as DEATH and Thee Oh Sees. Dragonslayer is a punk-rock manifesto to youth, love and learning to survive after the decline of western civilization.
A low-budget American indie with only a handful of characters seems an unlikely vehicle with which to express the complex issue of modern warfare, but Rick Rosenthalâs modest, ambitious Drones does just that. It begins in the Nevada desert, where new girl Sue Lawson (Eloise Mumford) joins airman Jack (Matt OâLeary) in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sueâs privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack. As tensions escalate, Rick Rosenthalâs gripping drama keeps us guessing as to who really has the upper hand, following the chilling concept of bloodless, remote-control conflict to a nail-biting conclusion.
A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next?
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
Her Name is Torment II is the upcoming obvious sequel to Dustin Millsâ underground hit Her Name Was Torment. The film hit the indie horror community with a bang and Mills promised to follow it up with an even more ballsy and gut-wrenching film.
Based on Gayle Forman's novel of the same name. "If I Stay" is the story of the gifted classical musician Mia and her boyfriend, Adam, an up and coming indie-rock star. Torn between two paths in life, her art or her relationship, Mia is forced to make an even starker choice between life and death when she is caught in a fatal car accident with her family one snowy morning in Oregon.
A growing number of Evangelical Christians believe there is a revival underway in America that requires Christian youth to assume leadership roles in advocating the causes of their religious movement. Jesus Camp follows children at a Christian summer camp as they hone their "prophetic gifts" and are schooled in how to "take back America for Christ." The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
Laurel Canyon focuses on Sam and Alex, a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Enter Jane, Sam's estranged mother, a successful record producer, who's more than willing to put the couple up in her lavish digs. As Sam and Alex settle in at Jane's, they gradually lose their straight-and-narrow approach to life and begin to experiment.
An edgy indie-psychological drama about an alluring but mixed-up L.A. Girl who flip-flops between facing life's uncertainty under her own direction or "the good life" provided by a wealthy, disturbing middle-aged benefactor.
Makers Our Story is a feature length documentary about the UK independent film industry directed and produced by independent filmmakers. It is an inspirational documentary featuring an array of talent from the UK filmmaking community with interviews from award-winning filmmakers and film industry experts. The documentary gives a rare insight into the work of the indie filmmakers who exist outside of the Hollywood studios and shows the passion and commitment of a generation of filmmakers who share their experiences working in a challenging industry.
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