Familien Olsen (1940)
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Alt er normalt hos familien Krumborg â men nÃ¥r man kender dem, sÃ¥ kan intet længere overraske. De to røvere Boris og Ivan vil gerne kidnappe Krumme. Krumme vil gerne lære at ride. Mor vil gerne have en sundhedsjul. Far vil ikke have en sundhedsjul. Og det kan vel heller ikke overraske, at Krummes julegave til Yrsa ender under fru Olsens seng, eller at vicevært Svendsen forsøger at reparere fru Olsens hÃ¥ndvask â selvom den ikke er i stykker. Og familiens mindste, Grunk, har spist al julepynten. Jo da, alt er helt normalt hos familien Krumborgâ¦
Familiefilm om den hyggelige danske familie Krumborg. Far (Dick Kaysø) er sløjdlærer og skolens klovn, mor (Karen Lis Mynster) er børnepædagog og hele tiden under videreuddannelse. Der er en oprørsk teenagedatter (Line Kruse) og en baby (Lukas Forchammer), men historien handler især om den elleveårige Mads (Laus Høybye), kaldet Krumme, der er ulykkeligt forelsket, uden at familien mærker det. Da familien er træt af balladen i det betonbyggeri, hvor den har en lejlighed, beslutter den at købe et gammelt hus, selvom der dårligt er råd til det. To klodsede bankrøvere (Peter Schrøder & Jarl Friis-Mikkelsen) har imidlertid skjult deres bytte i huset
Hele familien skal på skiferie i Norge, da far brækker benet. Derfor tager onkel Erik af sted med de fem ældste børn. På færgen møder Amalie skiinstruktøren Dan og onkel Erik bliver meget søsyg. Det viser sig far har lejet en meget lille utæt hytte, men Jan og Michael får det ordnet så de flytter ind i en stor suite. Det viser sig at den er udlejet til fru Flinth og hendes veninder og hun laver meget vrøvl. Familien smides ud, men igen ordner Jan og Michael situationen. De påstår at Erik Lund er en berømt sanger. Erik har travlt med at passe på Amalie, men da hun opdager Dans luskeri med en anden pige får hun drengene til at hjælpe sig. I mellemtiden får Erik også tid til at stå på skøjter sammen med fru Flint.
I 'Far til fire - tilbage til naturen' sættes Fars evner ud i friluftslivet på prøve, da familien rejser på weekend i Sverige. Familien skal besøge Annika, Fars kusine, hvis fødselsdag falder sammen med årets midsommerfest. Annika har en naturpark, og Far glæder sig til at vise børnene, hvor han legede som dreng. Onkel Anders griber chancen og trækker i sin gamle spejdertrøje og finder kompasset frem.
Vingården står foran nedrivning. Det er nu 30 år siden onkel Olsen døde og gården må efter 30 år sælges, hvis ingen i familien Martin ønsker at købe den. Da der ankommer en dansk-amerikaner til den lille by, sætter Jacobsen Nicoline til at undersøge den fremmedes værelse. Erik Hein, født Martin, forsøger at købe Vingården men forhindres. I stedet køber han Sophienberg. Eriks far har for mange år siden skrevet under på en tilståelse om underslæb mod Vingården. Erik tror på sin fars uskyld og får hjælp til at bevise farens uskyld af nogle af byens retskafne beboere.
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The Kumiho family circus in town -- and with it, apparently, a mysterious murderer. The members of motherless family arenât helping their case with their strange remarks about humans and their initial performances, cavalcades of dismemberment and torrents of blood which terrify the local kids. Pretty soon, a dour, downbeat cop is on the tail of the plucky, bumbling Kumihos. Or rather, tails -- âkumihoâ is the word for the fox spirits of Korean mythology, and this clan from Nam Mountain near Seoul, temporarily disguised as people thanks to a magic spell, must eat human livers during a brief, once-in-a-millennium lunar eclipse to shed their foxy nature and assume permanent human form. When the sleazy reprobate on the run from mobsters stumbles into their eerie household, he soon finds himself a little too enthusiastically involved in their scheming after human fleshâand involved with the sexy elder-sister fox spirit as well!
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Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
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This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
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The killer doll is back! The all-new film is the fifth in the popular series of Chucky ("Child's Play") horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by "The Lord of the Rings" star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series
After being shipwrecked, the Robinson family is marooned on an island inhabited only by an impressive array of wildlife. In true pioneer spirit, they quickly make themselves at home but soon face a danger even greater than nature: dastardly pirates. A rousing adventure suitable for the whole family, this Disney adaptation of the classic Johann Wyss novel stars Dorothy McGuire and John Mills as Mother and Father Robinson.
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