Fear (1946)
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A vicious loan shark ring has been preying on factory workers. When several workers at a tire factory suffer violence at the hands of the loan sharkers, a union leader and the factory owner try to recruit ex-con Joe Gargan to infiltrate to the gang. At first Joe does not want to get involved, but changes his mind when his brother-in-law dies at the hands of a savage loan shark hood. Joe works his way into the mob, but in order to keep his cover, Joe can't tell anyone what he is up to. This results in him being disowned by his sister and girl friend.
Sang-Hoon is a thirty something scamp collecting money from debtors for a loan shark. One day, he encounters Youn-Hee, a young hot-tempered high school student. Their strong wills causes the two strangers to clash at first, but an unique friendship then develops as they realize they have far more in common ...
Literature professor and gambler Jim Bennett's debt causes him to borrow money from his mother and a loan shark. Further complicating his situation is his relationship with one of his students. Will Bennett risk his life for a second chance?
The Grind is a modern urban drama, set in world of sex, drug dealers, dance nightclubs and loan sharks. Vince is the nightclub manager of The Grind in Hackney, East London and having fought his way to a decent living and respectable lifestyle he is determined to settle down and take life easier. Upon meeting and starting a relationship with Nancy, Vinces dream of running a casino for his Boss and getting married looks set. Bobby, Vinces best friend from school, is released from prison and their friendship soon falls apart, Bobbys addiction to cocaine and gambling spirals out of control and he now owes a huge amount of money to Vinces boss, Dave ; owner of The Grind and an East End loan shark. Vince's life takes a dramatic turn for the worse. Loyalties are tested and friendships are pushed to their limits.
A group of unemployed theater actors survive by working as illegal money collectors. The loan shark they are working for owns an Off-Broadway theater. As he decided to play "American Buffalo" there, a bloody battle for the favorite roles begin.
New York City English professor Axel Freed outwardly seems like an upstanding citizen. But privately Freed is in the clutches of a severe gambling addiction that threatens to destroy him. After a heavy loss betting on basketball, he relies on his mother to bail him out to the tune of $44,000. Unfazed, he continues to gamble recklessly, winning big at a casino, only to blow it all just as quickly. When his debts become more than he can handle, the loan sharks begin to circle.
A young man is a reformed gambler who must return to playing big stakes poker to help a friend pay off loan sharks.
A criminal, a bank clerk and a police officer find their destinies entwined when a loan shark gets assaulted after having withdrawn $10 million from the bank in the midst of the world financial crisis.
Joe (George Raft) and Paul Fabrini (Humphrey Bogart) are Wildcat or, independent truck drivers who have their own small one truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
Tony, a mob loan collector, is dissatisfied with his station in life. Though he dreams of one day being rich, he is stuck with the dead-end job of beating up borrowers who fall behind in their payments. After meeting up with Napoli, another mob enforcer who's just been fired from his job, the two hatch a plan. Together, they will con mob boss Manzari out of a fortune, after which they can retire and live in luxury. Manzari, however, is not about to let them go so easily.
1952 black and white Cold War spy film, entirely without dialog
Illicit lovers plot to kill the woman's older husband.
A mobster travels to Hollywood to collect a debt and discovers that the movie business is much the same as his current job.
Two brothers, Malek and Jai, are indirectly thrust headlong into the world of gangsters and crime when their father died 10 years ago. Since their father's death, Malek, Jai and their mother have been threatened by gangsters whom their father owes money to. Desperate, the wild Jai turns to crime, and will do anything as long as it pays well. Jai's behaviour sees vehement opposition from Malek and their mother, which breaks up their family. To make things worse, Malek finds out that his sister Shera has been raped and their mother has cancer...
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.
In an effort to get his buddy out of a gambling debt, Jeff agrees to join forces with Judge in a weapons heist. The job goes bad and Judge betrays Jeff. Jeff plots the ultimate revenge on Judge and his followers and it is a question of whether he can follow through with his plan.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
The film tells the story of a well-planned robbery of an armored car when it stops at a sports stadium. Yet, the heist goes awry, and a tough Los Angeles cop named Cordell (Charles McGraw) is in hot pursuit.
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
A mystery woman is a murder suspect's only alibi for the night of his wife's death. Based on a story by noir scribe Cornell Woolrich.
James Cagney directs this remake of the film noir classic This Gun for Hire.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
The film, set in 1912, is about the exploits of France's first motorized police brigade.
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
Kicks Carter, a streetwise Las Vegs cop, is out to shut down an upscale hotel that is actually a front for a host of illegal activities. A gang headed by the scuzzy Ziggy is running everything from gun-running and loan-sharking to prostitution and drug-dealing, and a beautiful but nosy reporter keeps getting in Kicks' way. Written by frankfob2@yahoo.com
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Over the summer of 1976, thirty-six bombs detonate in the heart of Cleveland while a turf war raged between Irish mobster Danny Greene and the Italian mafia. Based on a true story, kill the Irishman chronicles Greene's heroic rise from a tough Cleveland neighborhood to become an enforcer in the local mob.
Private Detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
A college freshman returns to Los Angeles for the holidays at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Science researcher Hyun-Chul (Lee Beom-Soo) demonstrates with co-workers against the company president, who stole an important semiconductor chip and is attempting to flee to the United States. Meanwhile, the company president makes his escape from the protesters in an ambulance. During his escape, the executive cuts a wound in his arm and implants the chip there. While, Hyun-Chul and co-worker Han Jin-Soo (Jeong In-Gi) head for home, Han Jin-Soo is hit by a speeding car. Hyun-Chul thinks it isn't an accident. He contacts Han Jin-Soo's daughter Dong-Hwa (Kim Ok-Vin) and they meet at the police station. After visting her father at the hospital, Dong-Hwa becomes worried about how to pay for her father's hospital bills. On a TV at the hospital, they learn that the company president died from a heart attack. Hyun-Chul and Dong-Hwa then come up with the idea to steal the body of the company president for ransom.
Intellectually impaired he might be, Jun (Leon Lai) is only dumb but not silly. Abandoned by his family on a trip to Tokyo with only a few notes in his pocket, he thinks he has found his guardian angel when he bumps into a former classmate, Hoi (Chapman To). But Hoi is no angel at all. He is just a grifter on the run from yakuza loan sharks. When Yan (Yang Kuei-mei), the owner of an escort service, is convinced the ingenuous Jun will mark a perfect gigolo, Hoi decides to transform his pal into Tokyo's most sought-after Lothario in order to eke out a living and to pay his debts.
A fatally shot female gangleader recounts her sordid life of crime to a police officer just before she dies.
Belfast police conduct a door-to-door manhunt for an IRA gunman (James Mason) wounded in a daring robbery.
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is an art and Gondo is, in effect, Rembrandt. Her job is complicated by a growing sympathy for the rogue and by political pressure to lay off.
The story of a petty criminal and his girlfriend who try to escape their gang after a double cross of the thieves.
A drunk cop investigates the murder of a sexy blonde. The policeman -who can't remember the night before - starts getting worried when all fingers began pointing at him.
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