Main cast Laurence Harvey; Gloria Grahame; Richard Basehart; Joan Collins; John Ireland
Genres Crime
Description 1954 British crime thriller by Lewis Gilbert, based on a novel by American novelist Richard Macaulay. Four men in post-war London, two Brits and two Americans, feel forced to turn to crime by their financial problems, and decide to rob a mail van together.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
1953 British noir thriller, starring John Mills. An innocent man is released from prison after 12 years and tracks down the witnesses who lied about him in court. Based on a 1951 novel by Howard Clewes.
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
When his wife stops writing to him and his letters are returned unanswered, Dan becomes extremely concerned about her welfare. He returns home but is only able to meet with her briefly before she is found murdered. Dan is the obvious suspect but has only 36 hours to find out who murdered her. In so doing he uncovers a shocking catalogue of his wife's past affairs and an identity that he knew nothing about.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
A man who has failed as a father and husband commits a heist to make money for his fledging business, but things become complicated when his wife interferes.
In the shadows of the night Dudley Wolff, his secretary Alfred Dunning, and his doctor, Haggard, bury a body in the estate cemetery. At the house, Wolff's daughter Catherine arrives unexpectedly and tells her step-mother Anne Wolff that she has just been married to Roger Blake who will be along in a few days. Cathy retires and is awakened by a mysterious assailant who fires a shot at her, but her parents tell her she was just dreaming. Wolff goes to the cemetery and finds the body missing. The scared Cathy calls in fast-talking private detective Mike Shayne and, since her father doesn't like detectives, she introduces him as her husband. That evening Shayne hears a shot and finds that Haggard has been killed. While the police are questioning the family, the lights go out and a shot is fired from outside.
Dr. Clive Riordan's beautiful-but-flirty wife, "Storm", comes home one night in the company of an American diplomat, Bill Kronin. Riordan, obsessed with jealousy, determines to murder his most recent rival and plans, as only a psychiatrist would, to not only kill bill, but to commit the perfect crime in the process.
American scientist Dr. Frank Smith is brought to Britain to help the C.I.A. There is a defecting East block scientist they want him to debrief. The commies are less than amused and set Dr. Smith up for a murder. Zsa Zsa Gabor plays one of the CIA agents.
Johnny Flanagan did not have the privileges of a good education or wealthy background but the streets developed his natural talent to be a great fighter. His enormous potential to reach the top is born out of a string of spectacular successes. All of which is brought to a halt when he develops a physical relationship with his manager's wife, the beautiful but manipulative Lorna. His naive temperament is no match for her callous, dispassionate scheming and he unwittingly becomes a pawn in Lorna's ultimate plan... .to murder her husband.
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.
Noir thriller about a criminal seeking redemption by tracking down the daughter of the woman he killed. Along the way he is haunted by his guilt in the guise of the woman's ghost.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
The film tells the story of a well-planned robbery of an armored car when it stops at a sports stadium. Yet, the heist goes awry, and a tough Los Angeles cop named Cordell (Charles McGraw) is in hot pursuit.
After leaving the British Secret Service, David Somers (played by Trevor Howard) finds work cataloging butterflies at the country house of Nicholas and Jess Fenton. After the murder of a local gamekeeper, suspicion (wrongfully) falls on their niece, Sophie Malraux (Jean Simmons). Somers helps Sophie to escape arrest and they go on the run together. After a cross-country chase they arrive at a coastal city with the intention of leaving the country by ship. All's well that ends well after the true identity of the murderer is revealed.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
Good Time Girl stars Jean Kent as incipient juvenile delinquent Gwen Rawlings. Sent to a home for "problem" girls, Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Filmed in England but set in New York, No Orchids For Miss Blandish tells of a sheltered heiress (Linden Travers) who is abducted on her wedding night by a trio of cheap hoods, in what starts out as a jewel robbery and turns into a kidnapping/murder when one of them (Richard Nielson) kills the bridegroom. More mayhem ensues as the three kidnappers soon end up dead.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ahead with the robbery, but when the driver of the armoured van is killed in the raid, his wife plans revenge, and with the police closing in, the gang start to turn on each other.
A dramatization of the Great Train Robbery. While not a 'how to', it is very detail dependent, showing the care and planning that took place to pull it off.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van-Rooyen as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
A gangster is caught and arrested by police. When he's being transported by bus -- filled with innocent civilians -- it's hi-jacked by his gang in attempt to free their boss. They hide out. As the authorities close in they threaten to torch the barn the escapee and his men are hiding in -- with their hostage inside.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and Hove but also further afield.
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