You Know What Sailors Are (1954)
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When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realize that the game is far from over... One by one, Max's family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humor. Meanwhile, Max's brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.
For decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks. Will this love triangle destroy the two old grumps? Or will the geriatric odd couple overcome their differences and rediscover their friendship?
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Jackie Chan reprises his role as Chan Ka-Kui (also known in some versions as Jackie) yet again as a Hong Kong cop who works with Interpol to track down and arrest an illegal weapons dealer. Later Jackie realizes that things are not as simple as they appear and soon find himself a pawn of an organisation posing as Russian intelligence.
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While enjoying the flower gardens, Sailor Moon (Usagi) and friends encounter an old childhood friend of Mamoru's: an alien! He's come back to give Mamoru a special flower, but doesn't like Usagi and the rest of the planet's inhabitants. Sailor Moon must defend the earth from the evil Kisenian Flower he's brought back... before the evil vines and blossoms overrun the planet!
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Jim and Walter are two brother sailors in the United States Navy. Walter tells Jim as soon as they get home he is going to ask his beautiful girlfriend, Nancy Larkin to marry him. But Jim is also in love with Nancy so he begs Nancy's ugly duckling sister, Letty to help break Walter and Nancy up. Letty agrees only under one condition, he help her to win Walter!
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It's been six days since the attack on Pearl Harbor. Panic grips California, supposedly the next target of the Japanese forces. Everywhere in California, people are suffering from war nerves. Chaos erupts all over the state. An Army Air Corps Captain, a civilian with a deranged sense of Nationalism, civilian defenders, and a Motor Pool crew all end up chasing a Japanese sub planning to attack LA.
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Remake of the classic hitchcock movie. Whilst generally not as good, it is a rather fun movie, and more lighthearted than the original. This is largely due to Kenneth More's acting.
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The story revolves around Siddharthan (Dileep), who is a humble vegetable trader from a small village. He shoulders all the responsibilities of his family and is someone who is ready to sacrifice everything for his sisters. The quest for wealth leads him to a lot of troubles.
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A Christmas story. Shame, promises, and secrets in a border town in Poland. Iwonka, who's 15 and blood simple, has a baby, and her mother Halina has promised her recently-dead husband that she'll learn who the child's father is and have a christening by Christmas. Halina badgers Iwonka who identifies various putative fathers, each of whom proves not to be the one. As we come closer to Iwonka's secret, two men who liked Halina when she was young come to her aid: Wladek, who is her husband's brother, and Matuszek, a somewhat comic former cyclist whose career ended when he ran into a bus. Soldiers are everywhere, as is the cold. Will the baby find a father?
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The film details the travails of a working-class family in London's East End, struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis (Pam Ferris) is working; father Frank (Jeff Robert) and the couple's two sons Colin (Tim Roth), a timid, chronically shy individual and Mark (Phil Daniels), an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara (Marion Bailey), and her husband John (Alfred Molina), whose financial and social loftiness, in suburban Chigwell, appears to be a comfortable facade over the unspoken soreness of a lacklustre marriage.
A deck-chair attendant (James Booth) at a British resort promotes a film festival featuring a French sexpot (Marisa Mell).
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