The Road to Bresson (1984)

Director
Jurriën Rood; Leo de Boer

Main cast
Robert Bresson; Andrei Tarkovsky; Louis Malle; Orson Welles; Dominique Sanda

Genres
Documentary

Description
A Dutch documentary film about Robert Bresson.


Similar movies

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
The Go-Go Boys tells the inside story of two Israeli-born cousins, the late Menahem Golan and Yoram Globus, who in pursuit of the “American dream” turned the Hollywood establishment upside down. Together they produced more than 300 films and founded the most powerful independent film company in the world, Cannon Films, which was responsible for Israeli and mainstream, Hollywood-blockbuster, action/exploitation hits during the duo’s 1980s hey day, starring the likes of Chuck Norris, Jean-Claude Van Damme and Charles Bronson. Up close and personal, and with the complete cooperation of the film’s subjects, the film examines the complex relationship between two contradictory personalities, whose combined force fueled their successes and eventual split. A film about filmmaking and two dogged, exceptional characters with modest origins taking on the big boys.
This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.
The film offers a comprehensive examination of the exploitation of animals in modern society.
The travels in Italy of director Andrei Tarkovsky in preparation for the making of his film Nostalghia.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.
The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major players: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio man’s moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.
Chaar Sahibzaade is the first photo realistic' 3D animation film in S-3D on Sikh history. It is the real story of the sacrifices of the four sons of Guru Gobind Singh ji (tenth guru of Sikhs)- Baba Ajit Singh ji, Baba Jujhar Singh ji, Baba Zorawar Singh ji and Baba Fateh Singh ji.
A documentary about the White family of Boone County, West Virginia. The 1991 documentary The Dancing Outlaw focused on Jesco White, a famous mountain dancer. This film focuses on the other members of his family.
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)
A compilation of trailers and scenes from crime, horror and sci-fi films.
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers: *Choose a dame with no past and a hero with no future *Use no fiction but pulp fiction *See America through a stranger's eyes *Make it any colour as long as it's black *It ain't what you say, it's the way that you say it.
Werner Herzog’s documentary film about the “Grizzly Man” Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man’s attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Vietnam veteran "Four Leaf" Tayback's memoir, Tropic Thunder, is being made into a film. Director Damien Cockburn can’t control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback's advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes. Unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.
A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of the English, filmed in a spare, low-key fashion.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
In order to be technically free of the mortal sin of suicide, a young man who has given up on the world pays a drug-addict to shoot him. Charles (Antoine Monnier), who is a student, has tried political action and investigated the claims of religion but ultimately finds nothing which will change the overwhelming bleakness he feels surrounded by. In this austere movie by director Robert Bresson, the power of the storytelling comes from the lucidity of the imagery captured on film, rather than in the acting.
A quirk in time and space gives a failed filmmaker the chance to reshape his destiny when he visits his peculiar alma mater.
A forged 500-franc note is cynically passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is - which will have devastating consequences on his life, causing him to turn to crime and murder.
Milos, a retired porn star, leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.
A frail priest is assigned to a small French provincial town where he slowly is able to help some wayward souls rediscover their faith in God, but must soon contend with his own realization that he is dying.
A wealthy young woman, Anne-Marie Lamaury, decides to follow her vocation and becomes a nun in a convent which occupies itself with the rehabilitation of female prisoners. During a prison visit, she meets another young woman, Thérèse, with whom she starts to take an interest. Thérèse resolutely claims that she is innocent and rejects Anne-Marie’s attentions. When she is released from prison, Thérèse kills the man who committed the crime for which she was sentenced. She then seeks sanctuary in Anne-Marie’s convent but is unable to speak about what she has done. Anne-Marie is nonetheless determined to bring about Thérèse’s spiritual transformation, even if she risks alienating herself from her fellow sisters.
When his young wife commits suicide, leaving no explanation for her act, an introspective pawnbroker looks back on their life together and tries to understand why she had to kill herself.
Mouchette is a young teenager living in the tough country. Her mother is about to die, and her father does not take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One night in the woods, she meets Arsene, a poacher. He thinks he has just killed Mathieu, the rural policeman, and attempts to use Mouchette to build an alibi.
Two years after the terrifying events that occurred in Woodsboro, Sidney is now attending Windsor College in Cincinnati with long time friend Randy. Meanwhile, Gale Weathers best selling book on Sidney's life has now been made into a major motion picture. When two college students are killed in a theatre while watching the new film "Stab," Sidney knows deep down that history is repeating itself.
Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the king is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.
The sad life and death of Balthazar, a donkey, from an idyllic childhood surrounded by loving children, through adulthood as a downtrodden beast of burden. His life is paralleled with that of the girl who named him, and as she is humiliated by her sadistic lover, so he is beaten by his owner. But he finds a kind of peace when he is employed by an old miller who thinks he is a reincarnated saint.
A clerical mistake results in a bumbling film extra being invited to an exclusive Hollywood party instead of being fired.
A society lady engineers a marriage between her lover and a cabaret dancer who is essentially a prostitute.
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape. Then, on the same day, he is condemned to death, and given a new cellmate. Should he kill him, or risk revealing his plans to someone who may be a Gestapo informer?
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
Michel is released from jail after serving a sentence for thievery. His mother dies and he resorts to pickpocketing as a means of survival.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
A loose adaptation of Dostoyevsky's novella White Nights, with the action transposed from 19th century Russia to modern-day France. One night, Jacques, a young man with artistic aspirations, sees a girl trying to commit suicide by jumping from a bridge. When he prevents her from jumping, Marthe tells him that she has become desperate waiting for her lover, who left her almost a year ago but promised to return. Jacques asks Marthe to meet him by the bridge the next night and the girl agrees. They spend the following three nights wandering through Paris, and Jacques tries in vain to cure Marthe of the memories of her elusive lover.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
'Kidnappet' er en dansk spændingsfilm for større børn om det 11-årige adoptivbarn Simon, der rejser med sin danske mor til Kenya, hvor han er født. Simon har ikke den store interesse for sit fødeland og ville hellere være blevet i Danmark og spille fodbold. Allerede på rejsens første dag går det galt. Simon forsvinder, og hans mor beslutter at gå til medierne og udlove en dusør til den, der finder ham. I 'Kidnappet' holdes Simon fanget i Nairobis slum, og her kan det være svært at vide, hvem man kan stole på.
Director F.W. Murnau (John Malkovich) makes a Faustian pact with a vampire (Willem Dafoe) to get him to star in his 1922 film "Nosferatu."
When a schoolteacher is sacked, he projects his bad mood at his troubled teenage son. The son, in turn, buys a CD player from a pawnshop with counterfeit money. This starts a chain reaction of misery as every victim projects his problems on to another person.
Seven college students are picked to travel to a private island owned by the reclusive Vincent King and his film-obsessed wife Mary Shelley to study island wildlife. But is isn't long when a mysterious killer begins killing the students one-by-one, and modeling them after gory murder scenes from numerous horror films.
A passionate filmmaker creating a film based upon a true crime casts an unknown mysterious young woman bearing a disturbing resemblance to the femme fatale in the story. Unsuspectingly, he finds himself drawn into a complex web of haunting intrigue: he becomes obsessed with the woman, the crime, her possibly notorious past, and the disturbing complexity between art and truth. From the Smoky Mountains of North Carolina to Verona, Rome, and London, new truths are revealed and clues to other crimes and passions, darker and even more complex, are uncovered.
On the verge of bankruptcy and desperate for his big break, aspiring filmmaker Bobby Bowfinger concocts a crazy plan to make his ultimate dream movie. Rallying a ragtag team that includes a starry-eyed ingenue, a has-been diva and a film studio gofer, he sets out to shoot a blockbuster featuring the biggest star in Hollywood, Kit Ramsey -- only without letting Ramsey know he's in the picture.
FIX takes you from Beverly Hills to Watts, and places in between, in one day, as documentary filmmakers Bella and Milo race to get Milo's brother Leo from jail to rehab before 8pm, or Leo goes to prison for three years.
An insane independent film director and his renegade group of teenage film makers kidnap an A-list Hollywood actress and force her to star in their underground film.
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film… Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working on…
Max Walker is a suicidal man who selects an aspiring young filmmaker to record the end of his life. On the agenda for his last day on Earth: telling off his old boss, confessing some of his deepest secrets, and maybe even finding redemption.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress.
An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.

© Valossa 2015–2024