Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his... then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge.
Rugged Captain Alan Gaskell (Clark Gable) sails the perilous waters between Hong Kong and Singapore with a secret cargo: a fortune in British gold. That's not the only risky cargo he carries. Both his fiery mistress (Jean Harlow) and his refined fiancee (Rosalind Russell) are aboard! With their wisecracking banter, gutsy glamour and dynamic physicality, Gable and Harlow prove once again that they were the '30s most scorching screen pair in this rough-and-tumble tale of the sea. Highlights include a raging typhoon, a battle with bloodthirsty Malay pirates, and Harlow's drinking contest with bluff villain Wallace Beery, who wants the gold and the platinum blonde. Adventure (and Golden Era allure) dead ahead on China Seas.
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
Fast, frenetic, and furious, 15 is the story of five Singaporean teenagers who, abandoned by the system and estranged from their parents and life in general, build their own world in which gangs, drugs, fighting, piercing, self-harm and suicide are common and brotherhood is important above all else. Acted by real street kids, it presents a gritty side of modern-day Singapore life.
Tam is Lui Tai, an Interpol agent assigned to protect a famous religious leader, the Daka Lama, who's targeted for death by the militant Japanese terrorist group, the Red Army. Lui Tai hooks up with the Daka Lama in Singapore, but a Red Army attack leaves the Daka Lama in critical condition. Unfortunately, the Daka Lama has a rare blood type, and there are only three possible donors in all of Singapore. Two are quickly offed, with only annoying lowlife Fatty (Eric Tsang) remaining. Liu Tai and local Singapore cop Stone (Leung Ka-Yan) try to beat the Red Army to Fatty, but they also have to deal with Hong Kong triad boy B (Andy Lau), who wants to make sure Fatty's blood goes to his girlfriend (May Lo) first. She was also wounded in the same attack as the Daka Lama, and also needs the ultra-rare blood. Will everyone work together to make sure both the Daka Lama and B's girl are saved? Or will they get in each other's way and allow the two to die?
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
The film tells the story of a well-planned robbery of an armored car when it stops at a sports stadium. Yet, the heist goes awry, and a tough Los Angeles cop named Cordell (Charles McGraw) is in hot pursuit.
The lives of an arrogant young motivational speaker in debt to the Chinese mafia, his lookinâ-to-get-out girlfriend, and a single father in dire straits fatefully intertwine in this nail-biting thriller from Singapore that is based, almost unbelievably, on a true story.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
A scientist invents a filter that can increase the power of a laser beam, turning it into a death ray! A dangerous crime organization wants the device and will stop at nothing to get it, while murder and violence follow Joe and Tom to Singapore as they try to foil the evil plans.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
A drunk cop investigates the murder of a sexy blonde. The policeman -who can't remember the night before - starts getting worried when all fingers began pointing at him.
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
Behind the locked doors of a mental institution resides crooked politico Judge Drake (Herbert Heyes), free from prosecution so long as he pretends to be crazy. To get the goods on Drake, private detective Ross Stewart has himself committed to the asylum as a patient. Meanwhile, reporter Kathy Lawrence (Lucille Bremer), posing as Stewart's wife, acts as his liaison to the outside world.
Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
Private detective Philip Marlowe is asked by a publishing executive, Adrienne Fromsett, to locate the wife of her boss, publisher Derace Kingsby. Earlier she had sent her husband a telegram saying she was heading to Mexico to marry Chris Lavery. However Kingsby had recently seen Lavery in the neighbouring Bay City. Marlowe pursues his investigation at the Kingsby's lakeside cottage.
Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.
Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
A psychopathic criminal (Cagney) with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.
Joe (George Raft) and Paul Fabrini (Humphrey Bogart) are Wildcat or, independent truck drivers who have their own small one truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
Orson Welles plays an escaped Nazi war criminal. After the war, he fled to the United States and assumed the name of Charles Rankin. Engaged to the unsuspecting daughter of a Chief Justice of the Supreme Court and posing as a college professor, he had the perfect cover. No one would think to look for a notorious Nazi war criminal in the sacred precincts of the Harper's School...
I Died a Thousand Times is essentially a remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works quite well on its own terms.
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