Main cast Bernie Sanders; Van Jones; Bill McKibben; Jim Hightower; Katrina vanden Heuvel
Genres Documentary
Description Koch Brothers Exposed is a hard-hitting investigation of the 1% at its very worst. This full-length documentary film on Charles and David Kochâtwo of the worldâs richest and most powerful menâis the latest from acclaimed director Robert Greenwald (Wal-Mart: the High Cost of Low Price, Outfoxed, Rethink Afghanistan). The billionaire brothers bankroll a vast network of organizations that work to undermine the interests of the 99% on issues ranging from Social Security to the environment to civil rights. This film uncovers the Kochsâ corruptionâand points the way to how Americans can reclaim their democracy.
Mother, the film, breaks a 40-year taboo by bringing to light an issue that silently fuels our largest environmental, humanitarian and social crises - population growth. Since the 1960s the world population has nearly doubled, adding more than 3 billion people. At the same time, talking about population has become politically incorrect because of the sensitivity of the issues surrounding the topic- religion, economics, family planning and gender inequality. The film illustrates both the over consumption and the inequity side of the population issue by following Beth, a mother, a child-rights activist and the last sibling of a large American family of twelve, as she discovers the thorny complexities of the population dilemma and highlights a different path to solve it.
Ah, the '80s! A time of hair bands and their ludicrous MTV videos filled with spandex-clad band members and skimpily clad bimbos. Kiss: Exposed returns us to that forgettable era, as Paul Stanley and Gene Simmons show how to desperately try to remain cock rock's elder statesmen. This 1987 compilation serves up several now-hilarious video clips from Kiss's '80s "unmasked" period, including "Tears Are Falling," "Heaven's on Fire," "Lick It Up," and "I Love It Loud." (Count the fires burning in these classic video relics of days gone by!) Also on hand are Stanley and Simmons themselves, looking properly embarrassed as they act out rock's biggest fantasy: lounging by the pool with a bevy of (mostly) bare beauties. The saving grace is the generous selection of vintage live performances: hearing the band do "Strutter," "Detroit Rock City," "Ladies Room," and "Deuce" in its late-'70s prime is worth wading through the outdated '80s-style power pop... if you're a real Kiss fan, of course.
The father of American mondo cinema returns to his favorite genre for a final THIS IS America film! Pornstars entertaining war veterans at Vegas, gun conventions, war games and firepower shows, the cremation of Satan Claus, mating animals, sorority house atrocities, redneck fights, ninjitsu training, elderly citizens fighting muggers, drugs, sleazy entertainment, cops VS street gangs, limousine escort services, bank robberies, custom lethal weapons, sex in public, big city morgues, Nazi & white power organizations! This catalogue of sleaze should not be missed! See America EXPOSED in its totally uncensored form!
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
A chronicle of the production problems â including bad weather, actors' health, war near the filming locations, and more â which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
A look at how one investigator spent ten years trying to expose Bernie Madoff's massive Ponzi scheme that scammed an estimated $18 billion from investors.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major players: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The Go-Go Boys tells the inside story of two Israeli-born cousins, the late Menahem Golan and Yoram Globus, who in pursuit of the âAmerican dreamâ turned the Hollywood establishment upside down. Together they produced more than 300 films and founded the most powerful independent film company in the world, Cannon Films, which was responsible for Israeli and mainstream, Hollywood-blockbuster, action/exploitation hits during the duoâs 1980s hey day, starring the likes of Chuck Norris, Jean-Claude Van Damme and Charles Bronson. Up close and personal, and with the complete cooperation of the filmâs subjects, the film examines the complex relationship between two contradictory personalities, whose combined force fueled their successes and eventual split. A film about filmmaking and two dogged, exceptional characters with modest origins taking on the big boys.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
This is Cinerama is a 1952 full-length film designed to introduce the then-new widescreen process Cinerama, which broadens the aspect ratio so the viewer's peripheral vision is involved. This is Cinerama premiered on 30 September 1952 at the New York Broadway theatre, in New York City. The film includes scenes of the roller coaster from Rockaways' Playland, then moves on to a scene of the temple dance from Aida, views of Niagara Falls, a Viennese choir, scenes of the canals of Venice, a military tattoo in Edinburgh, a bullfight, more from Aida, a sound demonstration in stereo, scenes from the amusement park in Cypress Gardens, Florida for a water skiing sequence, and the playing of America the Beautiful as scenes are shown from the nose of a low flying B-25.
he Anecdote (Azerbaijani: LÉtifÉ, Russian: ÐнекдоÑ) is a full-length Azerbaijani film shot in Baku in 1989. Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.
A feature-length documentary chronicling early '80s punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.
Jerry Ross Barrish sees the beauty inâand creates the unexpected out ofâdiscarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Artâs prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farleyâs engaging documentary goes to show. Seeing the playfulness of his pieces, youâll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society
Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building âpersistently and perversely credited to her mentorâher pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities.
2008's critically acclaimed debut album by The Airborne Toxic Event propelled the group onto a world wide stage. They sold hundreds of thousands of albums. Their hit 'Sometime Around Midnight' was named iTunes #1 Alternative Song of the Year. After two years of selling out concerts around the world, the band finished by coming home and playing the most important show of their career. The LA Philharmonic asked the band to curate/perform their own show at the most prestigious musical building in the world, Frank Gehry designed Walt Disney Concert Hall in Los Angeles. All I Ever Wanted is not a concert film, it's a documentary about the struggles, pain and persistence of being in a family. This family happens to be a rock band.
A full-length documentary that follows the history of Captain America from 1941 to present and explores how âCapâ has been a reflection of the changing times and the world he has existed in throughout the years. fans will hear from various Marvel luminaries including Stan Lee, Joe Quesada, Clark Gregg, Ming-Na Wen, Chloe Bennet, Jeph Loeb, Louis DâEsposito, Chris Evans and Hayley Attwell, as well as family members of Capâs creators. âMarvelâs Captain America: 75 Heroic Yearsâ will also unveil an exclusive announcement from Marvel comics.
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
Animals Are Beautiful People (aka Beautiful People) is a 1974 nature documentary about the wildlife in Southern Africa. It was filmed in the Namib Desert, the Kalahari Desert and the Okavango River and Okavango Delta. It was produced for cinema and has a length of slightly more than 90 minutes.
Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of thermonuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egyptâs new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairoâs Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarekâs fall. The life-and-death struggle between the people and the power of the state is still playing out.
ON JUNE 4th 1989, CHINA WAS CHANGED FOREVER. Beijing, May, 1989. the world watched as a hundred students became a thousand, as thousands became a million - and a nation starved of freedom, cried out for a taste of democracy. In this compelling film, director Michael Apted (Nell, Gorillas in the Mist), captures the power and passion of the Tiananmen Square uprising through a unique combination of newsreel footage, dramatic re-enactments and extensive input from the actual student leaders. Exploring their personal histories, reflections and thoughts on the future. MOVING THE MOUNTAIN paints a portrait of courage, conviction, and commitment that the NEW YORK POST calls, "A soaring - and sobering - tribute to the human spirit."
The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the worldâs most influential creators of the digital era.
In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
Russian hints that the country could hand over America's most wanted whistle blower as a favor to Donald Trump place Edward Snowden in even greater danger than before. A secret meeting between global freedom and civil rights campaigners Snowden, Birgitta Jonsdottir and Larry Lessig turns into a freewheeling discussion about the future of democracy.
A road trip across five countries to explore the social and political movements as well as the mainstream media's misperception of South America while interviewing seven of its elected presidents.
A documentary that investigates the ways in which the civil liberties of American citizens and immigrants have been rolled back since September 11 and the passing of the Patriot Act.
Eight years in the making, The Joe Show is a shocking and wildly entertaining documentary about Americaâs most controversial Sheriff, Joe Arpaio, and his ringmasterâs approach to modern media, politics and law enforcement. Joe's desire for fame changes democracy forever and the voters cheer as ratings soar. The Joe Show explores how Joe uses media and his role as Sheriff to make himself the most famous law enforcement officer in the world. Racism, sex crimes, illegal immigration, first amendment rights, deaths at the hands of his employees â even Obamaâs birth certificate â are all issues Joe faces and spins. Featuring Larry King, Steven Seagal, Hugh Downs, Ted Nugent, Dan Ariely and Noam Chomsky A movie that will engage and enlighten both Joeâs detractors and supporters, the Joe Show takes a hard yet balanced look at how democracy can survive when persuading voters becomes more important than protecting them.
A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, 'What has television done to the way we discuss politics in our democracy today?'
Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.
In this tour de force filmed lecture, Slavoj Žižek lucidly and compellingly reflects on belief - which takes him from Father Christmas to democracy - and on the various forms that belief takes, drawing on Lacanian categories of thought. In a radical dismissal of todays so called post-political era, he mobilizes the paradox of universal truth urging us to dare to enact the impossible. It is a characteristic virtuoso performance, moving promiscuously from subject to subject but keeping the larger argument in view.
This documentary details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.
Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
Weâve heard all the insane rumours and scandals attached to the ill-fated 1996 remake of H.G. Wellsâ THE ISLAND OF DR. MOREAU. How director Richard Stanley spent four years developing the project only to be fired after four days of shooting and replaced by John Frankenheimer and how headliner Marlon Brando impacted on that decision. Now for the first time the living key players recount what really happened and why it all went so spectacularly wrong. Stanley spills the juicy beans, stars Fairuza Balk and Rob Morrow give revealing interviews, New Line head Robert Shaye, producers Ed Pressman and Tim Zinnemann chime in and numerous crew from both versions add their reminiscences. David Gregoryâs epic documentary is also a veritable encyclopaedia of behind the scenes footage, concept art and storyboards, creature designs, makeup tests and candid photos to illustrate the shocking tale of eccentric artist vs. Hollywood machine.
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.
With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and Davidâs rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.
In the valleys of Appalachia, a battle is being fought over a mountain, the consequences of which affect every American; it's a battle that has taken innocent lives and threatens to take more. It is a battle over protecting our health and environment from the destructive power of Big Coal. Mining and burning coal is at the epicenter of America's struggle to balance its energy needs with environmental and health concerns. Nowhere is that concern greater than in Coal River Valley, West Virginia, where a small but passionate group of ordinary citizens are trying to stop Big Coal corporations, like Massey Energy, from continuing the devastating practice of Mountain Top Removal.
A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse
Tar Creek is an environmentally devastated area in northeastern Oklahoma with acidic creeks, stratospheric lead poisoning and enormous sinkholes. Nearly 30 years after being designated as a Superfund cleanup program, residents are still struggling.
Follow the Manhattan-based Beavan family as they abandon their high consumption 5th Avenue lifestyle and try to live a year while making no net environmental impact.
David Attenborough investigates the latest scientific research to discover whether or not there is a global environmental crisis, and, if so, what solutions there are to it.
The story of our growing awareness and understanding of the environmental crisis and emergence, during the 1960's and '70's, of popular movement to confront it.
Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.
Virunga in the Democratic Republic of the Congo is Africaâs oldest national park, a UNESCO world heritage site, and a contested ground among insurgencies seeking to topple the government that see untold profits in the land. Among this ongoing power struggle, Virunga also happens to be the last natural habitat for the critically endangered mountain gorilla. The only thing standing in the way of the forces closing in around the gorillas: a handful of passionate park rangers and journalists fighting to secure the parkâs borders and expose the corruption of its enemies. Filled with shocking footage, and anchored by the surprisingly deep and gentle characters of the gorillas themselves, Virunga is a galvanizing call to action around an ongoing political and environmental crisis in the Congo.
Today in the United States, by the simple acts of feeding ourselves, we are unwittingly participating in the largest experiment ever conducted on human beings. Each of us unknowingly consumes genetically engineered food on a daily basis. The risks and effects to our health and the environment are largely unknown. Yet more and more studies are being conducted around the world, which only provide even more reason for concern. We are the oblivious guinea pigs for wide-scale experimentation of modern biotechnology. GMO OMG tells the story of a fathers discovery of GMOs in relationship to his 3 young children and the world around him. We still have time to heal the planet, feed the world, and live sustainably. But we have to start now!
A look at man's relationship with Dirt. Dirt has given us food, shelter, fuel, medicine, ceramics, flowers, cosmetics and color --everything needed for our survival. For most of the last ten thousand years we humans understood our intimate bond with dirt and the rest of nature. We took care of the soils that took care of us. But, over time, we lost that connection. We turned dirt into something "dirty." In doing so, we transform the skin of the earth into a hellish and dangerous landscape for all life on earth. A millennial shift in consciousness about the environment offers a beacon of hope - and practical solutions.
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